REVIEW: Princess Cyd [2017]

“You get to see where your mom came from” Tragedies are never isolated incidents with a single victim, perpetrator, and survivor left to remember (or forget) what happened. Oftentimes those roles expand to encompass multiple parties or even overlap in ways that let blame, hate, and forgiveness coexist. This scenario is only rendered truer when […]

REVIEW: Murder on the Orient Express [1974]

“With the help of a hat box” If the way in which Hercule Poirot (Albert Finney) manipulates his suspects into perfectly incriminating themselves upon inquisition—often unbeknownst to us until the final reveal—infers that he has a photographic memory, we the audience need a bit more exposition as it concerns yet unseen connections than perhaps the […]

REVIEW: Das merkwürdige Kätzchen [The Strange Little Cat] [2014]

“And onions are my cats” We’ve all felt paralyzed at one time or another, fearing existence and responsibility as opposed to external forces and death. Life becomes our burden, the rote machinations to remain an upstanding member of society and the myriad social imperatives endured to be seen as a person worth ignoring—someone who neither […]

REVIEW: My Friend Dahmer [2017]

“Smiles up” When someone kills seventeen people over a thirteen-year span with words like necrophilia and cannibalism circling each murder, sympathy for the predator—not his prey—is neither the first nor hundred and first emotion that should come to anyone’s mind. I’m not certain there could be room for anything but disgust whether you’re a stranger, […]

REVIEW: Suck It Up [2017]

“… And she fell down” Grief is a strange, personal, and often entirely unexpected reponse to tragedy. It will differ depending on who you are, the point in life you’re at, the cause, and myriad details spanning scenario, age, love, hate, or surprise. To cope with a grandparent’s death for example is something we all […]

REVIEW: The Killing of a Sacred Deer [2017]

“You’re too young to worry” Writer/director Yorgos Lanthimos is an artist who deals with consequences through elaborately skewed and often-uncomfortable scenarios just left of the off-putting spot that’s just left of center. He uses absurdity and humor to provoke us in order for his complex existential and social messages to hit home in a way […]

REVIEW: Beloved [1998]

“Love is or it ain’t. Thin love ain’t love at all.” Love creates and destroys. Mix in post-traumatic stress disorder and you’ll never know which until it’s too late. Evil can permeate your soul and color your psychology in ways that merge right and wrong into a singular goal seeking survival. To endure horror is […]

REVIEW: The Natural [1984]

“The only homer I know has four bases in it” There’s a lot going on in Barry Levinson‘s The Natural and baseball is the least of it. The film had always been a blind spot for me as I’m not a fan of the sport and thus could never bring myself to watch—”classic” status or […]

REVIEW: Only the Brave [2017]

“Decide what you live for and what you can live without” Interagency Hotshot Crews are twenty person teams of Type 1 firefighters that exceed all experience, training, and fitness requirements of that designation. Originated in the 1940s to combat wildfires on a national level, these groups move all over the country to suppress flames and […]

REVIEW: The Florida Project [2017]

“What are you playing?” It’s hard not to think about another A24 produced film while watching Sean Baker‘s The Florida Project. The themes it presents due its impoverished central characters barely scrapping by financially on a day-to-day basis are identical to Andrea Arnold‘s American Honey and its band of twenty-somethings traveling the countryside to scam […]

REVIEW: Il conformista [The Conformist] [1970]

“Slaughter and melancholy” At one point towards the end of Bernardo Bertolucci‘s Il conformist [The Conformist], Marcello Clerici (Jean-Louis Trintignant) turns to Manganiello (Gastone Moschin) and relays a brief synopsis of a dream. He talks about how he was a blind man who needed an operation that only his former professor (Enzo Tarascio‘s Quadri) could […]