REVIEW: At Eternity’s Gate [2018]

“I am my paintings” Vincent Van Gogh is quite the enigmatic figure in the art world as a man whose genius was ahead of its time. His greatest works were painted in the final two years of his life while combatting multiple psychotic breaks and asylum stays. People called his art ugly and dismissed his […]

REVIEW: L’empire de la perfection [John McEnroe: In the Realm of Perfection] [2018]

“Indeed, it seems he’s playing himself” Titled L’empire de la perfection [In the Realm of Perfection] for French audiences, it’s interesting to see the addition of the name John McEnroe for American release. That’s not to say it doesn’t belong since Julien Faraut‘s documentary is very much about the famed tennis player, but that its […]

REVIEW: 未来のミライ [Mirai no Mirai] [Mirai] [2018]

“I don’t like everyone!” Young Kun (Moka Kamishiraishi) is excited to welcome his mother (Kumiko Asô) home after giving birth to his baby sister. I single out “mother” because she’s whom he misses. Dad (Gen Hoshino) has never really been around due to constantly working so Kun doesn’t necessarily have any affinity for the man. […]

REVIEW: Support the Girls [2018]

“Sad dudes is my business” To mention an establishment like Hooters is to receive a broad spectrum of opinions. There are those who judge anyone that’s ever stepped foot in one for the way it demeans and objectifies women, those who see it as an effective means towards giving young women a living wage via […]

REVIEW: The Possession of Hannah Grace [2018]

“Green means go” Megan Reed (Shay Mitchell) is so intentionally drawn for the plot of The Possession of Hannah Grace that you can take bets before sitting down on whether she’ll prove the hero (itching for redemption as a former cop who froze when her partner was shot and killed in the field) or future […]

REVIEW: The House That Jack Built [2018]

“The choice is entirely yours” I can’t wait to discover what’s next for Lars von Trier‘s oeuvre. He followed his Dogme 95 phase with a period steeped in depression and now that one has seemingly just ended with [the blatantly autobiographical] film The House That Jack Built. At its center is the personification of this […]

REVIEW: リズと青い鳥 [Rizu to Aoi tori] [Liz and the Blue Bird] [2018]

“I hope that day never comes” The filmmakers behind リズと青い鳥 [Rizu to Aoi tori] [Liz and the Blue Bird] did a smart thing: they took an existing property (Ayano Takeda‘s novel series Sound! Euphonium which has subsequently become a manga, anime series, and film) and expanded upon two of its secondary characters by allowing them […]

REVIEW: The Mercy [2018]

“What if I tell them I’m here?” I had never heard of Donald Crowhurst before seeing James Marsh‘s film The Mercy. This is unsurprising since the British Sunday Times‘ Golden Globe Race of which he was a competitor occurred in 1968, not quite fifteen years before my birth. And if his would-be return-date to Teignmouth, […]

REVIEW: Green Book [2018]

“Does Betty like butter … er?” First things first: racism isn’t funny. It’s surprising that something so important can be forgotten so often, but here we are with another cinematic example of the opposite. What’s worse is that the story director/co-writer Peter Farrelly is bringing to the big screen with intentional beats rendering a wisecracking […]

REVIEW: Widows [2018]

“This isn’t your world” When the first trailer for Widows dropped, I thought, “Steve McQueen is branching out to genre fare now.” This wasn’t a slight, just an observation. I obviously wanted to see it, but thought I could wait before the notes out of TIFF declared it a must-see. Suddenly I needed to reevaluate […]

REVIEW: Ralph Breaks the Internet [2018]

“You said I was trenching!” I knew things weren’t going to go as hoped when the lack of a short film before Ralph Breaks the Internet brought a filmed introduction by three of its middle-aged, male creators instead. They pretend as though they’re personally beaming themselves into our theater to share their gratitude with fake […]