REVIEW: Deadpool 2 [2018]

“We can’t really live until we die a little” The biggest critical gripe coming out of the first Deadpool film was that its attempt to subvert the superhero genre was squandered by being a superhero film. What does that mean? It literally is a superhero film. The character is an X-Men alum who exists to […]

REVIEW: La Ciénaga [2001]

“Get me some ice” The debut feature from Argentinian writer/director Lucrecia Martel is entitled La Ciénaga or The Swamp in English. That’s a name no American circa 2018 can read without conjuring allusions to the Donald Trump campaign motto “Drain the Swamp”. And it’s not a superficial thought either once you start to meet the […]

REVIEW: Le Redoutable [Godard Mon Amour] [2017]

“I was lucky enough to admire my lover” We’re introduced to Emile (Marc Fraize) halfway through Michel Hazanavicius‘ Le Redoubtable [Godard Mon Amour]. He’s a local Frenchman with a car and the means to procure enough gas to drive an argumentative Jean-Luc Godard (Louis Garrel), his wife Anne Wiazemsky (Stacy Martin), and their friends (Micha […]

REVIEW: Tully [2018]

“You’re empty” After loving their first collaboration (Juno) and disliking their second (Young Adult), I didn’t know what to expect with director Jason Reitman and writer Diablo Cody‘s third pairing behind the camera. The best I could do was enter the theater unprejudiced and hopeful for the best since I do like most of their […]

REVIEW: Isle of Dogs [2018]

“You’ve heard the rumor, right?” I feel like the twee sensibilities of writer/director Wes Anderson might be catching up to him. Moonrise Kingdom was a sort of rejuvenation proving both exactly like his oeuvre and wholly unique as its child’s perspective lent a fresh voice to his usual brand of artificial melodrama. But rather than […]

REVIEW: Measure of a Man [2018]

“This time I had something to prove” The coming of age dramedy is a crowded genre with many seminal works established in the 70s and 80s. It’s tough to therefore see any entries without comparing them to what came first. Some can still find their niche and win audiences over before earning a place besides […]

REVIEW: The Longest Game [2018]

“These are elderly gentlemen. Some get very emotional very quickly.” When director Camille Thoman calls the octogenarians at the center of her documentary The Longest Game charming, she’s describing their initial, surface appeal. At a time when everyone’s aging parents and grandparents are proving how out of touch with the twenty-first century they are in […]

REVIEW: Super Troopers 2 [2018]

“Happiness in the household” To look at Broken Lizard is to see the ever-changing landscape of mid-range studio cinema at the turn of the century. These five guys (Jay Chandrasekhar, Kevin Heffernan, Steve Lemme, Paul Soter, and Erik Stolhanske) formed a comedy troupe in college before taking their first film Puddle Cruiser on a campus […]

REVIEW: Oh Lucy! [2018]

“Meow. Meow. Smooch.” I saw Atsuko Hirayanagi‘s short film Oh Lucy! back in 2014 and thought it to be a bona fide charmer. It told the story of a lonely woman named Setsuko who does her niece a favor by recouping the cost of English classes the cash-strapped girl had decided quit. The American teacher […]

REVIEW: Fourplay [2018]

“We are victims of our own faults” It starts with the mixture of excitement and fear the result of a positive pregnancy test delivers before quickly moving into an impromptu hallway dance that ends with a crash of glass and a smack across the face. I’m not sure a better beginning to Dean Matthew Ronalds‘ […]

REVIEW: The Death of Stalin [2017]

“I can’t remember who’s alive and who isn’t” The Russians may have taken umbrage with British director Armando Iannucci‘s The Death of Stalin—a tale of backstabbing governmental hilarity—but their successful quest to ban it domestically is a case of “doth protest too much.” The Soviet Union allied with Hitler’s Nazi regime before joining the winning […]