REVIEW: Fuga [Fugue] [2018]

“Prison would be better” Stories dealing with amnesia generally gravitate towards a heartwarming conclusion wherein a character regains his/her bearings to live happily ever after within the life they lost. This reality is due to the fact that the afflicted is often found soon after the incident that’s left them unfamiliar with their former self. […]

REVIEW: Velvet Buzzsaw [2019]

“All art is dangerous” The underlying idea of Dan Gilroy‘s art world horror Velvet Buzzsaw is an intriguing one because it forces us to realize how extensive the profiteering branch patterns of one single canvased tree of paint are. There’s the artist seeking notoriety, the gallery owner providing it, the consumers catching a glimpse at […]

REVIEW: The Spanish Prisoner [1998]

“Dog my cats” Anyone who’s on social media has seen the “name” memes where your “whatever name” is formed by that of the first pet you owned and your grandmother’s maiden name—or some riff on this pattern. Everyone does it because it’s fun and they’ve been trained like sheep to participate in such activities so […]

REVIEW: The Curse of La Llorona [2019]

“She’s already here” When Warner Bros. decided to capitalize on the box office and critical success of James Wan‘s The Conjuring by crafting an extended universe of creepy spirits with a feature length tale born from that film’s prologue, the results were not great. Annabelle felt rushed at best and retrofitted at worst—a generic horror […]

REVIEW: The Hummingbird Project [2019]

“What’s at the end of the line?” Vincent Zaleski (Jesse Eisenberg) and his cousin Anton (Alexander Skarsgård) work for a stock trader in New York City (Salma Hayek‘s Eva Torres) and seem to be doing well. Writer/director Kim Nguyen doesn’t give any specifics as to their salaries and whatnot, but we visit one of their […]

REVIEW: Hotel Mumbai [2019]

“Remember, the whole world will be watching” An Indian man who’s risked his life helping to save wealthy guests at the posh hotel where he works as head chef (Anupam Kher‘s Oberoi) is imploring a group dead-set on venturing into bullet-riddled hallways to remain in the exclusive (and therefore hard to enter) club chambers where […]

REVIEW: Strangers on a Train [1951]

“I certainly admire people who do things” The idea is a provocative one. Two strangers meet and talk about a person in their lives that would objectively be better to them dead than alive. The conversation evolves towards murder in seeming jest until one presents the possibility that they could trade targets and do the […]

REVIEW: The Wedding Guest [2019]

“That’ll be a lot more work” There’s actually a lot to like about Michael Winterbottom‘s The Wedding Guest from its performances to its locale and onwards towards its characters always proving to be more than our preconceptions initially allow. We’re talking about a serious criminal in Jay (Dev Patel) who has the ability and mindset […]

REVIEW: The Killing of a Chinese Bookie [1976]

“Got the world by the balls” It’s a wild beginning with Cosmo Vittelli (Ben Gazzara) paying off a guy (Al Ruban‘s Marty) we assume let him borrow money to create his now successful club. Fast-forward to him introducing his seedy establishment’s main act in Mr. Sophistication (Meade Roberts) and the naked girls the audience has […]

REVIEW: Serenity [2019]

“Go catch that fish, Dill” **Spoilers** I was rooting for Steven Knight‘s Serenity long before sitting down at the theater. Why wouldn’t I? The trailer had it looking like one of my favorite types of films—namely the sort wherein what we see and experience ultimately proves to be the inner-workings of a troubled, delusional mind. […]

REVIEW: Braid [2019]

“Reality will never keep up with our dreams” Our lives consist of uncertainties. To progress forward is to confront each new possibility as the product of dream or nightmare—an open door to leap through and succeed or a closed window to surrender all hope of escape. We retreat within ourselves for the motivation to jump […]