REVIEW: On the Basis of Sex [2018]

“Hooray for Mommy” Even if we weren’t mired in the middle of the Trump Administration with a constant tidal wave of sexist and xenophobic rhetoric masquerading as national emergencies, the story of Ruth Bader Ginsburg defying the patriarchy where it came to archaic laws arbitrarily creating separate rights based on gender would be timely. Because […]

REVIEW: Lost + Found [2018]

“Better to reign in Hell than serve in Heaven” Why shouldn’t Satan (Jennifer Plotzke) be given a starring role in the telling of Paradise? God allowed her to wreak havoc on mankind by seducing Eve (Pia Haddad) with an apple of knowledge. He left us behind as silly creatures lost in the throes of love […]

REVIEW: Nancy [2018]

“We have to appreciate what we have now” To look at Nancy Freeman (Andrea Riseborough) is to see a defeated woman. Her single moment of hope throughout the day is the chance of opening mail to check whether her latest writing submission was accepted for publication—a hope perpetually dashed by the fact her oppressive mother […]

REVIEW: Mary Queen of Scots [2018]

“Our swords are not just for show” I know nothing of Scottish history. While this means I can’t attest to the veracity of Mary Queen of Scots, however, it doesn’t stop me from wondering about its lukewarm reception. What’s interesting is how the film as adapted by Beau Willimon from John Guy‘s novel Queen of […]

REVIEW: The Standoff at Sparrow Creek [2019]

“One’s missing” The film begins in total silence to the point where you wonder if something went wrong with the sound. The camera pans through still trees until finding Gannon (James Badge Dale) on the ground with rifle ready to take out the deer we can assume is somewhere out of frame. It’s only when […]

REVIEW: Rust Creek [2019]

“You learn real quick what all can burn you” When Sawyer Scott (Hermoine Corfield) receives the call she’s been waiting for, she can’t help but smile. It’s the first step towards a post-collegiate future with a job in Washington DC all but secured—the tiniest bit of uncertainty preventing her from telling her folks why she […]

REVIEW: Vice [2018]

“What do we believe?” It’s still weird thinking the guy who joked around with Will Ferrell for years is an Oscar winner, but that’s exactly what Adam McKay is. Weirder still is my being firmly in the camp that believes it was deserved. What he did with The Big Short was the equivalent of too-smart […]

REVIEW: Lazzaro felice [Happy as Lazzaro] [2018]

“He’s staring into the void again” Writer/director Alice Rohrwacher asks an interesting question with Lazzaro felice [Happy as Lazzaro]. How would we treat a saint? Would we acknowledge his/her goodness and understand their grace to be something to mirror? Or would we scoff at their innocence to call them naive, their loyalty to call them […]

REVIEW: Ben is Back [2018]

“You’re all still scared of me” There’s no way to discuss the second of Ben is Back or Beautiful Boy that you watched without also mentioning the first. Maybe I’d think differently if the order had swapped, but watching the former last seems like the correct way to do things since it allowed me to […]

REVIEW: Roma [2018]

“We are alone” To know that Roma is a semi-autobiographical account of writer/director Alfonso Cuarón‘s own childhood growing up in a Mexico City middle class family is to truly understand the weight of personal events opposite public ones. Placing the timeframe as 1970-71 means something for this country with a government takeover of poor village […]

REVIEW: 1985 [2018]

“Will you wait for me if you go first?” There’s a lot to like emotionally about Yen Tan‘s 1985 and some things to be desired in execution. It’s a period piece focused upon a conservative Texas family with military man father who sees his differences from his own “tough” Dad as potential weaknesses, a loving […]