REVIEW: Blade Runner [1982]

“All those moments will be lost in time like tears in rain” An over-populated Earth circa 2019 uses synthetic androids known as replicants for the hard labor of colonization. Their lifespans are barely four years long, their circuitry prone to fits of amoral aggression. Each subsequent version becomes stronger and smarter, the risk of mutiny […]

REVIEW: The Osiris Child: Science Fiction Volume One [2017]

“Insanity is a very common affliction around these parts” Here’s the harsh truth: a low-budget sci-fi from Australia propped up by its secondary lead because the actor playing him is the most recognizable and thus “bankable” star involved is never a home run. Sorry Kellan Lutz, but it’s not. The result conjures the type of […]

BIFF17 REVIEW: Prodigy [2017]

“Love is the guise under which selfishness operates” Guilt is a powerful thing. It can make you act in ways that go against your own survival and yet still ensure those actions are selfishly motivated. You aren’t necessarily acting to help another or have their best interests in mind. You’re goal is to make-up for […]

REVIEW: Videodrome [1983]

“Better on TV than on the streets” To watch David Cronenberg‘s Videodrome today is to acknowledge his clairvoyance as far as technology’s capacity to control via (mis)information. He filmed this body horror classic about subliminal messaging in mass consumption in 1983: years before the political firestorm in 1992 revolving around ubiquitous violence in videogames via […]

FANTASIA17 REVIEW: Sequence Break [2017]

“Let the void look into you” Introversion and high anxiety are real and can be triggered by the tiniest of things or the lack thereof. Oz (Chase Williamson) has struggled with both his entire life, that insecurity in social situations driving him towards the world of videogames. The joy of solitude playing them and being […]

FANTASIA17 REVIEW: S.U.M.1 [2017]

“We will fight for our future. Your future.” It’s been decades since a new world order changed Earth forever, an alien invasion by creatures known as the Nonesuch forcing humanity underground. The old guard who survived remembers the war that drove them subterranean, memories of life on the surface and the beasts that present-day generations […]

REVIEW: Valerian and the City of a Thousand Planets [2017]

“We can forgive, but we will never forget” Sci-fi fantasy Valerian and the City of a Thousand Planets is the most expensive European and independent (anywhere) production ever at approximately $200 million dollars—high enough that writer/director/producer Luc Besson pretty much leveraged his distribution shingle EuropaCorp before bringing STX on as a partner to defer costs […]

REVIEW: Spider-Man: Homecoming [2017]

“Guy in the chair” Here’s an unpopular opinion for you: I enjoyed The Amazing Spider-Man 2. Yes, the one with a blue Jamie Foxx. The only reason I bring it up is to say even I was dreading the proposed villain team-up spin-off and inevitable trilogy capper seemingly arriving at a place wherein Peter Parker’s […]

REVIEW: Transformers: The Last Knight [2017]

“You’re running out of tomorrows” Fact: Transformers: The Last Knight is its franchise’s most entertaining entry. While I definitely felt ready to nod off during my original trilogy refresher course this week—and actually shut my eyes a couple times during Age of Extinction—this latest installment had me wide-eyed and interested throughout its 149-minutes (the series’ […]

REVIEW: Transformers: Age of Extinction [2014]

“I know you have a conscience because you’re an inventor like me” There’s a problem when the first, expository-heavy hour of a three-hour Transformers action extravaganza shines above the rest. Michael Bay has looked upon this franchise from the start as an excuse to put explosions and destruction onscreen alongside cheesy and sometimes offensive comedy […]

REVIEW: Alien: Covenant [2017]

“One wrong note eventually ruins the entire symphony” I was in the minority with Prometheus in 2012, declaring its brilliantly nuanced story diving beneath its genre conventions as the best entry in the Alien franchise since the original. It was spirituality-tinged science fiction whereas Ridley Scott‘s 1979 classic was character-based horror with palpable emotion-laden terror. […]