REVIEW: Un beau soleil intérieur [Let the Sunshine In] [2017]

“Being a backstreet lover is just unbearable” Is love all consuming? Or disposable? If you discover it’s one above the other, how do you know you’re right? The answer is simple: love is whatever you need it to be for yourself. Don’t compromise your happiness or comfort. Don’t allow your beau to walk over your […]

REVIEW: Clerks [1994]

“I’m not even supposed to be here today!” Whether you enjoy Kevin Smith‘s Clerks or not, you can’t deny it’s place in cinematic history as a doorway towards a new landscape of micro-budgeted, dialogue-heavy features. Jason Mewes, while introducing a convention screening of the film twenty-four years later, said: “After watching it in the Quick […]

REVIEW: Book Club [2018]

“Sex must not be taken off the table” Besides the numerous raunchy one-liners spoken by the central quartet of aging stars for easy laughs, there’s one short passage from Fifty Shades of Grey that’s actually read onscreen. It comes courtesy of Candice Bergen‘s Sharon and deals with the inexplicable decision to arouse Anastasia Steele with […]

REVIEW: Deadpool 2 [2018]

“We can’t really live until we die a little” The biggest critical gripe coming out of the first Deadpool film was that its attempt to subvert the superhero genre was squandered by being a superhero film. What does that mean? It literally is a superhero film. The character is an X-Men alum who exists to […]

REVIEW: La Ciénaga [2001]

“Get me some ice” The debut feature from Argentinian writer/director Lucrecia Martel is entitled La Ciénaga or The Swamp in English. That’s a name no American circa 2018 can read without conjuring allusions to the Donald Trump campaign motto “Drain the Swamp”. And it’s not a superficial thought either once you start to meet the […]

REVIEW: Le Redoutable [Godard Mon Amour] [2017]

“I was lucky enough to admire my lover” We’re introduced to Emile (Marc Fraize) halfway through Michel Hazanavicius‘ Le Redoubtable [Godard Mon Amour]. He’s a local Frenchman with a car and the means to procure enough gas to drive an argumentative Jean-Luc Godard (Louis Garrel), his wife Anne Wiazemsky (Stacy Martin), and their friends (Micha […]

REVIEW: Tully [2018]

“You’re empty” After loving their first collaboration (Juno) and disliking their second (Young Adult), I didn’t know what to expect with director Jason Reitman and writer Diablo Cody‘s third pairing behind the camera. The best I could do was enter the theater unprejudiced and hopeful for the best since I do like most of their […]

REVIEW: Isle of Dogs [2018]

“You’ve heard the rumor, right?” I feel like the twee sensibilities of writer/director Wes Anderson might be catching up to him. Moonrise Kingdom was a sort of rejuvenation proving both exactly like his oeuvre and wholly unique as its child’s perspective lent a fresh voice to his usual brand of artificial melodrama. But rather than […]

REVIEW: Measure of a Man [2018]

“This time I had something to prove” The coming of age dramedy is a crowded genre with many seminal works established in the 70s and 80s. It’s tough to therefore see any entries without comparing them to what came first. Some can still find their niche and win audiences over before earning a place besides […]

REVIEW: The Longest Game [2018]

“These are elderly gentlemen. Some get very emotional very quickly.” When director Camille Thoman calls the octogenarians at the center of her documentary The Longest Game charming, she’s describing their initial, surface appeal. At a time when everyone’s aging parents and grandparents are proving how out of touch with the twenty-first century they are in […]

REVIEW: Super Troopers 2 [2018]

“Happiness in the household” To look at Broken Lizard is to see the ever-changing landscape of mid-range studio cinema at the turn of the century. These five guys (Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, and Erik Stolhanske) formed a comedy troupe in college before taking their first film Puddle Cruiser on a campus […]