REVIEW: mother! [2017]

“His words are yours” Paramount has taken pains to ensure you know as little about Darren Aronofsky‘s mother! as possible. I know this because they’ve made it very difficult to find any images with which to populate this review. Their press site has no entry. The Toronto International Film Festival site contains no stills. And […]

TIFF17 REVIEW: Verónica [2017]

“You have to do right what you did wrong” The story goes that the police were dispatched to a Madrid residence in June of 1991 only to find a teenage girl screaming from what appeared to be self-inflicted wounds. Strange phenomena was seen/found throughout the apartment, so much that the detective assigned the case could […]

TIFF17 REVIEW: The Lodgers [2017]

“Our curse is to live” A family’s shame marks them forever—their fate sealed by birth, bound by a poem’s rules. They must be locked in their rooms by midnight, never let a stranger through the door, and remain together or else the one who stays dies. Rachel (Charlotte Vega) and Edward (Bill Milner) have lived […]

REVIEW: It [2017]

“Welcome to the Losers’ Club” There was a lot said about the new cinematic adaptation of Stephen King’s It when Cary Fukunaga signed on a few years ago. Enough about him as a rising auteur capable of infusing some magic into a story so intrinsically tied to the Tim Curry-starring miniseries from 1990 that his […]

TIFF17 REVIEW: The Crescent [2017]

“Yeah, sweetie. Daddy got lost.” It starts by enveloping us in marbleizing paint—overlapping colors raked to warp dots into abstract patterns—and the loud aural pulses of a musical soundscape as heavy and permanent as those oils are fluidly malleable. We assume it’s merely a sensory aesthetic Seth A. Smith constructs to provide the tone for […]

REVIEW: Zombi 2 [Zombie] [1979]

“It never pays to ignore native superstitions” While Zombie may be known as a horror classic, its origins are almost farcical. Helmed by “Godfather of Gore” Lucio Fulci, the Italian-produced project was already in development (from a script by Dardano Sacchetti before wife Elisa Briganti took over) when the European release for George Romero‘s Dawn […]

REVIEW: It [1990]

“It just isn’t empirically possible” Considering I was around ten-years old when first seeing Tommy Lee Wallace‘s “It”—I’m pretty sure it was post-1990 since I was only eight then—my memory held its adaptation of Stephen King‘s novel in high regard. I probably watched bits and pieces over the next could decades, always believing it to […]

REVIEW: Lycan [2017]

“I don’t want to go into the woods” There’s a monster in the forest—or at least the rumors purport it. Horrific murders occurred on land not too far from a small Southern town’s local college, the stuff of urban legend that unfortunately concluded with the predator’s dead body in a grave hidden on private property […]

REVIEW: Annabelle: Creation [2017]

“Dear diary. Today I came home.” You can’t blame audiences for being skeptical about a prequel to a prequel to James Wan‘s acclaimed The Conjuring when the first proved a huge step down in quality. There was no way Annabelle would equal the level of contemporary horror classic that Wan’s look into the paranormal via […]

REVIEW: Among Us [2017]

“It hurts to look at you” An effective horror keeps you unaware of the danger lurking in the shadows. The less you know about what’s coming the better because you don’t want to end up spending your time guessing how the problem will be solved when you should be experiencing its escalating terror. This means […]

REVIEW: Annabelle [2014]

“Crazy people do crazy things, ma’am” The story of Annabelle—a possessed Raggedy Ann doll from the 1970s—is a part of Lorraine and Ed Warren’s lore as experts in the occult. It along with the Amityville house are what the couple are most known for “combating” and thus easy fodder to provide audiences an entry point […]