REVIEW: Medicine for Melancholy [2009]

“It’s funny cause it’s not funny” We meet Micah (Wyatt Cenac) and Joanne (Tracey Heggins) without any context beyond the obvious fact that they slept together the night before. They’ve awakened in someone else’s bed, eventually taking turns in the bathroom to brush their teeth with their fingers. She seems embarrassed, covering up and staying […]

REVIEW: Love, Simon [2018]

“You’re still you” There have been crazier premises for coming-of-age romantic comedies than having the lead fall in love via email with someone they’re afraid they’ll never meet. Unrequited love is nothing new to the genre and neither is an escalating series of mishaps and intentionally misleading manipulation on behalf of the lead towards his […]

REVIEW: November [2017]

“The two of you with your frozen souls” What is the point of having a soul if everyone around you doesn’t? I think that’s the central question asked by Rainer Sarnet‘s November, a bleakly told Estonian fairy tale tragedy adapted from Andrus Kivirähk‘s novel Rehepapp. At its core is romance—the kind based in unrequited love […]

REVIEW: Entanglement [2018]

“Just let go” We’ve all asked the question: “What does our life mean?” Some of us do so out of curiosity, some out of boredom, and others from a place of desperation. Ben Layten (Thomas Middleditch) falls in the latter category after the wife he loved so deeply for many years leaves him for another […]

REVIEW: Ava [2017]

“They won’t spoil our summer” Knowing your sight will leave you prematurely is a tough pill to swallow. Being told at age thirteen that the process had sped up to the point where all night vision would be gone by summer’s end is nothing short of devastating. Unfortunately this is the news Ava (Noée Abita) […]

REVIEW: Phantom Thread [2017]

“You found me” I’m not sure there’s a better director working today than Paul Thomas Anderson. I don’t say this as a long-time fan that calls Magnolia his favorite film of all-time. I say it as someone who’s watched his career expand and evolve in orchestration, aesthetic, tone, and performance. There’s an air about his […]

REVIEW: Future ’38 [2017]

“Watch this classified film strip briefing” If you ask how scientists are smart enough to invent time travel yet can’t find a way to defeat Hitler without needing time travel to augment their weapon’s power, Jamie Greenberg has succeeded. He’s succeeded if you don’t ask that question too because you’ll have given yourself fully to […]

REVIEW: Call Me By Your Name [2017]

“‘Cause I wanted you to know” It wasn’t until three-quarters of the way through Luca Guadagnino‘s Call Me By Your Name that I finally began to understand the almost universal praise bestowed upon it since debuting at Sundance. Up until then it merely felt like a familiar coming-of-age film wherein the teenager in question was […]

REVIEW: Their Finest [2017]

“Authenticity, optimism, and a dog” As the Blitz raged and British soldiers continued to pour into Europe to try and push the Germans back, those left at home to take cover during air raids and do their part in factories still needed something to keep morale high when it all looked so futile. One such […]

REVIEW: The Shape of Water [2017]

“We’re all alone” Leave it to Guillermo del Toro to create an adult fantasy in the vein of Beauty and the Beast wherein there is no “beauty,” only the “other.” It’s one thing to read or watch a tale of overcoming the odds as a child with a specimen of perfection finding it in his/her […]

REVIEW: Thelma [2017]

“Jesus Satan” The moment you leave home for college is the moment your parents say, “Have fun, but don’t lose who you are in the process.” It’s a worthwhile sentiment that we often take for granted as an implicit notion that we are who we will remain despite embarking on a journey full of unknown […]