REVIEW: X-Men: Days of Future Past [2014]

“Mind the glass” If you have a storyline at your disposal capable of continuing two separate iterations of a single cinematic franchise simultaneously, you’d be a laughing stock not to take it. Credit Fox for seizing this opportunity to create something not even Marvel proper has dared to do quite yet. Would they have made the attempt had Star Trek not already used time travel in a way that didn’t completely alienate its summer blockbuster movie-going audience? I’d be interested to hear the producers’ thoughts on this because I’m not…

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REVIEW: The Amazing Spider-Man 2 [2014]

“You still blow dry your hair every morning?” It’s time to embrace the comic aspect of comic book films. I’m sorry, but it is. Christopher Nolan‘s time on the Dark Knight Trilogy is over and while we’d like the comic genre’s big brother graphic novel to imbue the dark conflicted nature of an Oscar worthy film, it doesn’t necessarily mimic the medium’s tone. We’re talking costumed heroes fighting a rogue’s gallery of mutated baddies with special powers who wreak havoc, never die, and engage in a never-ending cycle so that…

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REVIEW: 300: Rise of an Empire [2014]

“Fear his freedom!” This is what a copy of a copy looks like. It pretends to be equal to the original—and in some aspects proves to be exactly the same—yet arrives seven years after everything its groundbreaking ancestor provided was expanded and evolved upon. I loved 300 and gave it a perfect score despite some issues because it was so fresh and exhilarating. It showed how the capabilities of cinema could be pushed even further than Frank Miller‘s other adaptation Sin City, breathing life into a dark and gruesome graphic…

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REVIEW: Odd Thomas [2014]

“I may see dead people, but by God I do something about it” It’s August 14th in Pico Mundo, CA and the world is about to end. Well, not the world per se, but the community young Odd Thomas (Anton Yelchin) resides. Sort of. He sees ghosts of dead people with unfinished business, a gift passed down by his crazy mother wielded in secret from everyone besides Police Chief Porter (Willem Dafoe) and girlfriend Stormy (Addison Timlin). But while it allows him to help the tragic, helpless souls wandering around…

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REVIEW: Winter’s Tale [2014]

“For even time and distance are not what they appear to be” Can you buy a world where angels and demons walk alongside humans, gently coaxing us onto a path of righteousness or evil in order to tip the scales of eternity their way throughout time infinite? What about the idea that we each have a miracle to give to the one person we are meant to love unequivocally if only we’re destined to meet him/her? How about two Russian immigrants being deported back home who’d lower a model ship…

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REVIEW: Constantine [2005]

“You still trying to buy your way into Heaven” At the height of the first new wave of comic book adaptations, Warner Bros. delved a little deeper into the literary medium’s annals for something dark like New Line’s Blade. It was three years before Iron Man ushered in cinematic universes and a year after Spider-Man 2 and X2 provided a one-two punch of the genre’s potential. Batman Begins was always going to be the studio’s 2005 crown jewel, but you could call Constantine a precursor to its pitch-black, cynical atmosphere…

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REVIEW: Vampire Academy [2014]

“The clarity of the darkness beckons” The target demographic for Vampire Academy? Teenage girls. The only demographic that could truly, completely enjoy it? Teenage girls. With that said, however, it knows this and isn’t afraid to embrace it. Honestly, for better or worse, that’s exactly what it should strive towards because it’s why Hollywood green-lit the big-screen treatment in the first place. The fans of Richelle Mead‘s series of books upon which it’s based want the sassy divas, mystical princesses, and darkly brooding man meat to pine over. That’s why…

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REVIEW: Dogma [1999]

“You can’t be anal retentive if you don’t have an anus” Due to an overly self-deprecating humor, writer/director Kevin Smith will always be the first to say he lacks true “talent” as a filmmaker. From the ultra-low budget Clerks to a recent spate of box office failures, his work deals in eccentrically loquacious characters with an acerbic wit and extreme grasp of pop culture that live or die by dialogue rather than any unparalleled directorial vision. As a result the critical sphere and haters prove vocal about his propensity to…

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REVIEW: The Adventurer: The Curse of the Midas Box [2014]

“Faithfulness will be your shield” There will never be a lack of literary fantasy adventures for ages 12 and up to transfer from page to screen. The question becomes whether the property is given access to a wealthy studio’s clout or one more reliant on word-of-mouth and existing fanbase to ease the transition. For Entertainment Motion Pictures, their grab at franchise caliber fiction comes courtesy of a trilogy written by British author G.P. Taylor that unfortunately secures little of those things. It appears the author’s first novel Shadowmancer is the…

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REVIEW: 47 Ronin [2013]

“Now know the depth of my lord’s honor” There have been numerous iterations of Japan’s unofficial, national legend about forty-seven ronin who avenged their master’s death at the start of the eighteenth century spanning movies, ballets, television productions, operas, bunraku, and kabuki plays. Known as Chūshingura, the true story has been embellished over the centuries to ensure each new generation told about these brave warriors understood the themes of loyalty, sacrifice, and honor being a Japanese citizen entailed. Whether or not the first account some fifty years after the actual…

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REVIEW: Scrooged [1988]

“Cupid’s arrow, right between the eyes” While there have been countless iterations of Charles Dickens‘ seminal novel A Christmas Carol—with the 1951 Alastair Sim starrer proving the best and modernized retreads like Ghosts of Girlfriends Past supplying the worst—one sometimes overlooked comedic gem from 1988 has always been this writer’s personal favorite. Titled Scrooged, screenwriters Mitch Glazer and Michael O’Donoghue went meta with the concept of its ubiquity by telling us a tale of a man who is quite literally “scrooged” while producing a legitimate adaptation of the real story…

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