REVIEW: Unrest [2017]

“I just thought I would have more time” You can tell a lot about someone with the question: “What are your thoughts on Chronic Fatigue Syndrome (CFS) or Myalgic Encephalomyelitis (ME)?” The answer is “Yes” or “No” and yet the latter has the potential of holding an infinite number of biases stemming from the likes […]

REVIEW: Jane [2017]

“I wanted to do things men did and women didn’t” It was 1960 when Louis Leakey enlisted his animal-loving secretary Jane Goodall to spearhead a one-person study of the Kasakela chimpanzees in Gombe, Tanzania. She had no formal training or experience with the task, but that was part of her appeal. Leakey didn’t want preconceptions […]

REVIEW: Schlafkrankheit [Sleeping Sickness] [2011]

“My fate is in your hands” Is colonialism dead? It’s a question for which you would instantly answer “No” and yet still wonder if perhaps such a binary response is too simplistic. You would have to define colonialism and whether or not actual, recognized control of a land is the same as a more insidious […]

REVIEW: Darkest Hour [2017]

“It’s not a gift. It’s revenge.” Did you know Winston Churchill was given the Prime Minister position during World War II as a means to appease the opposition party before quickly removing him (once he failed like he always did) for the Conservatives’ actual choice to replace Neville Chamberlain? It’s quite the bit of intrigue […]

REVIEW: Coco [2017]

“Seize your moment” Disney and Pixar have lately begun to tell more stories that aren’t intrinsically linked to their white male sensibilities (even if they have a tendency to push out voices that should be talking for their characters like Brenda Chapman on Brave). It’s definitely an evolutionary process—one that might actually be helped with […]

REVIEW: Olaf’s Frozen Adventure [2017]

“Tell us yours and we’ll tell you if it’s special enough” A short film like Olaf’s Frozen Adventure epitomizes the law of diminishing returns: for audiences, not Disney. The studio is surely making a ton of merchandise money with little work involved considering the characters are already at their disposal. We’re talking a couple directors, […]

REVIEW: The Shape of Water [2017]

“We’re all alone” Leave it to Guillermo del Toro to create an adult fantasy in the vein of Beauty and the Beast wherein there is no “beauty,” only the “other.” It’s one thing to read or watch a tale of overcoming the odds as a child with a specimen of perfection finding it in his/her […]

REVIEW: The Rape of Recy Taylor [2017]

“They thought the black woman’s body didn’t belong to her” You may not know the name Recy Taylor, but you’ve definitely heard her story. It’s one of rape, lies, and cover-ups. It’s one of irreparable physical and psychological damage that still affects her family more than seventy years later. And it’s also one about a […]

REVIEW: The Post [2017]

“Quality drives profitability” Let’s be real: every Steven Spielberg film is a must-see, hype-driving machine. He’s a cinematic giant who rarely chooses a project to direct without extreme enthusiasm and artistic purpose (whether the result proves timeless or not). But no one could be blamed for letting excitement crescendo higher than usual upon hearing about […]

REVIEW: Loving Vincent [2017]

“Life can even bring down the strong” The stats are incredible: 125 artists animating a feature-length film over seven years based on 800 personal letters with 65,000 individually-painted oil frames. You read those numbers and wonder if it was worth the trouble when a traditionally shot narrative featuring its faux “rotoscoped” actors would have been […]

REVIEW: Downsizing [2017]

“Lots of people are in pain, Ma. In all sorts of ways.” It’s an ingenious comedic premise. With Earth’s population untenable, a couple of Norwegian scientists discover a way to combat our impending doom: genetic shrinkage. With a syringe of blue formula and a microwave oven (the logistics are never explained beyond surface visuals), any […]