REVIEW: 20th Century Women [2016]

“You wish you were crazy” There’s a lot to unpack in 20th Century Women, Mike Mills‘ look at lost souls adrift on paths towards happiness (if happiness even exists). For one he’s a man writing progressive feminists who in turn earnestly educate the two men in their lives how to be men. That alone takes […]

REVIEW: Prêt-à-Porter [Ready to Wear] [1994]

“Taking advantage of others’ insecurities” I didn’t love The Player as much as I thought I would. Sometimes Robert Altman utilizes too many characters within a story that cannot sustain them as perfectly as we’d hope. It often works best in one-locale work like A Wedding and Gosford Park where the satirized theme is cohesive […]

REVIEW: Rules Don’t Apply [2016]

“You’re an exception” Eighteen years after Bulworth and fifteen after Town & Country (his last time directing and acting for a feature film respectively), Warren Beatty returns to the big screen with a fictionalized biography of Howard Hughes forty years in the making. It’s a passion project and vanity project: two endeavors worthy of an […]

REVIEW: Army of One [2016]

“They don’t call me the psychic wizard for nothing” To hear about Gary Faulkner is to know the meaning of the phrase “stranger than fiction.” This is a Chatty Cathy of a Colorado handyman who was visited by God one afternoon while receiving dialysis and given a mission. Of everyone on planet Earth, Gary was […]

REVIEW: The Player [1992]

“… with a heart” When thinking about a satire on Hollywood, the idea to glorify its luck, ego, and excess rather than vilify probably wouldn’t be the direction your mind gravitates towards. To some extent this may ensure the exercise will prove pointless because the message shifts from showing everything wrong that needs fixing into […]

REVIEW: The Greasy Strangler [2016]

“He likes to shout. I like to smile.” My description of Jim Hosking‘s feature directorial debut The Greasy Strangler: a gross-out, darkly obscure comedy centered on a father and son duo akin to Lloyd Christmas and Harry Dunne from Dumb and Dumber that exists in a deranged parallel universe to Napoleon Dynamite as directed by […]

REVIEW: En man som heter Ove [A Man Called Ove] [2015]

“Sometimes, however, honesty needs a little assistance” Despite being rated PG-13 due to a liberal use of the word “shit,” En man som heter Ove [A Man Called Ove] is still one of the most full-hearted family-friendly dramedies of the year. I’d even say it’s the live action version of Up you’ve waited for since […]

REVIEW: L’ultimo bacio [The Last Kiss] [2001]

“With pounds of cellulite and all your insecurities” I really want to love Gabriele Muccino‘s Italian blockbuster of a rom-com L’ultimo bacio [The Last Kiss] because it is funny, charming, complicated, and hopeful. My issue lies in the fact that it’s also awful in its depictions of selfish ego and weak indifference. Maybe this is […]

REVIEW: A Wedding [1978]

“Death is a four letter word” It’s unfathomable to think that a film as elaborately sprawling as Robert Altman‘s A Wedding was given birth out of a joke, but that’s exactly what happened. Having some fun with an interviewer during publicity on 3 Women, the director exclaimed that his next work would be “a great […]

REVIEW: Sam [2016]

“I kinda like being the only guy in New York with a gynecologist” Even though Nicholas Brooks is about thirty years too late for his gender-swapping, chauvinistic rom-com Sam, he does end up successfully subverting expectations. Don’t get me wrong: it’s not a good movie. There are enough fades to black to make me drowsy […]

REVIEW: Storks [2016]

“We never stop” While a bunch of adults were definitely having a good time during Nicholas Stoller‘s Storks, I’m not sure about their children. It wasn’t restlessness, though. If anything they were catatonic, a similar state as myself. Now I did chuckle at a few of the higher concept stuff because the absurdity of a […]