REVIEW: Sorry to Bother You [2018]

“More like apples and the Holocaust” If you’re still unsure about whether capitalism brought the United States to its current position with extreme political divisiveness and the fallacy of what’s left of the “American Dream,” rapper-turned-writer/director Boots Riley is here to break it down via a debut as satirically sound as it is insanely, absurdly […]

REVIEW: Undir trénu [Under the Tree] [2017]

“See how they react” If humans weren’t always the pettiest creatures on Earth, we’ve definitely earned the title this past century. Just think about how often you find yourself asking the question, “Let’s see what they’ll do about this?” I don’t mean hypothetically either. I’m talking about truly contemplating your next smugly biting (until an […]

REVIEW: Irma Vep [1996]

“Have you sex with girls?” If you’re going to poke fun at the film industry, you might as well go for broke. Take Olivier Assayas‘ Irma Vep for example. Hot off the success of his acclaimed Cold Water, he was recruited for a project about foreigners in Paris with Claire Denis and Atom Egoyan. When […]

REVIEW: Incredibles 2 [2018]

“Help me make supers legal again!” Fourteen years is a long time to wait for a sequel—especially from a studio that embraced the concept of creatively expanding properties with them early on in its tenure. Letting a decade-plus pass guarantees your initial audience has grown out of the target demographic and therefore presumes their interest […]

REVIEW: Tag [2018]

“Our friend is a psychopath and this is scary” The most memorable moment throughout Jeff Tomsic‘s Tag is the introduction of one of the five grown men engaged in a thirty-year game of trading who’s “it.” The player is “Chilli” (Jake Johnson) and he’s loudly smoking a bong while talking to his father, an aging […]

REVIEW: The Incredibles [2004]

“I have a weapon only I can defeat” When I saw The Incredibles in theaters upon release, the easy comparison was Fantastic Four—its own cinematic adaptation still a year away in 2005. You have the physical brute of Bob Parr’s Mr. Incredible (Craig T. Nelson) like Thing, the stretchy elasticity of Helen’s Elastigirl (Holly Hunter) […]

REVIEW: The Year of Spectacular Men [2018]

“My path is a squiggle” The time has come to see the “manic pixie dream girl” trope from the other side. We’ve viewed countless depictions of attractively quirky women serving as plot points pushing their male lead counterparts over whatever hump they find themselves struggling to conquer, each a one-dimensional prop used before being discarded […]

REVIEW: Upgrade [2018]

“Permission granted” Grey Trace (Logan Marshall-Green) was having a good day. An old school mechanic living in a high-tech world, his latest commission is roaring like a lion and ready to be handed off to its owner. Knowing his wife (Melanie Vallejo‘s Asha) would be interested to meet his benefactor being that she runs a […]

REVIEW: Un beau soleil intérieur [Let the Sunshine In] [2017]

“Being a backstreet lover is just unbearable” Is love all consuming? Or disposable? If you discover it’s one above the other, how do you know you’re right? The answer is simple: love is whatever you need it to be for yourself. Don’t compromise your happiness or comfort. Don’t allow your beau to walk over your […]

REVIEW: Clerks [1994]

“I’m not even supposed to be here today!” Whether you enjoy Kevin Smith‘s Clerks or not, you can’t deny it’s place in cinematic history as a doorway towards a new landscape of micro-budgeted, dialogue-heavy features. Jason Mewes, while introducing a convention screening of the film twenty-four years later, said: “After watching it in the Quick […]

REVIEW: Book Club [2018]

“Sex must not be taken off the table” Besides the numerous raunchy one-liners spoken by the central quartet of aging stars for easy laughs, there’s one short passage from Fifty Shades of Grey that’s actually read onscreen. It comes courtesy of Candice Bergen‘s Sharon and deals with the inexplicable decision to arouse Anastasia Steele with […]