REVIEW: Moonrise [1948]

“Anyone can make a mistake” Danny Hawkins (Dane Clark) kills a man. This is indisputable. Was it self-defense? Maybe. While his victim (Lloyd Bridges‘ Jerry Sykes) picked up the rock that would be his own demise first, it’s Danny who restarts what was a fair fight after already being soundly defeated. So while Jerry raised […]

REVIEW: Trespassers [2019]

“Sometimes you just can’t stop what’s coming” The film opens on an affluent white couple living close enough to the Mexican border for another character to later say, “You can’t open the door to strangers in today’s society.” They’re awoken by three men in masks made to look like MS-13 gang members, dragged out, and […]

REVIEW: Luz [2019]

“You see a girl and reveal your true self” It’s been years since a demonic entity has seen the woman it loves—she who conjured it to the surface before being driven out from the place in which she did. Tonight was a chance reunion wherein familiarity was quickly replaced by violence before a yet-unseen escape […]

REVIEW: New Money [2019]

“You gotta look nice for bankers” The prize at the center of Jason B. Kohl‘s New Money is fifty thousand dollars. While the characters like to label it an inheritance, their descriptions prove otherwise. It’s more a promise made by a father (Chelcie Ross‘ Boyd Tisdale) to his troubled daughter (Louisa Krause‘s Debbie). If she […]

REVIEW: Into the Mirror [2019]

“You don’t have to be lost forever” What started as a script for a five-minute short by Jamie Bacon and Charles Streeter soon developed into the sixty-five-minute feature film Into the Mirror after handing it over to visual artist Lois Stevenson. She saw the potential to expand it outwards to become the colorfully nightmarish fantasy […]

REVIEW: John Wick: Chapter 3 – Parabellum [2019]

“Rules and consequences” Like the Purge series before it, John Wick is proving to be a money-making franchise that loves to let its mythology gradually unfold in a way that familiarizes via a personal experience prior to zooming out so the systemic issues beyond one man’s home can be revealed. While we still stay with […]

REVIEW: Domino [2019]

“Nothing works like vengeance” Director Brian De Palma made a wise decision distancing himself from the long-awaited release of Domino. Not only was it a troubled production he admits was ruled by unprofessional Danish producers that didn’t pay people on time (if ever), but he also didn’t write the script (that credit goes to Petter […]

REVIEW: Fuga [Fugue] [2018]

“Prison would be better” Stories dealing with amnesia generally gravitate towards a heartwarming conclusion wherein a character regains his/her bearings to live happily ever after within the life they lost. This reality is due to the fact that the afflicted is often found soon after the incident that’s left them unfamiliar with their former self. […]

REVIEW: Velvet Buzzsaw [2019]

“All art is dangerous” The underlying idea of Dan Gilroy‘s art world horror Velvet Buzzsaw is an intriguing one because it forces us to realize how extensive the profiteering branch patterns of one single canvased tree of paint are. There’s the artist seeking notoriety, the gallery owner providing it, the consumers catching a glimpse at […]

REVIEW: The Spanish Prisoner [1998]

“Dog my cats” Anyone who’s on social media has seen the “name” memes where your “whatever name” is formed by that of the first pet you owned and your grandmother’s maiden name—or some riff on this pattern. Everyone does it because it’s fun and they’ve been trained like sheep to participate in such activities so […]

REVIEW: The Curse of La Llorona [2019]

“She’s already here” When Warner Bros. decided to capitalize on the box office and critical success of James Wan‘s The Conjuring by crafting an extended universe of creepy spirits with a feature length tale born from that film’s prologue, the results were not great. Annabelle felt rushed at best and retrofitted at worst—a generic horror […]