REVIEW: The Man Who Killed Don Quixote [2019]

“You think explaining explains anything?” I’ve just finished watching it and yet I still can’t believe Terry Gilliam actually completed The Man Who Killed Don Quixote. If you told me I had dreamt it all I would give pause because it’s been over twenty years in the making and its cursed production schedules have become […]

REVIEW: The Hummingbird Project [2019]

“What’s at the end of the line?” Vincent Zaleski (Jesse Eisenberg) and his cousin Anton (Alexander Skarsgård) work for a stock trader in New York City (Salma Hayek‘s Eva Torres) and seem to be doing well. Writer/director Kim Nguyen doesn’t give any specifics as to their salaries and whatnot, but we visit one of their […]

REVIEW: The Public [2019]

“Books saved my life” It’s the same tragic story. Another unarmed Black man is killed by the police. Another White man takes an arsenal into a school, campus, or place of worship before opening fire on unarmed innocents. The media takes these headlines, packages them together with thoughts and prayers, and uses the ratings to […]

REVIEW: Hotel Mumbai [2019]

“Remember, the whole world will be watching” An Indian man who’s risked his life helping to save wealthy guests at the posh hotel where he works as head chef (Anupam Kher‘s Oberoi) is imploring a group dead-set on venturing into bullet-riddled hallways to remain in the exclusive (and therefore hard to enter) club chambers where […]

REVIEW: Transit [2018]

“I won’t be writing anymore school essays” It took until the end of Christian Petzold‘s Transit and my reading the press notes to realize Georg’s (Franz Rogowski) story unfolded in the present day. I felt off-balance from the start as far as what the historical context for these events were because he was a German […]

REVIEW: Climax [2018]

“Anything” What would you do for the chance to work with the illustrious choreographer Selva (Sofia Boutella) and her DJ Daddy (Kiddy Smile)? According to the group of young dancers they interviewed: “Anything.” Some are coy when asking for context to the question with a smile and others are quick to pretty much say they’d […]

REVIEW: Gloria Bell [2019]

“We could all die tomorrow” I hate the argument that remakes of foreign films allow English-speakers to invest more in the story and performance because they aren’t dividing attention between dialogue and imagery, but I can’t deny some validity to the thought. There’s more to it than just what you hear, though, because a new […]

REVIEW: Ruben Brandt, Collector [2018]

“Characters from famous paintings continue to attack me” Writer/director Milorad Krstic has combined his love for painting and film into an action thriller as surreal as it is familiar. The whole uses his own unique animation style as a filter with which to recreate masterpieces of both visual mediums—each famed piece simultaneously recognizable as its […]

REVIEW: Gloria [2013]

“Are you always this happy?” While sitting next to her ex-husband (Alejandro Goic‘s Gabriel) at their adult son’s birthday party, Gloria (Paulina García) peers at old wedding photos and comments about how naïve they were. He of course tries shifting those sentiments by exclaiming they were in love, but she just smiles and repeats “naïve” […]

REVIEW: Finding Steve McQueen [2019]

“It’s like an alphabet soup enema” The Dinsio Brothers and their accomplices stole around nine million dollars from four hundred-plus safety deposit boxes inside the United California Bank of Laguna Niguel. To read Amil Dinsio’s website is to learn of his self-proclaimed “master” exploits and how the FBI sought to frame him for the job […]

REVIEW: The Kid [2019]

“You gotta learn to trust inna fella” With so many different iterations of the same exact story flooding the cinematic market every year via reboots and sequels, it’s nice when someone decides to look at a common narrative through a new lens. This is what director Vincent D’Onofrio and screenwriter Andrew Lanham hope to accomplish […]