REVIEW: Blaze [2018]

“Never stand in the way of true love” You have to respect the way Ethan Hawke approached his latest film Blaze and its central character Blaze Foley. He’d never heard the artist’s name or music until being stopped in his tracks upon listening to John Prine cover “Clay Pigeons.” That sparked an interest for research […]

TIFF18 REVIEW: Retrospekt [2018]

“Every Wednesday and … coffee” I can’t think of a better term to describe Esther Rots‘ Retrospekt than her own: “sensory cinema.” We get a feeling for what this means during the opening scene as Dan Geesin‘s score and Bas Kuijlenburg’s boomingly operatic baritone drowns out the action onscreen with English lyrics telling a story […]

TIFF18 REVIEW: The Third Wife [2018]

“One day you’ll like it for real” It’s 19th century Vietnam and fourteen-year old May (Nguyen Phuong Tra My) has just been married to a wealthy landowner named Hung (Long Le Vu). She wears a genuine smile on her face, this next chapter in life as hopeful as it is scary. She has two other […]

TIFF18 REVIEW: Las niñas bien [The Good Girls] [2018]

“So happy. We’re so happy.” Sofía Hernandez (Ilse Salas) has everything: three children she can ignore, servants and maids to take care of her every whim, and a husband (Flavio Medina‘s Fernando) who inherited his wealth from his father and still has yet to really work for it thanks to Uncle Javier (Diego Jáuregui) managing […]

TIFF18 REVIEW: Posledice [Consequences] [2018]

“I am what I am” Andrej (Matej Zemljic) is an eighteen-year old abuser. He’s stopped going to school, started getting into fights, disrespects his parents, and most recently hit a teen after she berated him for his not wanting sex. It’s an escalating series of incidents that no one is willing to deal with anymore, […]

REVIEW: Appropriate Behavior [2015]

“I hate so many things too” It would be easy to minimize the broken relationship at the heart of Desiree Akhavan‘s debut feature Appropriate Behavior to Shirin’s (Akhavan) inability to come out as bisexual to her traditional Iranian parents. This is obviously a factor after watching her ex-girlfriend’s (Rebecca Henderson‘s Maxine) increasing frustrations via flashbacks […]

TIFF18 REVIEW: Saf [2018]

“Everybody lies” America isn’t the only country with a portion of its population rejecting refugee clemency (although it’s the most high profile due to international stature, economic wealth, and so-called Christian charity). It’s also not the only one blinded to its hate when confronting the matter. Because that’s what it is to look down on […]

TIFF18 REVIEW: Il vizio della speranza [The Vice of Hope] [2018]

“Remember, misery isn’t the only thing that exists” Less than an hour from Naples, Italy is Castel Volturno, a place marred by newspaper headlines like “Forsaken Village” and “Sex, Drugs, and the Mafia.” It shouldn’t surprise then that director Edoardo De Angelis would use it as the setting for his latest film Il vizio della […]

REVIEW: Lizzie [2018]

“I never wanted anything from you” The level of intrigue surrounding Andrew and Abby Borden’s murders in 1892 is crazy because it’s only increased since. We’re talking the O.J. Simpson trial of the 19th century: a well-to-do family mutilated in their home with a hatchet, their youngest daughter Lizzie the prime suspect. She wasn’t the […]

TIFF18 REVIEW: First Man [2018]

“It’s kinda neat” The non-controversy surrounding Damien Chazelle‘s First Man shouldn’t surprise anyone who knows how political parties have appropriated art into their agendas since the dawn of time. Of course they’d glom onto the decision to ignore the lunar flag planting as some “un-American” thing rather than read the script, watch the movie, or […]

TIFF18 REVIEW: Rojo [2018]

“They say bodies appear in the desert” The film opens as people leave a house with objects in-hand, the assumption being that they were bought in an estate sale or pilfered before one could begin. A man (Diego Cremonesi) looks in the front door as clueless as we are to what’s happening before a jump […]