REVIEW: A Star Is Born [2018]

“I love the way she sees them” It began with Hollywood as William A. Wellman and Robert Carson won an Oscar for their story about a young actress dreaming of super stardom in 1937. From there it went the way of the movie musical thanks to Judy Garland taking the lead before earning six nominations […]

REVIEW: Miller’s Crossing [1990]

“I’ll think about it” The mob is a business like any other. Leadership must be strong and decisive, employees must be loyal to a fault, and every once in a while you have to cut someone you like loose in order to not anger someone you might like less but definitely need more. Despite everything […]

REVIEW: Blaze [2018]

“Never stand in the way of true love” You have to respect the way Ethan Hawke approached his latest film Blaze and its central character Blaze Foley. He’d never heard the artist’s name or music until being stopped in his tracks upon listening to John Prine cover “Clay Pigeons.” That sparked an interest for research […]

REVIEW: Smallfoot [2018]

“True your aim” Would it be hyperbolic to call Smallfoot the most dangerous film of the year? Definitely … and yet it wouldn’t necessarily be wrong. Yes there’s a wholesome message at the back of what Karey Kirkpatrick (who co-directed with Jason Reisig and co-wrote with Clare Sera from a previous script that itself was […]

TIFF18 REVIEW: Retrospekt [2018]

“Every Wednesday and … coffee” I can’t think of a better term to describe Esther Rots‘ Retrospekt than her own: “sensory cinema.” We get a feeling for what this means during the opening scene as Dan Geesin‘s score and Bas Kuijlenburg’s boomingly operatic baritone drowns out the action onscreen with English lyrics telling a story […]

TIFF18 REVIEW: Hjertelandet [Heartbound] [2018]

“I can sell my body if it helps my family” A film ten years in the making, anthropologist Sine Plambech and her director husband Janus Metz‘s open a door with Hjertelandet [Heartbound] onto an intriguing humanist story dealing with the complexities of life, love, and survival that spans almost nine thousand kilometers from Thailand to […]

TIFF18 REVIEW: The Third Wife [2018]

“One day you’ll like it for real” It’s 19th century Vietnam and fourteen-year old May (Nguyen Phuong Tra My) has just been married to a wealthy landowner named Hung (Long Le Vu). She wears a genuine smile on her face, this next chapter in life as hopeful as it is scary. She has two other […]

TIFF18 REVIEW: Las niñas bien [The Good Girls] [2018]

“So happy. We’re so happy.” Sofía Hernandez (Ilse Salas) has everything: three children she can ignore, servants and maids to take care of her every whim, and a husband (Flavio Medina‘s Fernando) who inherited his wealth from his father and still has yet to really work for it thanks to Uncle Javier (Diego Jáuregui) managing […]

TIFF18 REVIEW: Posledice [Consequences] [2018]

“I am what I am” Andrej (Matej Zemljic) is an eighteen-year old abuser. He’s stopped going to school, started getting into fights, disrespects his parents, and most recently hit a teen after she berated him for his not wanting sex. It’s an escalating series of incidents that no one is willing to deal with anymore, […]

REVIEW: Appropriate Behavior [2015]

“I hate so many things too” It would be easy to minimize the broken relationship at the heart of Desiree Akhavan‘s debut feature Appropriate Behavior to Shirin’s (Akhavan) inability to come out as bisexual to her traditional Iranian parents. This is obviously a factor after watching her ex-girlfriend’s (Rebecca Henderson‘s Maxine) increasing frustrations via flashbacks […]

REVIEW: A Happening of Monumental Proportions [2018]

“Choose, commit, and move” Men have it tough don’t they? I mean they have to worry about married women they’ve engaged in inner-office affairs with ratting them out to the new boss. Some are forced to face the crushing existential crisis that comes with their failed pipe dreams of rock stardom revealing how they’re nothing […]