REVIEW: Entanglement [2018]

“Just let go” We’ve all asked the question: “What does our life mean?” Some of us do so out of curiosity, some out of boredom, and others from a place of desperation. Ben Layten (Thomas Middleditch) falls in the latter category after the wife he loved so deeply for many years leaves him for another […]

REVIEW: Looking Glass [2018]

“I just needed some air” I can’t stop going back to an old Variety report from 2016 that contained a Braxton Pope quote about producing Looking Glass as what was then to be music video director Dori Oskowitz‘s feature length debut. He spoke about how excited he was to partner with the artist in bringing […]

REVIEW: The Silent Child [2017]

“Orange juice” Director Chris Overton and writer Rachel Shenton pull no punches with their short on deaf awareness entitled The Silent Child. What could have been a cloying piece about parents thawing to the realities of a life they pretend they’re too busy to see with eyes open proves a rather bleak depiction of how […]

REVIEW: The Eleven O’Clock [2017]

“I’m simply waiting patiently” I love a good wordplay gag delivered at breakneck speed, the sort “A Bit of Fry and Laurie” used to deliver when Stephen Fry went rapid-fire nonsense on Hugh Laurie without a stutter, laugh, or breath. Director Derin Seale‘s short film The Eleven O’Clock is a wonderful comedic scenario in that […]

REVIEW: Watu Wote [All of Us] [2017]

“You’ll have to kill us all” It’s dispiriting to constantly watch as Muslims are forced to defend themselves against the bigotry of Catholics who blindly reject their entire religion as one synonymous with terrorism. Looking back upon history (and the present) to see the horrors committed by Christians under the guise of “acts of God” […]

REVIEW: Revolting Rhymes Part One [2016]

“They’re just stories. You know … for children.” Have you ever listened to a fairy tale and lamented the poor villains simply trying to survive? You hear “Little Red Riding Hood” and think about how the wolf is operating by instinct. He sees a potential meal and using cunning ingenuity does all he can to […]

REVIEW: Heroin(e) [2017]

“Getting high on heroin is to you what it would be like to kiss Jesus” We too often see a problem in its worst form via “scared straight” videos that depict it in all its graphic detail for those living within its clutches. Drug use is the main culprit for this type of vehicle because […]

REVIEW: Traffic Stop [2017]

“I did not trust him” Some topics deserve the time to delve underneath the surface of what we see, know, and assume. The violent arrest of Breaion King is one such incident where thirty minutes is simply not enough. But that’s what director Kate Davis has to deliver the intricacies of what occurred in the […]

REVIEW: Winchester [2018]

“I died” You wouldn’t think to use the word timely to describe a horror movie about a place known as the Winchester Mystery House wherein a black lace-veiled woman feels the presence of ghosts and locks them away in specially built rooms with thirteen nails, but here we are. The reason stems from why this […]

REVIEW: Negative Space [2017]

“Perfect” We all hold onto a specific memory of someone close upon his/her death—a moment or moments special to us despite being uneventful to everyone else. Our relationship with the person defines what it is subconsciously. It could be a song, a movie, a vacation spent together, or perhaps even one spent apart. It can […]

REVIEW: Garden Party [2017]

Just when we think a large amphibian covered in caviar and salivating at a glass jar of cookies inside a deserted mansion will be the most memorable shot of Garden Party—a French short directed by committee (Florian Babikian, Vincent Bayoux, Victor Caire, Théophile Dufresne, Gabriel Grapperon, and Lucas Navarro)—the sextet leaves us with an image […]