REVIEW: The Possession of Hannah Grace [2018]

“Green means go” Megan Reed (Shay Mitchell) is so intentionally drawn for the plot of The Possession of Hannah Grace that you can take bets before sitting down on whether she’ll prove the hero (itching for redemption as a former cop who froze when her partner was shot and killed in the field) or future […]

REVIEW: The House That Jack Built [2018]

“The choice is entirely yours” I can’t wait to discover what’s next for Lars von Trier‘s oeuvre. He followed his Dogme 95 phase with a period steeped in depression and now that one has seemingly just ended with [the blatantly autobiographical] film The House That Jack Built. At its center is the personification of this […]

REVIEW: Suspiria [2018]

“Of what do you ask?” I’m no big fan of Dario Argento‘s Suspiria. It’s a gorgeous film overflowing with mood and aesthetic that ultimately becomes the poster child for style over substance before gradually revealing more to offer upon subsequent viewings. In the end, however, it still doesn’t add up to much besides its place […]

REVIEW: Monster Party [2018]

“Simple as a pimple” I have to think writer/director Chris von Hoffmann saw The Purge and wondered what could be born from reversing the good guy and bad guy roles. Those are generic terms of course since both movies ultimately contain bad guys and worse guys, but for the sake of argument we’ll say that […]

REVIEW: Passengers [2008]

“Better now than later” An explosion, crash, confused man, and burning plane: this is the sequence of images as Rodrigo García‘s Passengers commences. It’s a pretty straightforward visual set-up for the incident everything else will surround before his lead (Anne Hathaway‘s Dr. Claire Summers) is introduced during the next scene. She’s a trauma counselor enlisted […]

REVIEW: The Little Stranger [2018]

“Well you’re forgiven now” Novelist Sarah Waters said her intent with The Little Stranger was never to write a ghost story, but instead speak about the rise of socialism in the United Kingdom and how those of affluent stature just below the nobility dealt with the decline of their legacies in its aftermath. I haven’t […]

TIFF18 REVIEW: Endzeit [Endzeit – Ever After] [2018]

“Go out and bury what haunts you” What if humanity’s apocalypse wasn’t the world’s end? We’ve become so used to treating ourselves as rulers of this planet despite knowing so little about it and the surrounding universe while also doing our best to destroy everything we touch. So what are we truly besides another in […]

VENICE18 REVIEW: Tumbbad [2018]

“Wake her up and ask yourself” As the Hindu folktale at the start of Rahi Anil Barve and Adesh Prasad‘s Tumbbad states: while the Goddess of Plenty birthed 160 million deities from her womb (Earth), the one she loved most is also the one that’s been erased from memory. His name is Hastar and he […]

REVIEW: Mandy [2018]

“It’s all but a beautiful dream” At some point during Panos Cosmatos‘ acid trip of a phantasmagoric horror Mandy you will start to wonder if you’re the one tripping on LSD. It could be when oily ghouls on motorcycles arrive with the call of a stone horn’s whistle or perhaps when a severed jugular sprays […]

REVIEW: Pappy’s World [2018]

“Come on. Tickle me.” A self-proclaimed “socially responsible Blaxpoitation” horror short from director Matt Wisniewski and co-writer Fred Polone, Pappy’s World arrives as though a music video for Buffalo-based art-rock project Smokin’ Black Tar with an opening guitar-led track against the silent movements of a young girl (Jaz Frazier) around Christmastime. While she eyeballs a […]

REVIEW: The Meg [2018]

“Discover and then destroy” An adaptation of Steve Alten‘s Navy deep-sea diver/paleobiologist Jonas Taylor-led series of novels has been in the works pretty much since the first installment was published back in 1997. There have been six literary sequels written since then as the property changed hands from Disney to Warner Bros. and directors from […]