TIFF17 REVIEW: Le sens de la fête [C’est la vie!] [2017]

“Can you repeat the options?” I went into Olivier Nakache and Eric Toledano‘s latest film Le sens de la fête [C’est la vie!] knowing nothing about it. My assumption from their two previous works Intouchables and Samba was that it would prove a charmingly funny dramedy tinged with relevant politics and racial complexity. Boy was […]

TIFF17 REVIEW: L’insulte [The Insult] [2017]

“Because that’s what they are. Just stupid words.” Despite the fact that Ziad Doueiri‘s (a crew member on some of Quentin Tarantino‘s early works) latest film L’insulte [The Insult] is set in Lebanon, the ensuing drama can’t help but feel familiar to what’s currently happening in America. As our president says bad things are happening […]

TIFF17 REVIEW: Svanurinn [The Swan] [2017]

“You were so good when you were little” What once was a traditional rite of passage for Icelandic children has now become punishment. Whereas her mother probably visited her Aunt Ólöf’s (Katla M. Þorgeirsdóttir) farmland to learn responsibility and work ethic away from the allure of her ocean-side city, young Sól (Gríma Valsdóttir) makes the […]

TIFF17 REVIEW: Menoana e Mehlano ea Marseilles [Five Fingers for Marseilles] [2017]

“The land is all the scripture we need” Director Michael Matthews and writer Sean Drummond were drawn to the landscapes of South Africa’s Eastern Cape while traveling their homeland, especially the echoes of classic cinematic western environments. Learning about how its current towns arose—from the ashes of Apartheid-era cities mimicking European capitals by name—only cemented […]

TIFF17 REVIEW: Gutland [2018]

“Well, it’s not impossible to learn” When a German drifter walks into the quaint Luxembourg village of Schandelsmillen with a scruffy beard, bag full of money, and stoically gruff attitude, we wonder what secrets his past holds. Jens Fauser (Frederick Lau) arrives with a single question: “Do you need help with the harvest?” That specific […]

TIFF17 REVIEW: Skyggenes Dal [Valley of Shadows] [2017]

“What we don’t understand scares us” Six year-old Aslak (Adam Ekeli) lives a quiet life with his single mother Astrid (Kathrine Fagerland) in a rural town adjacent to farmland and a mountaintop forest. He’s too young to understand all that’s happening around him—especially considering he’s generally told to keep away from the adults when they’re […]

REVIEW: De sidste mænd i Aleppo [Last Men in Aleppo] [2017]

“If I leave, it will be to the cemetery” It’s a shame that those who need to watch Last Men in Aleppo are those who won’t. I’m talking the brainwashed masses quick to call a liberal media “fake news” while they help facilitate legitimate fake news fabricated by enemy regimes hoping to plant dissent. They […]

TIFF17 REVIEW: Du forsvinder [You Disappear] [2017]

“We just want to make sure you’re well enough” What if it was an established fact that free will as a concept was dictated by our body’s chemistry? Every decision we think we’re making is really made implicitly by our organs—more correctly, they are dictating to our brains what it is we want. That shopping […]

TIFF17 REVIEW: Los Burritos [Cocaine Prison] [2017]

“If it doesn’t happen, what can I do?” If you’ve ever watched season three of “Prison Break” and wondered what was going on with Sona’s weird open air slum-like community barely watched by guards, know that the truth isn’t very far off. Just look at Bolivia’s San Sebastian Prison in Cochabamba, a small concrete establishment […]

TIFF17 REVIEW: Black Kite [2017]

“For a drop of water I’ll tell you my whole story” With the world caught in a time and place allowing it to quickly judge so much on so little, tiny human stories like Black Kite prove to be their most potent. Ask Americans about the Taliban and some will probably say the term is […]

TIFF17 REVIEW: Verdwijnen [Disappearance] [2017]

“Until we all drown in it” Vignettes depicting a young girl playing the piano on a darkened concert stage come and go throughout Boudewijn Koole‘s Verdwijnen [Disappearance]. They provide bookends to the whole, his film seemingly a visual representation of the melody—both as this single chapter in Roos’ (Rifka Lodeizen) life and its entire duration […]