REVIEW: Gringo [2018]

“Why’s everyone talking about gorillas all of a sudden?” You wouldn’t be wrong to view the trailer for Gringo and think, “I’ve seen this before.” You wouldn’t be wrong to assume it gave away the entire plot either—mild-mannered American is used by his ruthless bosses to perform a dangerous job they refuse to attempt and […]

REVIEW: The Party [2017]

“Another announcement. Good God.” I admire what Sally Potter is trying to do with her black comedy The Party as experiment. She’s placed a group of friends with different political, economic, and romantic views into a single room, hanging a secret(s) over their heads with the potential to destroy their individual and communal identities. They’re […]

REVIEW: La montaña sagrada [The Holy Mountain] [1973]

“You are excrement. You can change yourself into gold.” To wish an art film took itself more seriously seems counterproductive considering most art films have their head so far up their backside that it would be impossible for them to do so. I love Matthew Barney‘s Cremaster series because it is so excessively pretentious and […]

REVIEW: Sing Song [2017]

“I’m looking for my eyes in your eyes” For Dutch teenager Jasmine (Georgiefa Boomdijk), her homeland of Suriname (a northeastern South American country) is a footnote. She knows little about it or the mother she and her father Winston (Maurits Delchot) left behind sixteen years previously. He refuses to talk about anything pre-Netherlands so her […]

REVIEW: Liyana [2018]

“And you are going to tell her story” There’s multiple ways to tell stories depending on the message you wish to instill. So when the subject you’re tackling concerns a country like Swaziland with a rampant AIDS epidemic and the resulting insanely high orphanage rate, you can choose a path towards the stark futility of […]

REVIEW: Mohawk [2018]

“In my experience it’s the white man who does the scalping” War is an interesting concept wherein life is both priceless and worthless depending upon which side you call yours. When it’s a matter of taking something that you want but do not possess, those who currently hold it are expendable. And when they fight […]

REVIEW: Annihilation [2018]

“Sometimes it’s beautiful” Reflections have been the subject of many fantasies whether it’s Through the Looking-Glass or Poltergeist III. The notion that a double exists in a different world conjures an unavoidable eeriness and the possibility of usurpation wherein fiction could become truth. It’s easy to therefore see the inherent duality as a good versus […]

REVIEW: Hannah [2018]

“He’s not coming” To see the titular character (Charlotte Rampling) at the start of Andrea Pallaoro‘s Hannah is to see someone like any other. She rides public transportation to her eccentric acting class, cooks dinner, and enjoys a quiet evening beside her spouse. The film’s start is ostensibly a silent one with only the noises […]

REVIEW: November [2017]

“The two of you with your frozen souls” What is the point of having a soul if everyone around you doesn’t? I think that’s the central question asked by Rainer Sarnet‘s November, a bleakly told Estonian fairy tale tragedy adapted from Andrus Kivirähk‘s novel Rehepapp. At its core is romance—the kind based in unrequited love […]

REVIEW: La passion de Jeanne d’Arc [The Passion of Joan of Arc] [1928]

“His ways are not our ways” The history of Carl Theodor Dreyer‘s masterwork La passion de Jeanne d’Arc [The Passion of Joan of Arc] is almost too perfectly attuned to the subject matter itself. Here was a renowned director hired to craft a movie about France’s most famous Catholic despite being neither French nor Catholic. […]

REVIEW: Black Panther [2018]

“We had to maintain the lie” It’s easy to forget how important Creed was to getting this specific Black Panther made. From Wesley Snipes wanting to get something off the ground in the 1990s to Kevin Feige courting Ava DuVernay as director post-Selma success, things could have been very different. Hiring Ryan Coogler before his […]