TIFF18 REVIEW: Retrospekt [2018]

“Every Wednesday and … coffee” I can’t think of a better term to describe Esther Rots‘ Retrospekt than her own: “sensory cinema.” We get a feeling for what this means during the opening scene as Dan Geesin‘s score and Bas Kuijlenburg’s boomingly operatic baritone drowns out the action onscreen with English lyrics telling a story […]

TIFF18 REVIEW: The Third Wife [2018]

“One day you’ll like it for real” It’s 19th century Vietnam and fourteen-year old May (Nguyen Phuong Tra My) has just been married to a wealthy landowner named Hung (Long Le Vu). She wears a genuine smile on her face, this next chapter in life as hopeful as it is scary. She has two other […]

TIFF18 REVIEW: Las niñas bien [The Good Girls] [2018]

“So happy. We’re so happy.” Sofía Hernandez (Ilse Salas) has everything: three children she can ignore, servants and maids to take care of her every whim, and a husband (Flavio Medina‘s Fernando) who inherited his wealth from his father and still has yet to really work for it thanks to Uncle Javier (Diego Jáuregui) managing […]

TIFF18 REVIEW: Posledice [Consequences] [2018]

“I am what I am” Andrej (Matej Zemljic) is an eighteen-year old abuser. He’s stopped going to school, started getting into fights, disrespects his parents, and most recently hit a teen after she berated him for his not wanting sex. It’s an escalating series of incidents that no one is willing to deal with anymore, […]

TIFF18 REVIEW: Saf [2018]

“Everybody lies” America isn’t the only country with a portion of its population rejecting refugee clemency (although it’s the most high profile due to international stature, economic wealth, and so-called Christian charity). It’s also not the only one blinded to its hate when confronting the matter. Because that’s what it is to look down on […]

TIFF18 REVIEW: Il vizio della speranza [The Vice of Hope] [2018]

“Remember, misery isn’t the only thing that exists” Less than an hour from Naples, Italy is Castel Volturno, a place marred by newspaper headlines like “Forsaken Village” and “Sex, Drugs, and the Mafia.” It shouldn’t surprise then that director Edoardo De Angelis would use it as the setting for his latest film Il vizio della […]

TIFF18 REVIEW: Rojo [2018]

“They say bodies appear in the desert” The film opens as people leave a house with objects in-hand, the assumption being that they were bought in an estate sale or pilfered before one could begin. A man (Diego Cremonesi) looks in the front door as clueless as we are to what’s happening before a jump […]

TIFF18 REVIEW: Fiore Gemello [Twin Flower] [2018]

“Shall we go?” Two strangers running from personal demons collide at the start of Laura Luchetti‘s Sardinia-set Fiore gemello [Twin Flower]. He (Kallil Kone’s Basim) is an Ivory Coast immigrant desperate for money yet unequipped with the correct paperwork to earn gainful employment. She (Anastasiya Bogach’s Anna) is desperate to escape a pursuer (Aniello Arena‘s […]

TIFF18 REVIEW: Aniara [2018]

“The utter nonsense of living” So much of our desire to exist is based in control. We have the ability to move our homes, restart careers, and work towards a future of our choosing. No matter how difficult things become, there’s always a hope for better or an avenue towards change. It’s only when we’re […]

TIFF18 REVIEW: Jessica Forever [2018]

“Why wouldn’t you come with us?” Redemption is a tricky concept. Can you be redeemed without forgiveness from those you wronged? Are our actions in the aftermath enough to achieve some semblance of peace if they show we’ve learned through remorse? Everyone has a different opinion on the matter whether victim, loved one, stranger, or […]

TIFF18 REVIEW: Hölmö nuori sydän [Stupid Young Heart] [2018]

“Nobody knows” It was fun to laugh back in January when Donald Trump spoke to the media about how he wanted fewer immigrants from “shithole” countries and more from the likes of Norway. We laughed because it was obvious what the difference between the two was for him—my ignorance towards Scandinavian politics stopping at the […]