REVIEW: Thelma [2017]

“Jesus Satan” The moment you leave home for college is the moment your parents say, “Have fun, but don’t lose who you are in the process.” It’s a worthwhile sentiment that we often take for granted as an implicit notion that we are who we will remain despite embarking on a journey full of unknown […]

REVIEW: Psychopaths [2017]

“Evil’s a straight and simple ‘just because’” It’s hard to reject a film as having no substance when its narrator apologizes for that very fact. Was its hollowness therefore an intentional commentary on the empty nihilistic void that we call life or was the filmmaker throwing us for a “meta” loop with a tongue-in-cheek laugh […]

REVIEW: Mudbound [2017]

“They say it’s bad luck to watch somebody leave” People too often speak about America’s scars as though the damage was done, skin healed over, and remnants already mostly faded away. But this isn’t true. Ask any member of a group that has been marginalized from the moment Europeans landed on the Atlantic shore until […]

REVIEW: Mercy Christmas [2017]

“Fresh is best” Michael Briskett (Steven Hubbell) awakens in a dark room with plastic sheets covered in blood hung behind him. It’s imagery you’ve seen countless times in horror films—butcher accoutrement readied for torture porn carnage. But writer/director Ryan Nelson (alongside Beth Levy Nelson as co-writer) is only giving us a tease of what’s to […]

REVIEW: The Square [2017]

“Do you want to save a human life?” You always hear labels like “before its time” or “of its time,” but what about “beyond its time?” The latter is the phrase I would use to describe Ruben Östlund‘s Palme d’Or-winning (Cannes) The Square because everything it tries to say in a “pay attention before it’s […]

REVIEW: Wonderstruck [2017]

“It’s never the right time” What do a deaf (from birth) girl in 1920s New Jersey and hearing-impaired (due to a recent accident) boy in 1970s Minnesota have in common besides their struggle to communicate? We’ll just have to wait until author/screenwriter Brian Selznick and director Todd Haynes are ready to let us know. In […]

REVIEW: Okja [2017]

“Very healthy!” I’m far from a vegetarian or a pet/animal lover, but I get the reasons why people would be both. And no matter how much I enjoy eating red meat, even I would have to draw the line when confronted with a “Meet your meat” type scenario. What purpose is drawn from such a […]

REVIEW: The Man Who Invented Christmas [2017]

“Why throw everything away for a minor holiday?” As Les Standiford‘s book would tell it, Charles Dickens (Dan Stevens) found himself in somewhat of a creative rut after a lengthy and expensive tour of America post-Oliver Twist. He had published three flops since buying a new London home in need of wholesale remodeling and began […]

REVIEW: Roman J. Israel, Esq. [2017]

“Hope don’t get the job done” There’s something about introverted characters (possibly on the Autism spectrum) with poor social cues battling their own internal morality that writer/director Dan Gilroy loves. Nightcrawler saw a hard-working sociopath sever ties with virtue before gleefully embracing the spoils of his decision. Gilroy provided a descent into the nightmarish hell-scape […]

REVIEW: The Disaster Artist [2017]

“Give me your pinky” If I hadn’t known already, James Franco‘s The Disaster Artist confirms it: I’m not a connoisseur of the “cringe laugh.” I’ve always been the one attendee of a midnight screening of a C-list film who isn’t laughing because the artists who put what I’m watching together didn’t mean for it to […]

REVIEW: Porto [2017]

“You never know if what you’ve lost is better than what you’ve gained” An American ex-pat reminisces about lost love, his walk through the Portuguese town of Porto leading to the café window of an old late-night conversation conducted with absolute honesty, vulnerability, and empathy. His hair is grayed, the time between widescreen past and […]