REVIEW: My Bloody Valentine [1981]

“It can’t be happening again” Only Canada would let a holiday slasher film like My Bloody Valentine—known for having its most disturbing bits of gore chopped away for the ratings board—end with a folk ballad that gives its murderous psychopath Harry Warden an almost nostalgic lilt. With John McDermott‘s voice lending it credence, we’re pretty […]

REVIEW: Lords of Chaos [2019]

“One shot to the head and it’s all over” Talk to “true” Norwegian black metal fans and they’ll tell you Michael Moynihan and Didrik Søderlind‘s book about the scene’s origins and criminality is a bunch of baloney (but in much harsher words). It’s interesting because the facts behind a series of church burnings, the suicide […]

REVIEW: Christine [1983]

“You have nothing to lose but your virginity” It shouldn’t be surprising to see parallels between John Carpenter‘s Christine and today considering we live in an era where phrases like “boys will be boys” are used to full stop sanitize the increasingly deplorable actions of young white American men. Back in the 1970s when this […]

REVIEW: Braid [2019]

“Reality will never keep up with our dreams” Our lives consist of uncertainties. To progress forward is to confront each new possibility as the product of dream or nightmare—an open door to leap through and succeed or a closed window to surrender all hope of escape. We retreat within ourselves for the motivation to jump […]

REVIEW: Piercing [2019]

“The terror must be in English” A marriage between the gorgeously disturbing imagery Nicolas Pesce delivered via his debut The Eyes of My Mother and the surreally warped sensibilities of Audition author Ryû Murakami definitely piqued my interest as far as the former’s adaptation of the latter’s novel Piercing. This psycho-thriller concerns new father Reed’s […]

REVIEW: New Year, New You [2018]

“I control my own destiny” You cannot talk about Sophia Takal‘s New Year, New You (the fourth episode of Blumhouse Television’s holiday-themed Hulu series “Into the Dark”) without mentioning producer Jason Blum‘s reaction to a Twitter storm in October that stemmed from an interview wherein the low-budget financier relayed an erroneous statement that “there are […]

REVIEW: The Possession of Hannah Grace [2018]

“Green means go” Megan Reed (Shay Mitchell) is so intentionally drawn for the plot of The Possession of Hannah Grace that you can take bets before sitting down on whether she’ll prove the hero (itching for redemption as a former cop who froze when her partner was shot and killed in the field) or future […]

REVIEW: The House That Jack Built [2018]

“The choice is entirely yours” I can’t wait to discover what’s next for Lars von Trier‘s oeuvre. He followed his Dogme 95 phase with a period steeped in depression and now that one has seemingly just ended with [the blatantly autobiographical] film The House That Jack Built. At its center is the personification of this […]

REVIEW: Suspiria [2018]

“Of what do you ask?” I’m no big fan of Dario Argento‘s Suspiria. It’s a gorgeous film overflowing with mood and aesthetic that ultimately becomes the poster child for style over substance before gradually revealing more to offer upon subsequent viewings. In the end, however, it still doesn’t add up to much besides its place […]

REVIEW: Monster Party [2018]

“Simple as a pimple” I have to think writer/director Chris von Hoffmann saw The Purge and wondered what could be born from reversing the good guy and bad guy roles. Those are generic terms of course since both movies ultimately contain bad guys and worse guys, but for the sake of argument we’ll say that […]

REVIEW: Passengers [2008]

“Better now than later” An explosion, crash, confused man, and burning plane: this is the sequence of images as Rodrigo García‘s Passengers commences. It’s a pretty straightforward visual set-up for the incident everything else will surround before his lead (Anne Hathaway‘s Dr. Claire Summers) is introduced during the next scene. She’s a trauma counselor enlisted […]