REVIEW: Shoot Me Nicely [2017]

“Was it really that small?” A good cause and effect tale is hard to come by within an era of more is more popcorn fluff filled with contrivances nobody can feasibly ignore. But that’s exactly what Elias Plagianos delivers with short film Shoot Me Nicely. This is not to say there aren’t any coincidences involved […]

REVIEW: CHIPS [2017]

“Shoulda cuddled, bro” I’ve never watched an episode of “CHiPs” so I don’t care whether or not the original Jon Baker (Larry Wilcox) and Francis Poncherello (Erik Estrada) pulled their guns during six seasons of television as some on social media have enjoyed touting they didn’t since the trailer hit. I will, however, admit I’m […]

REVIEW: April Flowers [2017]

“I’m not afraid of love if that’s what you mean” When writer/director Christopher Tedrick scholarly describes his film April Flowers as being based on the idea that the 21st century is an “Era of Choice”—a term coined by Temple Associate Professor Edward C. Rosenthal in an MIT-published paper—romance isn’t necessary the first thing that springs […]

REVIEW: Night Job [2017]

“People just use the night as an excuse to be someone completely different” Write what you know. These are fortune cookie words of wisdom, but they aren’t wrong. Our own lives are often strange and interesting enough to form the basis of a sitcom because they’re simultaneously universal and unique. Viewers relate to a sense […]

REVIEW: The Deja Vuers [2017]

“Perhaps you should keep your deja vus to yourself” It’s nice to find a entertaining little gem every once in a while that doesn’t require you to think too far beyond its premise. This sounds like a backhanded compliment, but I don’t mean it as one. I think director Chris Esper would agree that his […]

REVIEW: I Don’t Feel at Home in This World Anymore [2017]

“That’s how hard I threw it” There’s one specific thing differentiating actor Macon Blair‘s directorial debut I Don’t Feel at Home in This World Anymore from the works of usual collaborator Jeremy Saulnier: comedy. Don’t tell me I’m wrong because the latter director shows his funny bone in Murder Party—I haven’t seen it. I’m not […]

REVIEW: The Love Witch [2016]

“All it is is using your will to get what you want” It’s an ingenious aesthetic premise: to create new cinematic pursuits showcasing women as the empowered gender—a stark contrast to most Hollywood fare—by utilizing the old Technicolor look, feel, and tone of artifice. Writer/director Anna Biller in effect embraces the synthetic properties of her […]

REVIEW: Table 19 [2017]

“Good luck with your future endeavors” I’d be very interested in reading the original script for Table 19 as drafted by Jay and Mark Duplass. If you don’t know, this 2017 release was optioned way back in 2009 with the brothers attached to direct as their fourth feature (it was competing with Cyrus as far […]

REVIEW: Toni Erdmann [2016]

“That was real fear” I wasn’t sure what to think upon realizing it was Maren Ade who directed Toni Erdmann, the wild comedy that took Cannes by storm. Her previous film Alle Anderen was very much a drama—a fantastic one at that—and this switch brought intrigue. Now that I’ve finally seen it, however, it’s easy […]

REVIEW: The Ninth Configuration [1980]

“You have to say, ‘Simon Says.’ Then we’ll do it.” The history behind William Peter Blatty‘s The Ninth Configuration adds a ton of insight into its ambitious yet lacking film adaptation. His original intent, for instance, was to create a comic novel. Blatty has even been quoted as saying he prefers the first version he […]

REVIEW: Fist Fight [2017]

“Never trash talk an English teacher” It’s hard to believe that “It’s Always Sunny in Philadelphia” has been on the air for twelve years now, but it’s still going strong. While the show opened doors for the entire quartet of relative unknowns, Charlie Day has been the one who’s leveraged his rising star into a […]