REVIEW: Vox Lux [2018]

“Simply put: it was a hit” America lost its innocence on 9/11. It wasn’t an overnight thing, though. The gradual degradation of humanity on an ever-shrinking global landscape stewarded us there as school shootings and terrorist attacks grew with their weak links towards violent videogames rather than an otherwise Puritan sense of sex being worse […]

REVIEW: リズと青い鳥 [Rizu to Aoi tori] [Liz and the Blue Bird] [2018]

“I hope that day never comes” The filmmakers behind リズと青い鳥 [Rizu to Aoi tori] [Liz and the Blue Bird] did a smart thing: they took an existing property (Ayano Takeda‘s novel series Sound! Euphonium which has subsequently become a manga, anime series, and film) and expanded upon two of its secondary characters by allowing them […]

REVIEW: Bohemian Rhapsody [2018]

“Good thoughts. Good words. Good deeds.” There’s the story of Freddie Mercury and the story of his band Queen. One deals with complicated topics spanning fractured identity, the excess of fame, and AIDS while the other is apparently straightforward with little conflict besides creative squabbles that get ironed out before the argument is even finished. […]

REVIEW: A Star Is Born [2018]

“I love the way she sees them” It began with Hollywood as William A. Wellman and Robert Carson won an Oscar for their story about a young actress dreaming of super stardom in 1937. From there it went the way of the movie musical thanks to Judy Garland taking the lead before earning six nominations […]

REVIEW: Blaze [2018]

“Never stand in the way of true love” You have to respect the way Ethan Hawke approached his latest film Blaze and its central character Blaze Foley. He’d never heard the artist’s name or music until being stopped in his tracks upon listening to John Prine cover “Clay Pigeons.” That sparked an interest for research […]

REVIEW: Hearts Beat Loud [2018]

“Whoopie pies and Spotify” It’s often at extreme times of upheaval that we find ourselves taking stock of our life, ambitions, and loves. While working hard to be successful enough to support our families, we have a tendency of leaving our dreams by the wayside and/or compartmentalizing our identities to serve the unavoidable pressures of […]

REVIEW: Itzhak [2018]

“The more you have in your heart, the more you have to give” Documentarian Alison Chernick has made a career of profiling artists from Jeff Koons and Matthew Barney in features to Roy Lichtenstein and Rick Rubin in shorts. Her latest subject is renowned violinist Itzhak Perlman—a victim of polio as a child in Israel […]

REVIEW: Guy and Madeline on a Park Bench [2010]

“Tell me what you think” I must have missed something. How does Damien Chazelle‘s debut feature Guy and Madeline on a Park Bench warrant any praise besides its context within La La Land‘s history? I say this as a Chazelle fan too. I think Whiplash was one of the best works of the decade and […]

REVIEW: Sing Song [2017]

“I’m looking for my eyes in your eyes” For Dutch teenager Jasmine (Georgiefa Boomdijk), her homeland of Suriname (a northeastern South American country) is a footnote. She knows little about it or the mother she and her father Winston (Maurits Delchot) left behind sixteen years previously. He refuses to talk about anything pre-Netherlands so her […]

REVIEW: Long Time Running [2017]

“You don’t tell Gord he can’t do something” I’m not sure who it was that said it, but someone put into context what Gord Downie‘s terminal cancer diagnosis meant to Canada shortly after it was announced. Beyond this tragedy on a personal level for his friends, family, and The Tragically Hip bandmates, the idea that […]

REVIEW: Patty Cake$ [2017]

“Blood is thicker than Jäger” If you ever watched Hustle & Flow and wondered what it might look like rebranded for a younger audience, Geremy Jasper‘s Patti Cake$ has arrived—with a side of cultural appropriation. Admittedly this added “bonus” is a wild card attribute that has the potential of turning the whole very sour, very […]