REVIEW: First Reformed [2018]

“A life without despair is a life without hope” We live in a time of extremism—where our reaction dial is turned up to eleven regardless of our true interest in a cause or its true importance. Somewhere along the line civil and constructive discourse was replaced by screaming fits of unjustified rage, nuanced topics debated […]

REVIEW: Un beau soleil intérieur [Let the Sunshine In] [2017]

“Being a backstreet lover is just unbearable” Is love all consuming? Or disposable? If you discover it’s one above the other, how do you know you’re right? The answer is simple: love is whatever you need it to be for yourself. Don’t compromise your happiness or comfort. Don’t allow your beau to walk over your […]

REVIEW: Jaws [1975]

“You’re gonna need a bigger boat” Actor Richard Dreyfus called Jaws a “nexus point” during his question and answer period before a recent screening of the cinematic classic and I can’t think of a better descriptor. His words were relevant as far as his career, but also the medium as a whole. Here was a […]

REVIEW: The Last Witness [2018]

“I thought this was supposed to be about us” Soviet secret police began a series of mass executions circa 1940 of Polish citizens they knew would reject foreign occupation upon WWII’s completion. Some of the resulting graves were discovered in the Katyn Forest three years later with more found elsewhere totaling 22,000 bodies. Because of […]

REVIEW: Scarlet Street [1945]

“So you won’t forget me” There’s a great horror concept within Fritz Lang‘s Scarlet Street. Unfortunately it’s pushed aside for a film noir that never quite gains traction. The problem as I see it stems from the fact that screenwriter Dudley Nichols tries to frame aging pushover Christopher Cross (Edward G. Robinson) as a sympathetic […]

REVIEW: La Ciénaga [2001]

“Get me some ice” The debut feature from Argentinian writer/director Lucrecia Martel is entitled La Ciénaga or The Swamp in English. That’s a name no American circa 2018 can read without conjuring allusions to the Donald Trump campaign motto “Drain the Swamp”. And it’s not a superficial thought either once you start to meet the […]

REVIEW: Laskovoe bezrazlichie mira [The Gentle Indifference of the World][2018]

“Only love is real” Sometimes it isn’t enough to simply portray the type of eternal love that Shakespeare wrote in Romeo and Juliet. Watching two star-crossed lovers attempt to fight the injustices of this world to be together only to sacrifice themselves can still ring hollow because it’s hinged upon the naiveté of children not […]

REVIEW: Le Redoutable [Godard Mon Amour] [2017]

“I was lucky enough to admire my lover” We’re introduced to Emile (Marc Fraize) halfway through Michel Hazanavicius‘ Le Redoubtable [Godard Mon Amour]. He’s a local Frenchman with a car and the means to procure enough gas to drive an argumentative Jean-Luc Godard (Louis Garrel), his wife Anne Wiazemsky (Stacy Martin), and their friends (Micha […]

REVIEW: Tully [2018]

“You’re empty” After loving their first collaboration (Juno) and disliking their second (Young Adult), I didn’t know what to expect with director Jason Reitman and writer Diablo Cody‘s third pairing behind the camera. The best I could do was enter the theater unprejudiced and hopeful for the best since I do like most of their […]

REVIEW: Measure of a Man [2018]

“This time I had something to prove” The coming of age dramedy is a crowded genre with many seminal works established in the 70s and 80s. It’s tough to therefore see any entries without comparing them to what came first. Some can still find their niche and win audiences over before earning a place besides […]

REVIEW: And Then I Go [2018]

“Ours is a group of two” The Columbine massacre happened in 1999. It’s crazy to think it’s been over twenty years because we seem to have a new school shooting every month now. And as they grew in prevalence, the conversation surrounding them shifted from tragedy to politicization. Gus Van Sant‘s Elephant arrived in 2003 […]