REVIEW: Feast of the Seven Fishes [2019]

“What the hell is nostalgia?” Titled after the Southern Italian tradition that made its way across the Atlantic to become a part of many Italian-American families’ Christmas Eve celebrations, Robert Tinnell‘s adaptation of his own graphic novel/recipe book Feast of the Seven Fishes does well to center itself upon its food even if the people […]

REVIEW: Dolemite Is My Name [2019]

“I want the world to know I exist” Much like The Room, Dolemite isn’t a good movie. Unlike The Room, however, Dolemite wants you to laugh. Maybe you laugh at what the actors are doing or maybe you laugh at the sheer audacity of Rudy Ray Moore scraping together a cast and crew who clearly […]

REVIEW: Dolemite [1975]

“The game is rough and the stake is your life” After adopting the persona in his stand-up act and on multiple comedy albums, Rudy Ray Moore decided to self-finance a feature film around the character of Dolemite. The result is bad—shoddy direction, horrid editing, and outlandish scenes devoid of any bearing on the plot itself. […]

REVIEW: 기생충 [Gisaengchung] [Parasite] [2019]

“This is so metaphorical” Min (Seo-joon Park) arrives unannounced at the semi-basement dwelling of his old friend Kim Ki-woo (Woo-sik Choi). The former is a college student about to study abroad, the latter an unemployed high school graduate doing his best to leech free wifi by the bathroom window since he, his sister (So-dam Park‘s […]

REVIEW: Jojo Rabbit [2019]

“Where are all the goddamn knives?” Seeing how skittish little Jojo Betzler (Roman Griffin Davis) appears, a group of older Hitler Youths under an injured Nazi captain’s (Sam Rockwell‘s Klenzendorf) command decide to test his resolve. Since the boy enjoys talking the talk when it comes to killing Jewish people due to believing his father […]

REVIEW: Clueless [1995]

“I totally paused” I’m not sure why we picked Amy Heckerling‘s Clueless five days after it opened (I save my ticket stubs), but I do remember enjoying it. Not in spite of assumptions either—unless we went because it was the only PG-13 film out (I became a teenage six months earlier). Maybe my love of […]

REVIEW: Jay and Silent Bob Reboot [2019]

“Hollywood … Florida?” A lot happens in eighteen years. Look at Kevin Smith. While his daughter was born two years prior to Jay and Silent Bob Strike Back, fatherhood had only begun. Then he moved away from the View Askewniverse (with varying success), started a podcasting career (spawning his weirdest movie to-date, Tusk), and suffered […]

REVIEW: Jay and Silent Bob Strike Back [2001]

“They don’t deserve their own movie” It’s easy to forget that Jay and Silent Bob Strike Back was supposed to be the View Askewniverse’s final chapter. Writer/director Kevin Smith had finally decided to grow up (a relative term) and leave the foul-mouthed, pot-dealing miscreants he and Jason Mewes brought to life in Clerks (before subsequently […]

BIFF19 REVIEW: Buffaloed [2020]

“Debt never dies” Leave it to an actual Buffalonian to write a screenplay set in the city without one mention or frame of snow. Only they know what else the Queen City has to offer above cheap jokes about blizzards and cold because they’ve grown up amongst the eccentric characters found in every corner bar […]

BIFF19 REVIEW: Clover [2020]

“You don’t kill your friends” It wasn’t wise to borrow money from local mobster Tony Davolio (Chazz Palminteri), but brothers Mickey (Jon Abrahams) and Jackie (Mark Webber) didn’t have a choice. Running a bar isn’t easy these days and the added pressure of trying to keep one afloat after generations of family ownership forces their […]

BIFF19 REVIEW: Malaisia [2019]

“This side of the Mississippi” There’s a joke told about a third of the way through Mac Cappuccino‘s film Malaisia. It’s bad. Jay Schmidt is the one laying out the excessive amount of exposition while his compatriot (Kevin Guzewich) looks on in exasperation—at one point even interrupting his interminable drone with an interjection to break […]