REVIEW: Their Finest [2017]

“Authenticity, optimism, and a dog” As the Blitz raged and British soldiers continued to pour into Europe to try and push the Germans back, those left at home to take cover during air raids and do their part in factories still needed something to keep morale high when it all looked so futile. One such […]

REVIEW: Coco [2017]

“Seize your moment” Disney and Pixar have lately begun to tell more stories that aren’t intrinsically linked to their white male sensibilities (even if they have a tendency to push out voices that should be talking for their characters like Brenda Chapman on Brave). It’s definitely an evolutionary process—one that might actually be helped with […]

REVIEW: Olaf’s Frozen Adventure [2017]

“Tell us yours and we’ll tell you if it’s special enough” A short film like Olaf’s Frozen Adventure epitomizes the law of diminishing returns: for audiences, not Disney. The studio is surely making a ton of merchandise money with little work involved considering the characters are already at their disposal. We’re talking a couple directors, […]

REVIEW: Downsizing [2017]

“Lots of people are in pain, Ma. In all sorts of ways.” It’s an ingenious comedic premise. With Earth’s population untenable, a couple of Norwegian scientists discover a way to combat our impending doom: genetic shrinkage. With a syringe of blue formula and a microwave oven (the logistics are never explained beyond surface visuals), any […]

REVIEW: Mercy Christmas [2017]

“Fresh is best” Michael Briskett (Steven Hubbell) awakens in a dark room with plastic sheets covered in blood hung behind him. It’s imagery you’ve seen countless times in horror films—butcher accoutrement readied for torture porn carnage. But writer/director Ryan Nelson (alongside Beth Levy Nelson as co-writer) is only giving us a tease of what’s to […]

REVIEW: The Square [2017]

“Do you want to save a human life?” You always hear labels like “before its time” or “of its time,” but what about “beyond its time?” The latter is the phrase I would use to describe Ruben Östlund‘s Palme d’Or-winning (Cannes) The Square because everything it tries to say in a “pay attention before it’s […]

REVIEW: The Man Who Invented Christmas [2017]

“Why throw everything away for a minor holiday?” As Les Standiford‘s book would tell it, Charles Dickens (Dan Stevens) found himself in somewhat of a creative rut after a lengthy and expensive tour of America post-Oliver Twist. He had published three flops since buying a new London home in need of wholesale remodeling and began […]

REVIEW: The Disaster Artist [2017]

“Give me your pinky” If I hadn’t known already, James Franco‘s The Disaster Artist confirms it: I’m not a connoisseur of the “cringe laugh.” I’ve always been the one attendee of a midnight screening of a C-list film who isn’t laughing because the artists who put what I’m watching together didn’t mean for it to […]

REVIEW: Remember Me [2017]

“The last thing you and I need is for bodies to start piling up” I’d assume the majority of people treat/treated their grandparents as somewhat of an escape. They were family who you loved and cared for that had a home you could stay at whenever you wanted. So you showed face once in a […]

REVIEW: Bad Grandmas [2017]

“I’m nervous like a long-tailed cat in a room full of rocking chairs” Writer/director Srikant Chellappa and co-writer Jack Snyder aren’t fooling around when it comes to Bad Grandmas. We don’t meet their senior citizens as innocent grannies playing Rummy before watching them turn “bad.” No, Mimi (Florence Henderson) walks into Jim’s (David Wassilak) place […]

REVIEW: Murder on the Orient Express [1974]

“With the help of a hat box” If the way in which Hercule Poirot (Albert Finney) manipulates his suspects into perfectly incriminating themselves upon inquisition—often unbeknownst to us until the final reveal—infers that he has a photographic memory, we the audience need a bit more exposition as it concerns yet unseen connections than perhaps the […]