REVIEW: 7:35 de la mañana [7:35 in the Morning] [2004]

“Always in a hurry; always at the same time” An Oscar nominee for Best Live Action Short with his debut work, writer/director Nacho Vigalondo has gone on to make a couple features with festival appeal in the almost decade since. But there is something peculiar, unique, and a bit demented about 7:35 de la mañana […]

REVIEW: Chico & Rita [2011]

“I needed to kiss you again” Set during the synthesis of Latin Jazz in Cuba and its spilling over to the United States, Chico y Rita [Chico & Rita] gives us a love story that lasts half a century. Animated in a charmingly two-dimensional way devoid of gradients in lieu of clearly defined shadows superimposed […]

BNFF12 REVIEW: The Delray Story [2011]

“What the Sam Heck?” Shot on $3000 to satisfy his graduate thesis, Nelson Cuellar‘s The Delray Story is a love letter to a bygone era of music. In a world filled with electronic beats and rehashed styles, where the kids fawn over celebrity images instead of good voices and quality sounds, accepting that the music […]

REVIEW: Meeting People is Easy [1998]

“Again, music to slit your wrists to” It was a batty animated music video lasting almost seven minutes for “Paranoid Android” that made me go out and buy OK Computer. Still in high school, I thought the album was the best thing I had ever heard and played it to death before finding out from […]

REVIEW: పంజా [Panjaa] [2011]

“I’m here to be your shadow” I have never seen a Bollywood film before. The concept has never appealed to me. Yes, I enjoyed the dance number at the end of Slumdog Millionaire as a cool, ‘cast having fun’ type extra, but what it would feel like during the course of the film I just […]

REVIEW: Daffy’s Rhapsody [2012]

“Bullets whipping past my tail” Much like 2010’s Coyote Falls brought Wile E. Coyote and the Roadrunner back to the big screen in 3D computer form, 2012 reintroduces us to venerable favorites Daffy Duck and Elmer Fudd in Daffy’s Rhapsody. Using the 1953 ode from Warren Foster and Michael Maltese with music by Billy May—in […]

REVIEW: Joyful Noise [2012]

“Tap it and die” For a film about a gospel choir and the push and pull of faith within its singers’ lives, Joyful Noise has a funny way of getting its message of love and hope across. I understand it’s 2012 and we must show a progressive slant on the church in order to reach […]

REVIEW: Dig! [2004]

“We’ve got a full-scale revolution going on” The mid to late 90s introduced both The Dandy Warhols and The Brian Jonestown Massacre—two buzzed bands touted to take the world by storm. Their pop culture reference-laden monikers united to form a two-headed rock and roll Renaissance beast of pure post-modern musicianship and set them onto the […]

REVIEW: The Decemberists: A Practical Handbook [2006] & Pendarvia [2011]

“Whiskey, weed, and fine cocaine” It wasn’t until the end of 2006 or the beginning of 2007 that I finally discovered indie-folk act The Decemberists. Yes, I was very late to the game. Already with three albums under their belt, the newest—The Crane Wife—captivated me completely. It’s sprawling, ambitious progressive folk stylings were right up […]

REVIEW: Happy Feet Two [2011]

“Sometimes you have to back up to go forward” It’s no secret to anyone who knows me that I loathed Happy Feet. As a concept the film seemed quite solid—cute penguins dancing, a modern soundtrack to tap along with, the comedy stylings of Robin Williams—but the final result was an ambush of politics and sexuality […]

REVIEW: The Nightmare Before Christmas [1993]

“Curiosity killed the cat, you know” Born from a poem written in the early 80s while Tim Burton was still working as a Disney animator, The Nightmare Before Christmas was a project the auteur wasn’t going to let lay dormant anymore. After finding success with his signature style in the likes of Beetlejuice and Batman, […]