REVIEW: Incubo sulla città contaminata [Nightmare City] [1980]

“That sounds like science fiction” There’s a scene between Dean Miller (Hugo Stiglitz) and his wife Anna (Laura Trotter) about two-thirds of the way through Umberto Lenzi‘s Incubo sulla città contaminate [Nightmare City] where they speak about the perils of technology. After an hour of murder, death, and exposed breasts, suddenly the screenwriters decide to […]

REVIEW: A Quiet Place [2018]

“I have always loved you” It’s always a risk going to a film on opening night—especially horror. The genre attracts a younger audience looking to giggle their way through the experience, oftentimes proving so obnoxiously overcompensating in their fear preparation during the preshow trailers and commercials that I wish I stayed home. So it was […]

REVIEW: Ayla [2018]

“You still see her sometimes, don’t you?” It doesn’t matter that it’s been thirty years since Elton’s (Nicholas Wilder) sister died at age four. He still sees her in the corner of his eyes, the shadows, and his mind. This sense of longing has taken hold of his actions many times throughout his life as […]

REVIEW: Unsane [2018]

“Your life slips away from you, you know?” The tagline to Steven Soderbergh‘s Unsane reads as follows: “Is she or isn’t she?” Its context stems from Sawyer Valentini (Claire Foy) being presented as an unreliable narrator. She’s picked up her life and moved it from Boston to Pennsylvania to escape the troubles of her past—namely […]

REVIEW: Winchester [2018]

“I died” You wouldn’t think to use the word timely to describe a horror movie about a place known as the Winchester Mystery House wherein a black lace-veiled woman feels the presence of ghosts and locks them away in specially built rooms with thirteen nails, but here we are. The reason stems from why this […]

REVIEW: Mom and Dad [2018]

“Whatever” I have to imagine every parent at some point wonders where their life could have gone if they didn’t have children. This doesn’t make them bad people—only those who actually act on the urge by abandoning their families without so much as a goodbye fall under that label. It just proves they’re human. It’s […]

REVIEW: Psychopaths [2017]

“Evil’s a straight and simple ‘just because’” It’s hard to reject a film as having no substance when its narrator apologizes for that very fact. Was its hollowness therefore an intentional commentary on the empty nihilistic void that we call life or was the filmmaker throwing us for a “meta” loop with a tongue-in-cheek laugh […]

REVIEW: Mercy Christmas [2017]

“Fresh is best” Michael Briskett (Steven Hubbell) awakens in a dark room with plastic sheets covered in blood hung behind him. It’s imagery you’ve seen countless times in horror films—butcher accoutrement readied for torture porn carnage. But writer/director Ryan Nelson (alongside Beth Levy Nelson as co-writer) is only giving us a tease of what’s to […]

REVIEW: Curtains [1983]

“Call it research” By the end of Peter R. Simpson‘s Curtains—I use the producer’s name since he ultimately finished the film two years after original director Richard Ciupka left with only forty-five minutes shot—there are just three surviving characters. One is the potential victim being chased, another the homicidal maniac under a plastic old woman […]

REVIEW: Mayhem [2017]

“I just wanted the corner office” If you’ve ever worked an office job wherein every single one of your bosses has been promoted above his/her aptitude, you know what futility feels like. You slave away at your cubicle to reach beyond your pay grade only to have someone that knows nothing about what you do—or […]

REVIEW: The Killing of a Sacred Deer [2017]

“You’re too young to worry” Writer/director Yorgos Lanthimos is an artist who deals with consequences through elaborately skewed and often-uncomfortable scenarios just left of the off-putting spot that’s just left of center. He uses absurdity and humor to provoke us in order for his complex existential and social messages to hit home in a way […]