TIFF17 REVIEW: The Breadwinner [2017]

“Everything changes. That’s what stories tell us.” In the Taliban-controlled Afghan city of Kabul, Nora Twomey‘s debut film as sole director (she co-helmed Oscar nominee The Secret of Kells) depicts an eleven-year old girl facing the futility her future inevitably holds. Adapted by Anita Doron from the award-winning novel by Deborah Ellis, The Breadwinner delivers […]

TIFF17 REVIEW: The Current War [2017]

“Star in a jar” The title is The Current War, but it’s subject is truly more history than battle. It’s flashier to think about our modern day electrical system as a conflict between two geniuses fighting for their vision’s victory, but the truth is more complex. Michael Mitnick‘s script understands this (mostly) despite the title […]

TIFF17 REVIEW: Jusqu’à la garde [Custody] [2018]

“Which of you is the bigger liar?” It didn’t win the Oscar for best live action short in 2014, but Xavier Legrand’s Just Before Losing Everything was by far my favorite nominee. Discovering his debut feature Jusqu’à la garde [Custody] was constructed as an expansion of that story therefore made it a must-see. The short […]

TIFF17 REVIEW: Professor Marston and the Wonder Women [2017]

“Fantasy is possibility” Many probably don’t know about the man who created Wonder Woman. It’s not a surprise considering the decades it took to finally bring the character to the big screen despite a popularity that rivals her male Justice League counterparts. He wasn’t just some writer cashing in on the superhero craze spawned by […]

TIFF17 REVIEW: Stronger [2017]

“I’m a hero for standing there and getting my legs blown off?” Peter Berg‘s take on unsung heroes Patriots Day is barely a year old and here we are with another Boston Marathon bombing film in David Gordon Green‘s Stronger. Rather than focus on the event itself, however, John Pollono‘s script turns focus squarely onto […]

TIFF17 REVIEW: On Chesil Beach [2018]

“I wasn’t my family. I was me.” It’s 1962. Florence Ponting (Saoirse Ronan) and Edward Mayhew (Billy Howle) have just been married. She’s from a wealthy family and he a provincial one; her desire to be active in world affairs beyond her status’ ambivalence and his hope to be accepted as an intellectual with the […]

TIFF17 REVIEW: Papillon [2018]

“I have trouble seeing hope in hopelessness” It’s amazing how some tweaking can turn a decent film showing its age into a worthwhile project that earns its upgrade four decades later. To watch Franklin J. Schaffner‘s original Papillon adaptation is to see an arduous series of harrowing ordeals strung together for no reason other than […]

TIFF17 REVIEW: L’insulte [The Insult] [2017]

“Because that’s what they are. Just stupid words.” Despite the fact that Ziad Doueiri‘s (a crew member on some of Quentin Tarantino‘s early works) latest film L’insulte [The Insult] is set in Lebanon, the ensuing drama can’t help but feel familiar to what’s currently happening in America. As our president says bad things are happening […]

TIFF17 REVIEW: Borg/McEnroe [2017]

“Who am I? The gentleman or the rebel?” Juan Martin del Potro just ruined the match-up everyone wanted to see at the 2017 US Open—a semi-final pitting Rafa Nadal against Roger Federer. Despite both being in their thirties, their rivalry has never stopped. What’s intriguing, however, is how amiable it has always been (or seemed […]

REVIEW: It [2017]

“Welcome to the Losers’ Club” There was a lot said about the new cinematic adaptation of Stephen King’s It when Cary Fukunaga signed on a few years ago. Enough about him as a rising auteur capable of infusing some magic into a story so intrinsically tied to the Tim Curry-starring miniseries from 1990 that his […]

TIFF17 REVIEW: Svanurinn [The Swan] [2017]

“You were so good when you were little” What once was a traditional rite of passage for Icelandic children has now become punishment. Whereas her mother probably visited her Aunt Ólöf’s (Katla M. Þorgeirsdóttir) farmland to learn responsibility and work ethic away from the allure of her ocean-side city, young Sól (Gríma Valsdóttir) makes the […]