REVIEW: I, Tonya [2017]

“I mean those bitches didn’t know what hit ’em” You don’t get more American than 1994, a year when O.J. Simpson was arrested in conjunction with the brutal murder of his ex-wife and her friend just five months after Nancy Kerrigan made a stunning recovery to win silver at the Winter Olympics despite having her […]

REVIEW: Jane [2017]

“I wanted to do things men did and women didn’t” It was 1960 when Louis Leakey enlisted his animal-loving secretary Jane Goodall to spearhead a one-person study of the Kasakela chimpanzees in Gombe, Tanzania. She had no formal training or experience with the task, but that was part of her appeal. Leakey didn’t want preconceptions […]

REVIEW: Darkest Hour [2017]

“It’s not a gift. It’s revenge.” Did you know Winston Churchill was given the Prime Minister position during World War II as a means to appease the opposition party before quickly removing him (once he failed like he always did) for the Conservatives’ actual choice to replace Neville Chamberlain? It’s quite the bit of intrigue […]

REVIEW: The Rape of Recy Taylor [2017]

“They thought the black woman’s body didn’t belong to her” You may not know the name Recy Taylor, but you’ve definitely heard her story. It’s one of rape, lies, and cover-ups. It’s one of irreparable physical and psychological damage that still affects her family more than seventy years later. And it’s also one about a […]

REVIEW: The Post [2017]

“Quality drives profitability” Let’s be real: every Steven Spielberg film is a must-see, hype-driving machine. He’s a cinematic giant who rarely chooses a project to direct without extreme enthusiasm and artistic purpose (whether the result proves timeless or not). But no one could be blamed for letting excitement crescendo higher than usual upon hearing about […]

REVIEW: Loving Vincent [2017]

“Life can even bring down the strong” The stats are incredible: 125 artists animating a feature-length film over seven years based on 800 personal letters with 65,000 individually-painted oil frames. You read those numbers and wonder if it was worth the trouble when a traditionally shot narrative featuring its faux “rotoscoped” actors would have been […]

REVIEW: The Man Who Invented Christmas [2017]

“Why throw everything away for a minor holiday?” As Les Standiford‘s book would tell it, Charles Dickens (Dan Stevens) found himself in somewhat of a creative rut after a lengthy and expensive tour of America post-Oliver Twist. He had published three flops since buying a new London home in need of wholesale remodeling and began […]

REVIEW: The Disaster Artist [2017]

“Give me your pinky” If I hadn’t known already, James Franco‘s The Disaster Artist confirms it: I’m not a connoisseur of the “cringe laugh.” I’ve always been the one attendee of a midnight screening of a C-list film who isn’t laughing because the artists who put what I’m watching together didn’t mean for it to […]

REVIEW: Bombshell: The Hedy Lamarr Story [2017]

“I’m a good shot so be careful” The tell-all “autobiography” Ecstasy and Me: My Life As A Woman was exactly what Hedy Lamarr‘s agent wanted to make quick money. But it wasn’t her life. Whether her ghostwriter’s words were true or not, the story dealt with everything she hoped wouldn’t define her legacy. Sadly she […]

REVIEW: Goodbye Christopher Robin [2017]

“I’ve had enough of making people laugh. I want to make them see.” It begins with a letter—the kind that rips heart from chest. World War II is in full swing and the Milnes (Domhnall Gleeson‘s Alan and Margot Robbie‘s Daphne) are biding their time awaiting word from their son Christopher (Alex Lawther). They know […]

REVIEW: My Friend Dahmer [2017]

“Smiles up” When someone kills seventeen people over a thirteen-year span with words like necrophilia and cannibalism circling each murder, sympathy for the predator—not his prey—is neither the first nor hundred and first emotion that should come to anyone’s mind. I’m not certain there could be room for anything but disgust whether you’re a stranger, […]