REVIEW: The Last Full Measure [2020]

“Justice delayed is justice denied” While Todd Robinson‘s The Last Full Measure does center upon the cost of war, it’s neither a pro-war or anti-war film. He instead allows the idea of battle to exist as an imperative within Airman William H. Pitsenbarger, Jr.’s story. Not only did this young man enlist to go to […]

REVIEW: Synonymes [Synonyms] [2019]

“Do not look up” Israel has no future in Yaov’s (Tom Mercier) mind. It’s dead and he refuses to die with it even if he just risked dying for it to earn a silver star in the military. Why? Because his country won’t admit its failures or mistakes. They are victors. That’s it. They are […]

REVIEW: Three Christs [2020]

“I can attest” Two decades after publishing his study The Three Christs of Ypsilanti, Milton Rokeach came to the realization that his methods were both manipulative and unethical. He included an afterword in a re-release of the book to that effect—something surely helped by the supposed fact his research assistants questioned his morality while it […]

REVIEW: The Last Black Man in San Francisco [2019]

“You don’t get to hate it unless you love it” One of the casualties of gentrification in San Francisco over the past half century was the Victorian home that Jimmie Fails’ (Jimmie Fails) grandfather built in the Fillmore District circa 1946. He feels its effect every single day too—enough that he and best friend Montgomery […]

REVIEW: The Song of Names [2019]

“Going home to play a song for the ashes” It’s been thirty-five years since Dovidl (Jonah Hauer-King) disappeared in 1951. He was a violinist—a genius virtuoso depending on whom you asked (himself included)—primed to make his London debut in a sold out house courtesy of the man that served as his guardian the previous decade-plus […]

REVIEW: Bombshell [2019]

“Praise all tangled up in an insult” The downfall of Roger Ailes is a captivating tale because it shows what can be done without glossing over the difficulty of achieving it. The women at Fox News who came forward to put his decades-long pattern of sexual harassment into the public forum had to weigh the […]

REVIEW: American Woman [2019]

“We just want to find her and bring her home” If you want to get an idea about what to expect from Jake Scott‘s American Woman, look no further than a scene between Sienna Miller and Amy Madigan at the halfway mark. The former is Debra, a woman who must ultimately cope with the disappearance […]

REVIEW: Portrait de la jeune fille en feu [Portrait of a Lady on Fire] [2019]

“Don’t regret. Remember.” An eighteenth century Italian countess (Valeria Golino) still residing at the French estate of her late husband has decided she’d like to return home. The best way to accomplish this is marrying off one of her daughters to an affluent Milanese suitor since doing so would secure both their futures while also […]

REVIEW: Richard Jewell [2019]

“I’m me” There’s a major difference between fact (Richard Jewell is currently being investigated as a potential suspect) and editorial conjecture meant to carry your byline and publication into the national spotlight (Richard Jewell epitomizes the lone bomber profile and the FBI are nearing an arrest). Some journalists can’t unfortunately spot the difference. Why? Because […]

REVIEW: Atlantique [Atlantics] [2019]

“The spirits are scared of me” French writer/director Mati Diop made a documentary short ten years ago about a group of Senegalese friends who risk their lives to sail along the coast of Africa into Spain with the hope of better lives upon their arrival. It almost seems natural then that her first feature length […]

REVIEW: J’ai perdu mon corps [I Lost My Body] [2019]

“You can’t always win” I think Netflix is doing J’ai perdu mon corps [I Lost My Body] a disservice by using the word “romance” to describe it wherever I look. Jérémy Clapin‘s animated film is most definitely not that. While Guillaume Laurant‘s novel Happy Hand—which he and Clapin adapted—might have been (I haven’t read it), […]