REVIEW: The Hobbit: The Desolation of Smaug [2013]

“I could have anything down my trousers” There is a certain charm to the middle section of a book where characters met start to come into their own before the big climax. It’s a crucial section, one its bookends need to truly succeed. However, when a single work of fiction is stretched and divided into three acts, this portion will inevitably prove anticlimactic when isolated from the rest. Peter Jackson and company are sadly not immune to this truth while attempting to model J.R.R. Tolkien‘s The Hobbit after his Lord…

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REVIEW: Thor: The Dark World [2013]

“I’ll just stay here and say ‘sea bass’ alone” There was something off with Thor in 2011 besides its horrid post-conversion 3D. While many believe Iron Man 2 was nothing but an evolutionary bridge for its hero to move closer towards what The Avengers needed, it was actually the Norse God of thunder who provided the most obvious bit of prequel exposition by introducing himself, extraterrestrial life, and that forthcoming blockbuster’s main villain, Loki. Captain America: The First Avenger also brought us a new character’s origin, but his story—like Tony…

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REVIEW: Hocus Pocus [1993]

“Winnie, do you want to hit me? Will that cheer you up?” What began as a script for a made-for-TV Disney Channel movie, Hocus Pocus found its way onto the right desk at the right time for the increased level of support necessary to transition it into a bona fide theatrical release. Sadly for all involved, though, the critics more or less hated it and the box office barely squeaked by its production budget. Yet somehow everyone I knew who had seen it as a child possessed a strange affinity…

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REVIEW: Die Wand [The Wall] [2012]

“There is no impulse more reasonable than love” There is something to be said about an allegory that doesn’t feel the need to beat you over the head with one “true” interpretation. Isn’t the point of such veiled metaphorical introspection that we experience it on our own terms and take what we will whether right, wrong, or conflicted? This is the type of journey director Julian Pölsler’s adaptation of Marlen Haushofer’s 1963 novel Die Wand [The Wall] takes us, one with deliberate questions devoid of the concrete answers necessary to…

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REVIEW: Escape From Tomorrow [2013]

“Dad, why are we following those girls?” If you ever thought about going to Walt Disney World with the intention of shooting a dark psychological horror film on the sly about the multi-billion dollar corporation’s way too pristine façade hiding a seedy underbelly of prostitution, disease, and scientific espionage, I’m sorry but you’re too late. First time writer/director Randy Moore might not be the first person to film underneath Mickey’s nose without permission, but he’s definitely become the most famous for his audacity to twist iconic rides and visuals into…

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REVIEW: Brazil [1985]

“Care for a little necrophilia?” Although Terry Gilliam had already established the highly imaginative filmic style we now associate him with above his Monty Python animations, no one could have imagined the scale of what would become his unequivocal masterpiece, Brazil. There were shades of its escapism in Time Bandits and its bureaucratic satire in short film The Crimson Permanent Assurance, but nothing as grandiose as Sam Lowry’s (Jonathan Pryce) fantastical dreamscape juxtaposed against his Orwellian, nightmarish reality. In fact, Gilliam even sought to title the film 1984 1/2 before…

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TIFF13 REVIEW: R100 [2013]

“Is that an earthquake?” What do you get when you cross one of Japan’s most influential comedians, a premise similar to The Game but with a zany wild streak of subversive humor, and a whole lot of S&M? The answer is Hitoshi Matsumoto‘s R100, a film following the mild-mannered Takafumi (Nao Ohmori) as he descends into a world of painful pleasure the likes of which he wasn’t prepared of course. Similar in tone to his previous film Scabbard Samurai, I fortunately didn’t have to worry about bridging the cultural divide…

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TIFF13 REVIEW: 2013 Short Cuts Canada Programmes

Programme 1 A far cry from the documentary short Joda—a visual letter to Jafar Panahi—that was included in the TIFF Short Cuts Canada Programme last year, graphic designer turned filmmaker Theodore Ushev’s Gloria Victoria is all about the visceral and aural capabilities of film without something as unnecessary as words. Full of sumptuous textured layers formed by sketch drawings, Russian Constructivist elements, what I believe were faces from Pablo Picasso’s Guernica, and more, the rising crescendo of Shostakovich’s “Invasion” from Symphony No. 7 helps spur on an emotive war in…

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REVIEW: The Mortal Instruments: City of Bones [2013]

“What does that symbol mean?” Another Young Adult fantasy fiction trilogy to throw into the Hollywood machine, Cassandra Clare‘s The Mortal Instruments gives Sony a property looking for broad appeal via its similarities to the darker Harry Potters, the overwrought love triangle in Twilight, and a PG-13 filtered “True Blood” collection of every supernatural species you can imagine (besides zombies of course, duh, stupid). It’s a world of Shadow Hunters—angel descendants who battle demons to protect the Mundanes (Muggles) unaware of the fight like you and me. Using ancient runes…

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REVIEW: Percy Jackson: Sea of Monsters [2013]

“Dead camper walking” Much like he did on Harry Potter, director Chris Columbus ushered Rick Riordan‘s young adult world of demigods to film with sure-handed exposition and a fun flair for the fantastical—if not necessarily visual excitement. The Lightning Thief introduced its hero Percy Jackson (Logan Lerman) just as he became aware of his true identity and the power at his disposal. A sprawling adventure followed with he and companions Grover (Brandon T. Jackson) and Annabeth (Alexandra Daddario) wherein a plethora of Greek myths got thrown our way in an…

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REVIEW: The Wolverine [2013]

“Everything has a meaning” To think, just a few short years ago The Wolverine held infinite promise. Fox brought in Christopher McQuarrie to rekindle his X-Men involvement after uncredited work on pal Bryan Singer’s franchise starter and independent auteur Darren Aronofsky was tapped to finally get a comic book flick after losing out on a Batman: Year One go. Star Hugh Jackman was giddy in interviews about the visual aesthetic a Japanese setting would give—the film culls its material from Chris Claremont and Frank Miller’s Wolverine arc—as well as the…

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