REVIEW: Pitääkö mun kaikki hoitaa? [Do I Have to Take Care of Everything?] [2013]

“Were you styling your beard?” You’ve probably heard these words before: Pitääkö mun kaikki hoitaa? [Do I Have to Take Care of Everything?]. It might have been your wife, girlfriend, or mother (or the male equivalents despite it being a generalization stereotypically placed upon the fairer sex) and I’m sure they were correctly using those frustrated sentiments more often than not. But while building a seven-minute short around that phrase would be funny in any context if only for the incredulity of whoever utters it, writer Kirsikka Saari and director…

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REVIEW: Helium [2013]

“They say I’m going to Heaven” What do you tell a young child dying of an inoperable disease? Do you fill his/her head with religious concepts of heaven and hell, explaining how innocence and youth guarantees a place in the former’s angelic clouds? For a kid like Alfred (Pelle Falk Krusbæk) that’s simply not enough. Heaven is just a place—a sterile, overused destination he finds boringly clichéd and trite rather than some grand resting place someone who’s lived a long, fruitful life strives to achieve. He hasn’t lived, hasn’t had…

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REVIEW: Avant que de tout perdre [Just Before Losing Everything] [2013]

“You have to do it, Miriam” Whoa. Xavier Legrand‘s screenwriting and directorial debut Avant que de tout perdre [Just Before Losing Everything] is a tense piece of filmmaking that will have you holding your breath throughout. It starts with a young boy walking the opposite way from school before being stopped by his teacher. He says he’s buying cigarettes for his father and will be in class soon, yet he’s seen waiting at a bridge upon her dismissal until a woman pulls up in her car. From here the two…

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REVIEW: Aquel no era yo [That Wasn’t Me] [2013]

“With your guns, people will respect you” If someone told me they didn’t see Esteban Crespo‘s Aquel No Era Yo [That Wasn’t Me] as more than a contrived piece of melodrama tugging at heartstrings I’d believe them and understand completely. However, for me it was an affecting work brilliantly encapsulating the climate we now find our planet caught within. This is war devoid of rules, civil unrest placing automatic weapons into children’s hands, and the naively idealistic foreigners who believe they can enact change with a friendly smile. Crespo doesn’t…

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REVIEW: Feral [2013]

Writer/director Daniel Sousa‘s animated short Feral is a tragic tale of a young boy raised in the wild and his attempt to assimilate into human civilization. Drawn with a rough, charcoal texture that shimmers and swirls with each new frame of motion, its contrast of blacks and whites show us the child’s isolation from both worlds at either side. He’s a stark white against the greys of the forest birch trees and building block façade houses, a prize easily seen by the pitch black wolves and people curious as to…

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REVIEW: Vic + Flo ont vu un ours [Vic + Flo Saw a Bear] [2013]

“I cried so much while waiting for you” Writer/director Denis Côté‘s latest, Alfred Bauer Prize-winning (Berlin International Film Festival) Vic + Flo ont vu un ours [Vic + Flo Saw a Bear] is a mysteriously captivating creature. Looking from afar, you realize you know almost nothing about the circumstances thrusting his characters together. Yes, titular leads Victoria (Pierrette Robitaille) and Florence (Romane Bohringer) are ex-con lovers holing up in the former’s invalid uncle’s defunct sugar shack on probation and away from society, but we don’t necessarily know why. We infer…

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REVIEW: Dead Ringers [1988]

“Don’t make me dream that again” The last line of David Cronenberg‘s Dead Ringers is on the nose and yet still disturbingly surreal. Jeremy Irons (playing twin gynecologists Elliot and Beverly Mantle) phones his lover Claire (Geneviève Bujold) only to hear the telling reply, “Who is this?” While we too find ourselves uncertain which is on the line, his inability to answer shows the disturbing truth that it may be both or neither. Ellie and Bev have been inseparable from birth, challenging each other and working together to gift the…

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REVIEW: August: Osage County [2013]

“I’ll be sickly sweet” I’m drawn to dysfunction—especially when it’s of the familial persuasion. It’s probably because I didn’t really get exposed to much as a kid growing up with a family most would give anything to have. When you see the looks others who know dysfunction’s definition like the back of their hands telling you that what you believed was an example from your past is laughably quaint to say the least, experiencing a bit of that fiery vitriol at the movies can be invigorating. And when you have…

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REVIEW: Inside Llewyn Davis [2013]

“Llewyn is the cat” Can I chalk my ambivalence to the Coen Brothers‘ newest film Inside Llewyn Davis up to knowing nothing about the Greenwich Village folk music scene of 1961? It is after all loosely inspired by the life of Dave Van Ronk, containing aspects of his autobiography The Mayor of MacDougal Street for authenticity. But how much should knowing the setting of a story impact the enjoyment of what’s unfolding in its space? Shouldn’t the success of what the Coens have accomplished live or die by my interest…

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REVIEW: Short Term 12 [2013]

“Oh. That’s the piece of avocado in your beard.” Other films cropping up into your memory while watching something new can either be a sign that originality in cinema is officially dead or the realization you’re about to experience greatness. The latter happened to me during Short Term 12 and I’m talking like ten minutes in after affable veteran Mason (John Gallagher Jr.) finishes telling newbie Nate (Rami Malek) about his second day as a line staff employee at the group home for at-risk teenagers behind them before having to…

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REVIEW: Her [2013]

“Hey, do you want to have a Sunday adventure with me?” The first thing I wondered upon hearing Spike Jonze‘s new film concerned a man who falls in love with his computer’s intuitive operating system was how he’d thematically comment on the lack of physical connectivity inherent to such a pairing. What didn’t cross my mind until watching Her, however, was how shortsighted and selfish that worldview was in context to an ever-evolving universe populated by myriad personalities and beings. To see this sort of science fiction relationship as absurd…

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