Category: Drama

TIFF14 REVIEW: The Cobbler [2015]

Jared Mobarak

“I’m not gonna eat you!” Adults need fairy tales too and Thomas McCarthy—with cowriter Paul Sado—deliver one in The Cobbler. They don’t try to pretend it’s something more either as its opening prologue can attest thanks to older tradesmen on the Lower East Side speaking Yiddish around a table to think up a way to defeat the evil landlord raising their rent to drive them away. Cut to the local shoe man deemed their savior stitching up a pair of loafers with son in tow and we learn his machine…

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TIFF14 REVIEW: The Duke of Burgundy [2015]

Jared Mobarak

“The colder the better” Sometimes you just need to cleanse your palette or expand your mind by checking out a film even the director says is all about the experience. So when Peter Strickland explains how he tried hard not to make us want to find metaphor or meaning beyond what’s onscreen, I’m going to take him at his word. He also admitted title The Duke of Burgundy was a joke—which “ended too late to change it”—that was intentionally misleading considering a staunch period piece this most certainly is not.…

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TIFF14 REVIEW: Welcome to Me [2015]

Jared Mobarak

“And only five carbohydrants” There’s a great reference in Welcome to Me about Cindy Sherman that many may gloss over. Director Shira Piven and screenwriter Eliot Laurence made mention to Network and The Truman Show during their Q&A after my TIFF screening, but I don’t think such comparisons hold a candle to Sherman’s photography challenging audiences with staged depictions of women in society and the media. In them the artist made herself up to be the subject rather than a model or community figure aligned with her concept. The film’s…

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TIFF14 REVIEW: Nightcrawler [2014]

Jared Mobarak

“If you want to win the lottery you have to have the money to buy a ticket” There are some huge ebbs and flows in Dan Gilroy‘s Nightcrawler. At times I loved it, others I felt bad for laughing, and some instances made me wonder what exactly it was I was watching. In the end, however, I can unequivocally say it’s a gem of a lean, mean film that never let’s its foot off the gas pedal with an iconic antihero in Jake Gyllenhaal‘s Lou Bloom who might currently be…

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TIFF14 REVIEW: Men, Women & Children [2014]

Jared Mobarak

“I guess I was just scared” We are the pale blue dot. Earth? No. The intermittently blinking light on the end of an out-of-touch parent’s device for transparently spying on a daughter’s electronic path when he/she should be proud for having a smart and compassionate teen unlike the majority populating the local high school. Our world’s different from the one Carl Sagan represented by filling the Voyager spacecraft with records of music, languages, and calls of whales. Now in a post-9/11 America we fear strangers as well as friends, peers,…

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TIFF14 REVIEW: 归来 [Gui lai] [Coming Home] [2014]

Jared Mobarak

“So you do have a heart” I kept trying to think about what films Zhang Yimou‘s 归来 [Gui lai] [Coming Home] reminded me of while watching. Obvious ones came to mind like Away From Her and Amour where Gong Li‘s Yu was concerned and even Atonement for Huiwan Zhang‘s Dandan. But it was a fellow audience member as we walked out who said it best: 50 First Dates. The selection resonated with me because until three-quarters of the way through I thought people laughing were crazy. This is a sensitive…

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TIFF14 REVIEW: October Gale [2015]

Jared Mobarak

“Sorry. I have to put my gum in your belly button for a second.” After enjoying Ruba Nadda‘s Inescapable and hearing a ton of praise for Cairo Time, I went into her latest effort October Gale with high expectations. Whether this fact tainted my experience or not, those hopes were not met. For whatever reason Nadda doesn’t seem quite certain about what she wants from her plot. Is it a Nicholas Sparks love triangle for the middle-aged between a still grieving widow (Patricia Clarkson‘s Helen), the memory of her husband…

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TIFF14 REVIEW: Samba [2014]

Jared Mobarak

“Red paper. Then … no more.” Every movie should have a score by Ludovico Einaudi and it’s comforting to see Olivier Nakache and Eric Toledano agree. After using his haunting music on the brilliant Intouchables, the duo take a few tracks from his album In a Time Lapse to enhance their latest work Samba. Another drama dealing with serious issues oftentimes handled melodramatically by Hollywood, they find a way to infuse each character’s hardship with a delightfully comic streak. The formula is similar to that Oscar nominee with its two…

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TIFF14 REVIEW: Corbo [2014]

Jared Mobarak

“Tomorrow the enemy will pay for our blood and tears” There’s ease to idolizing the IRA for rising against their British oppressors because the number of Irish descendants retaining a piece of nationalism at heart is huge. Movies deify them, bartenders make “Irish Car Bombs”, and the group remains in existence still hoping for the Irish Republic they proclaimed in 1916. To some the revolution and subsequent civil war were fought by heroes. To others the IRA is nothing more than terrorists. Either way, there’s substance to the effort that…

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TIFF14 REVIEW: Listen [2014]

Jared Mobarak

“Go home and pray” There is no more apt title for Hamy Ramezan and Rungano Nyoni‘s Listen except maybe Comprehend. A 13-minute gut punch dealing with the disparity of culture, language, and religion, to say too much would ruin the perfectly orchestrated dissemination of information from start to finish. It asks questions like: What do we do when we cannot ask for help? What can we do if those meant to help start reacting subjectively rather than with the victim’s wellbeing at heart? Our world has become so flat so…

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TIFF14 REVIEW: Knuffen [The Shove] [2014]

Jared Mobarak

“I was sentenced to a shoving last night” With an opening credit sequence recalling a 70s vibe via Quentin Tarantino, My Sandström‘s surrealist take on the paranoia of uncertainty delivers humor rather than the pulpy drama you may expect from the grainy picture and thick yellow text. There is a lot of this sort of playing with expectation involved right down to Tobbe’s (Magnus Sundberg) giant of a man being crippled by the absurdist “sentence” given to him by an inspector (Annafrida Bengtsson) of unknown origins walking the streets with…

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