TIFF17 REVIEW: Porcupine Lake [2017]

“Never ever squeal. That’s a rule.” Teenage Bea (Charlotte Salisbury) is in desperate need of an escape from her mundane, isolated life. We can assume Toronto’s big city living isn’t yet something she’s embraced due to her tendency for fainting spells whenever anxiety grows. Mom (Delphine Roussel‘s Ally) therefore keeps a tight leash, protecting her […]

REVIEW: Ingrid Goes West [2017]

“What’s your biggest emotional wound?” Many people are going to like Ingrid Goes West because its dark comedy seemingly mocks a culture they’ve wholeheartedly embraced. They’ll laugh because they see the titular lead (Aubrey Plaza‘s Ingrid Thorburn) as an exaggerated version of themselves: glued to social media, but letting it literally control her life. She’s […]

REVIEW: Brigsby Bear [2017]

“Prophecy is meaningless. Trust only your familial unit.” The best films are those that come out of nowhere and should be viewed as such. Seriously. Stop reading and go see Brigsby Bear yourself because the less you know about it the better. That’s not to say its conceit is a spoiler—its complete shift in perspective […]

TIFF17 REVIEW: Hva vil folk si [What Will People Say] [2017]

“You haven’t done anything wrong” The Toronto International Film Festival synopsis calls Iram Haq‘s latest film Hva vil folk si [What Will People Say] an “empathetic story of family, community, and culture.” I would call it straight up social horror made scarier when you discover that it was partly inspired by the artist’s own life. […]

REVIEW: The Glass Castle [2017]

“You learn from living. Everything else is a damn lie.” It’s easy to dismiss films like Destin Daniel Cretton‘s The Glass Castle for losing their bite upon reaching a conclusion nobody can deny is melodramatically sentimental. You’ve watched Jeannette Walls’ (Brie Larson) decades-long journey of psychological pain and suffering wrought during her upbringing and ever-present […]

REVIEW: The Killers [1946]

“Stop listening to those golden harps, Swede” “The Killers” is a dialogue-driven short story by Ernest Hemingway that describes the melancholic criminal comeuppance of a man long-removed from the deeds that signed his death warrant. It reads like a fast-paced and stripped-down script whose intrigue is built out of that which we’ll never know. Context […]

REVIEW: Billy Liar [1963]

“Today’s a day of big decisions” When you live in a small town where everyone knows your name, flights of fancy can prove your only escape. Not everyone imagines a whole country to forget him/herself in when times get tough, but Billy Fisher (Tom Courtenay) is a one-of-a-kind guy. You can’t even blame him since […]

REVIEW: It [1990]

“It just isn’t empirically possible” Considering I was around ten-years old when first seeing Tommy Lee Wallace‘s “It”—I’m pretty sure it was post-1990 since I was only eight then—my memory held its adaptation of Stephen King‘s novel in high regard. I probably watched bits and pieces over the next could decades, always believing it to […]

TIFF17 REVIEW: Beyond Words [2017]

“A change of perspective from high to low normally brings new discoveries” An African man—a hopeful immigrant—says something very interesting to his prospective lawyer Michael (Jakub Gierszal) at the start of Urszula Antoniak‘s Beyond Words. When asked if he has a better excuse for finding refuge in Germany than the simple desire to choose his […]

REVIEW: Logan Lucky [2017]

“Did you just say cauliflower to me?” The story is as follows: Steven Soderbergh—while on hiatus from feature films (previously known as retirement)—received a script from a mutual friend of his and screenwriter Rebecca Blunt (who might not be a real person). He fell in love with its stripped down Ocean’s 11 feel devoid of […]

REVIEW: Detroit [2017]

“Burn it down” The title may be presumptuous enough to broadly call itself Detroit, but make no mistake that Kathryn Bigelow‘s latest film is very much about the Algiers Motel incident on the night of July 25th, 1967. Screenwriter Mark Boal allows for some prologue exposition before reaching that fateful evening—setting up the events that […]