REVIEW: L’eau froide [Cold Water] [1994]

“Extravagant maneuvers” Originally envisioned as a 52-minute chapter of a television anthology series with strict thematic and contextual rules, Olivier Assayas‘ L’eau froide [Cold Water] eventually found itself as the much sought-after 90-minute Cannes debut that cemented the auteur’s style, acclaim, and promise without ever reaching American shores due to lapsed music rights. He would […]

REVIEW: American Animals [2018]

“Like what?” The more you hear about privileged white kids shooting-up schools because they’re under such “debilitating” pressure alienating them from the “cool” kids, turn “alt-right” with a projection of hatred that stems from a hatred in themselves courtesy of a false notion that they’re somehow “special,” and find themselves acting out of boredom in […]

REVIEW: The Year of Spectacular Men [2018]

“My path is a squiggle” The time has come to see the “manic pixie dream girl” trope from the other side. We’ve viewed countless depictions of attractively quirky women serving as plot points pushing their male lead counterparts over whatever hump they find themselves struggling to conquer, each a one-dimensional prop used before being discarded […]

REVIEW: Beast [2018]

“I just wanted to go dancing” Everything is and isn’t as it seems with Michael Pearce‘s genre-fluid romantic thriller Beast. What starts with the template of rich girl falling for local bad boy against mom’s wishes turns to a case of serial murder with assumptions made every second that confirm what we believe is real […]

REVIEW: First Reformed [2018]

“A life without despair is a life without hope” We live in a time of extremism—where our reaction dial is turned up to eleven regardless of our true interest in a cause or its true importance. Somewhere along the line civil and constructive discourse was replaced by screaming fits of unjustified rage, nuanced topics debated […]

REVIEW: Un beau soleil intérieur [Let the Sunshine In] [2017]

“Being a backstreet lover is just unbearable” Is love all consuming? Or disposable? If you discover it’s one above the other, how do you know you’re right? The answer is simple: love is whatever you need it to be for yourself. Don’t compromise your happiness or comfort. Don’t allow your beau to walk over your […]

REVIEW: Jaws [1975]

“You’re gonna need a bigger boat” Actor Richard Dreyfus called Jaws a “nexus point” during his question and answer period before a recent screening of the cinematic classic and I can’t think of a better descriptor. His words were relevant as far as his career, but also the medium as a whole. Here was a […]

REVIEW: The Last Witness [2018]

“I thought this was supposed to be about us” Soviet secret police began a series of mass executions circa 1940 of Polish citizens they knew would reject foreign occupation upon WWII’s completion. Some of the resulting graves were discovered in the Katyn Forest three years later with more found elsewhere totaling 22,000 bodies. Because of […]

REVIEW: Scarlet Street [1945]

“So you won’t forget me” There’s a great horror concept within Fritz Lang‘s Scarlet Street. Unfortunately it’s pushed aside for a film noir that never quite gains traction. The problem as I see it stems from the fact that screenwriter Dudley Nichols tries to frame aging pushover Christopher Cross (Edward G. Robinson) as a sympathetic […]

REVIEW: La Ciénaga [2001]

“Get me some ice” The debut feature from Argentinian writer/director Lucrecia Martel is entitled La Ciénaga or The Swamp in English. That’s a name no American circa 2018 can read without conjuring allusions to the Donald Trump campaign motto “Drain the Swamp”. And it’s not a superficial thought either once you start to meet the […]

REVIEW: Laskovoe bezrazlichie mira [The Gentle Indifference of the World][2018]

“Only love is real” Sometimes it isn’t enough to simply portray the type of eternal love that Shakespeare wrote in Romeo and Juliet. Watching two star-crossed lovers attempt to fight the injustices of this world to be together only to sacrifice themselves can still ring hollow because it’s hinged upon the naiveté of children not […]