REVIEW: Judy [2019]

What if I can’t do it again? Playwright Peter Quilter has stated that the original play (“Last Song of the Nightingale”) on which “End of the Rainbow” was modeled upon found its inspiration from an alcoholic male singer met while traveling with his partner on a cruise ship wherein the latter was also a performer. Because he changed his lead into a woman, however, everyone assumed the show was about a thinly-veiled Judy Garland. This reception led him to research the Wizard of Oz legend’s final year on earth and…

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REVIEW: Linda Ronstadt: The Sound of My Voice [2019]

So I started looking for other things. Upon sitting down to Rob Epstein and Jeffrey Friedman‘s documentary Linda Ronstadt: The Sound of My Voice, I had to ask myself why I knew her name. She’s obviously one of the biggest chart-hopping women to ever grace a stage and record music, but I couldn’t think of a single title to attribute to her in a way that correlated why I knew who she was without actually knowing who she was. Then “You’re No Good” started playing. Then came her cover of…

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REVIEW: Anima [2019]

Please let me know when you’ve had enough. When you’re Thom Yorke and well into a career with one of the most recognizable rock bands in the world (they self-release records on a “pay what you want” scale after all), you can think outside the box where advertising is concerned. So don’t be mistaken where his short film collaboration with Paul Thomas Anderson is concerned. Anima is very much an advertisement for the album of the same name and Yorke himself as an artist about to tour. The same goes…

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TIFF19 REVIEW: III [2019]

No one said enough is enough. I’ve never been one to pay attention to lyrics. All I need is a good tune, complementary voice, and the joy their marriage instills. So I didn’t think twice when The Lumineers‘ latest single “Gloria” hit the radio. Its folk rock melody was as upbeat and fun as any of the other songs they’ve released like “Ho Hey” or “Ophelia.” Little did I know that the words Wesley Schultz put to Jeremiah Fraites‘ music depicted a dark scene of addiction—one very close to his…

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REVIEW: Blinded By the Light [2019]

They’re not brilliant, but they’re mine. It was 1973 when Bruce Springsteen‘s debut album Greetings from Asbury Park, N.J. hit record stores—fourteen years before Javed Khan (Viveik Kalra) first heard his name. By then this teenage Pakistani in Luton, England was listening to current synth tracks with best friend Matt (Dean-Charles Chapman) when his parents weren’t forcing their native country’s music upon him. Here he was a stranger in a familiar land dealing with a traditionalist family that worked as a collective, a racist National Front, and a dream of…

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REVIEW: Echo In the Canyon [2019]

You always brought your guitar. It started with Jacques Demy‘s Model Shop. Director Andrew Slater saw it, thought about the era depicted (it was released in 1968), and got that Laurel Canyon sound—where so many of the folk-to-rock transitional bands lived—stuck in his brain. This shouldn’t be surprising considering Demy recruited Spirit to create a soundtrack (what should be their third album) that captured this exact vibe before the film’s box office failure made it so the material wouldn’t see the light of day until 2005. One thing apparently led…

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REVIEW: Yesterday [2019]

Have you got coke? Jack Malik (Himesh Patel) has dreams of singer/songwriter stardom, but this Clacton-on-Sea native is lucky if one person besides best friend/manager Ellie (Lily James) and their mates Nick (Harry Michell) and Carol (Sophia Di Martino) is actually listening to “Summer Song” let alone enjoying it at gigs. That’s the pitfall of dreams: they don’t always work out. While he would have quit years ago if not for Ellie constantly pushing him forward, his latest set-back doubling as a modest moral victory allows him to finally give…

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REVIEW: Wild Rose [2019]

What do you need to say? These movies usually start with the music and attempt to find happiness afterwards. That’s the order you need for the fantasy of artistic superstardom to work—that talent is enough to earn everything you’ve ever wanted and therefore the foundation for what’s still to come. That’s not the real world, though. Maybe some people are plucked from obscurity like in A Star Is Born. Maybe some do reach great heights via contests a la Teen Spirit. But what about those dreamers who come to the…

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REVIEW: Leto [2018]

Laziness has kept me out of trouble many times. We only recognize it through hindsight, but Americans are spoiled by cultural freedom. Growing up in the 1980s and 1990s meant having the opportunity to listen to radio stations, records, and cassettes of music spanning multiple genres and eras. It was all at our fingertips and we didn’t have to do much to acquire it unless we lived in a conservatively oppressive household with parents who thought rock-n-roll was a gateway drug for Satanism. From new wave to grunge with blues…

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REVIEW: Rocketman [2019]

I’ll take care of the rest. When you have an icon like Elton John as your subject, the straightforward biopic formula simply won’t work. We know him as the flamboyantly dressed, rock star pianist with funny glasses and sequins who belts out songs that will either make you tap your feet or cry. And while that might have started as a façade to break free of Reginald Dwight’s introverted shell of shyness, he ultimately became this on-stage persona for real. The battles with drugs and alcohol alongside the constant media…

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REVIEW: Her Smell [2019]

I see the void of eternity. The public loves a good train wreck when it comes to rockstars. That notion of burning your candle on both ends to create music that lasts forever at the expense of a life snuffed out too soon carries the sort of romanticism you must give pause to in hindsight, though. Because is the art worth it? We aren’t simply talking about the suffering of one tortured soul when there’s everyone who ever loved them too: abused significant others, abandoned children, broken friendships, and helpless…

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