REVIEW: Undir trénu [Under the Tree] [2017]

“See how they react” If humans weren’t always the pettiest creatures on Earth, we’ve definitely earned the title this past century. Just think about how often you find yourself asking the question, “Let’s see what they’ll do about this?” I don’t mean hypothetically either. I’m talking about truly contemplating your next smugly biting (until an […]

REVIEW: Irma Vep [1996]

“Have you sex with girls?” If you’re going to poke fun at the film industry, you might as well go for broke. Take Olivier Assayas‘ Irma Vep for example. Hot off the success of his acclaimed Cold Water, he was recruited for a project about foreigners in Paris with Claire Denis and Atom Egoyan. When […]

REVIEW: L’eau froide [Cold Water] [1994]

“Extravagant maneuvers” Originally envisioned as a 52-minute chapter of a television anthology series with strict thematic and contextual rules, Olivier Assayas‘ L’eau froide [Cold Water] eventually found itself as the much sought-after 90-minute Cannes debut that cemented the auteur’s style, acclaim, and promise without ever reaching American shores due to lapsed music rights. He would […]

REVIEW: Un beau soleil intérieur [Let the Sunshine In] [2017]

“Being a backstreet lover is just unbearable” Is love all consuming? Or disposable? If you discover it’s one above the other, how do you know you’re right? The answer is simple: love is whatever you need it to be for yourself. Don’t compromise your happiness or comfort. Don’t allow your beau to walk over your […]

REVIEW: La Ciénaga [2001]

“Get me some ice” The debut feature from Argentinian writer/director Lucrecia Martel is entitled La Ciénaga or The Swamp in English. That’s a name no American circa 2018 can read without conjuring allusions to the Donald Trump campaign motto “Drain the Swamp”. And it’s not a superficial thought either once you start to meet the […]

REVIEW: Laskovoe bezrazlichie mira [The Gentle Indifference of the World][2018]

“Only love is real” Sometimes it isn’t enough to simply portray the type of eternal love that Shakespeare wrote in Romeo and Juliet. Watching two star-crossed lovers attempt to fight the injustices of this world to be together only to sacrifice themselves can still ring hollow because it’s hinged upon the naiveté of children not […]

REVIEW: Le Redoutable [Godard Mon Amour] [2017]

“I was lucky enough to admire my lover” We’re introduced to Emile (Marc Fraize) halfway through Michel Hazanavicius‘ Le Redoubtable [Godard Mon Amour]. He’s a local Frenchman with a car and the means to procure enough gas to drive an argumentative Jean-Luc Godard (Louis Garrel), his wife Anne Wiazemsky (Stacy Martin), and their friends (Micha […]

REVIEW: 火垂るの墓 [Hotaru no haka] [Grave of the Fireflies] [1988]

“Please stay home with me” Everything I read and heard about Isao Takahata‘s Hotaru no haka [Grave of the Fireflies] appeared to want to prepare me for a solemnly tragic tale that couldn’t be completed without tears streaming down my face. I took this train of thought as a badge of honor—preparing its emotionality and […]

REVIEW: Oh Lucy! [2018]

“Meow. Meow. Smooch.” I saw Atsuko Hirayanagi‘s short film Oh Lucy! back in 2014 and thought it to be a bona fide charmer. It told the story of a lonely woman named Setsuko who does her niece a favor by recouping the cost of English classes the cash-strapped girl had decided quit. The American teacher […]

REVIEW: Lou Andreas-Salomé, The Audacity to be Free [2016]

“Become who you are” There’s a great line spoken by an aged Lou Andreas-Salomé (Nicole Heesters) to new friend and potential biographer Ernst Pfeiffer (Matthias Lier) upon his praise-fueled declaration that the way she lived her life—her freedom—was a touchstone for modern feminism. Her reply is, “Nonsense. What’s changed for us women since then?” It’s […]

REVIEW: Incubo sulla città contaminata [Nightmare City] [1980]

“That sounds like science fiction” There’s a scene between Dean Miller (Hugo Stiglitz) and his wife Anna (Laura Trotter) about two-thirds of the way through Umberto Lenzi‘s Incubo sulla città contaminate [Nightmare City] where they speak about the perils of technology. After an hour of murder, death, and exposed breasts, suddenly the screenwriters decide to […]