REVIEW: Hocus Pocus [1993]

“Winnie, do you want to hit me? Will that cheer you up?” What began as a script for a made-for-TV Disney Channel movie, Hocus Pocus found its way onto the right desk at the right time for the increased level of support necessary to transition it into a bona fide theatrical release. Sadly for all involved, though, the critics more or less hated it and the box office barely squeaked by its production budget. Yet somehow everyone I knew who had seen it as a child possessed a strange affinity…

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REVIEW: Toy Story of Terror [2013]

“And if something does happen to the potato—I don’t want to miss it!” While Disney/Pixar has dove into children’s television with Cars-centric offerings and a Buzz Lightyear spin-off, it’s surprising it’s taken this long to craft a primetime special. With what used to be a flawless feature film enterprise bolstered by award-winning shorts, perhaps they believed themselves above the small screen until now. But as Pixar evolves from luxury brand to simply one more animation arm of Disney proper, good press and high ratings aren’t something to ignore out of…

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TIFF13 REVIEW: Labor Day [2013]

“I understood who my real family was: her.” If anyone questioned whether or not Jason Reitman was truly a great director or merely someone with excellent luck at choosing projects—I remember thinking his Best Director nod for Juno was premature myself—Labor Day should set the record straight. And that’s despite his introduction before its third screening at the Toronto International Film Festival thanking his crew for making it seem he knew what he was doing. It’s very much a different beast than his previous works, pushing comedy to the side…

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REVIEW: Rise of the Guardians [2012]

“Merry Christmas! Happy Easter! Don’t forget to floss!” It was only a matter of time before someone turned our favorite holiday-bound mythical creatures into superheroes. Unsurprisingly it’s William Joyce who did. By no means a household name, he isn’t a stranger to the world of youthful fantasy with credited work as a conceptual artist (Toy Story and A Bug’s Life), television show creator (“Rolie Polie Olie”), and author of cinematic adaptations earning box office success (Meet the Robinsons inspiration A Day with Wilbur Robinson). His latest project coined The Guardians…

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REVIEW: Independence Day [1996]

“We will not go quietly into the night” The man who proved we could only take so many disaster films and yet still made more, Roland Emmerich shouldn’t be denied the astronomical success of the one that jump-started the genre’s big budget revival in the first place. After giving us the rather smart science fiction actioner Stargate, he and writing/producing partner Dean Devlin came up with the treatment for Independence Day as a response to the constant questions about their opinions on alien life. Wanting to take a step back…

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REVIEW: Santa Claus [1985]

“If you give bigger kisses you get better hugs” Nostalgia is a funny thing. Films you remember watching so often in your youth begin to possess a certain aura of quality they can never come close to achieving otherwise. It happens most with holiday movies—Christmas especially. Memories of sitting around the television on Christmas Eve waiting for a night of sleigh-brought treasures with the family cultivate feelings of joy, happiness, and laughter. So when you start to equate those same feelings with the program you were watching at the time,…

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REVIEW: Arthur Christmas [2011]

“In Santa We Believe” After the box office failure of Flushed Away, I was worried Aardman Animations may have been dead. With the fire that consumed thirty years of their history and the realization mainstream Americans simply don’t ‘get’ thew British-tinged dry humor, the Academy Award for Wallace & Gromit didn’t seem to prove enough. But Dreamworks’ loss became Sony’s gain as the studios worked out a three-year deal to keep on creating. And although the stop-motion has taken a backseat for computer graphics—don’t worry, their next one is good…

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REVIEW: The Nightmare Before Christmas [1993]

“Curiosity killed the cat, you know” Born from a poem written in the early 80s while Tim Burton was still working as a Disney animator, The Nightmare Before Christmas was a project the auteur wasn’t going to let lay dormant anymore. After finding success with his signature style in the likes of Beetlejuice and Batman, Burton and Disney were able to agree to a deal that would let another Mouse House alum—Henry Selick—direct it as his first feature film. Bringing in Danny Elfman to write the music and eventually sing…

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REVIEW: Four Christmases [2008]

“That’s not a boy named Bjorn?” Perhaps I was in an overly good mood before bed, or maybe I was just so tired that I’d laugh at anything, but Four Christmases ended up being a pretty good time despite my trepidation and warnings to steer clear by friends. It was cute, somewhat innocuous, and had its fair share of big laughs. By no means is it great cinema, nor intelligent storytelling—its sub 90-minute runtime shows us only the craziness spending time with the four parts of two divorced marriages and…

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