REVIEW: Blaze [2018]

“Never stand in the way of true love” You have to respect the way Ethan Hawke approached his latest film Blaze and its central character Blaze Foley. He’d never heard the artist’s name or music until being stopped in his tracks upon listening to John Prine cover “Clay Pigeons.” That sparked an interest for research […]

REVIEW: Lizzie [2018]

“I never wanted anything from you” The level of intrigue surrounding Andrew and Abby Borden’s murders in 1892 is crazy because it’s only increased since. We’re talking the O.J. Simpson trial of the 19th century: a well-to-do family mutilated in their home with a hatchet, their youngest daughter Lizzie the prime suspect. She wasn’t the […]

TIFF18 REVIEW: First Man [2018]

“It’s kinda neat” The non-controversy surrounding Damien Chazelle‘s First Man shouldn’t surprise anyone who knows how political parties have appropriated art into their agendas since the dawn of time. Of course they’d glom onto the decision to ignore the lunar flag planting as some “un-American” thing rather than read the script, watch the movie, or […]

TIFF18 REVIEW: Can You Ever Forgive Me? [2018]

“Do you think they all know?” Do you have a Lee Israel work on your shelf? What should be a matter of owning one of her books or not since she was a notable author of biographies who hit the New York Times Best Sellers list, things get much more complicated when you look closer […]

REVIEW: McQueen [2018]

“If you want to know me, just look at my work” I can understand the ubiquity of a name like Alexander McQueen because I remember knowing it when he tragically committed suicide back in 2010. Recognition only took one mention despite it being all over the news—even if I wasn’t wholly sure who he was […]

REVIEW: BlacKkKlansman [2018]

“Did you just use your real name?” The fact that Spike Lee‘s BlacKkKlansman is based on a true story is absolutely crazy. A black rookie cop in Colorado calls the Ku Klux Klan, wins them over with racist rhetoric, and talks his precinct chief into approving an investigation wherein a white officer would pretend to […]

REVIEW: Won’t You Be My Neighbor? [2018]

“Look for the helpers” I remember watching “Mister Rogers’ Neighborhood” as a kid, but couldn’t have told you anything about it besides the fact that Fred Rogers would trade his jacket for a cardigan and eventually let us travel to his Neighborhood of Make-Believe. To me it was the aesthetic that grabbed hold—the trolley trip […]

REVIEW: Grace Jones: Bloodlight and Bami [2017]

“I have to do some emotional blackmail” There’s a moment early on in Sophie Fiennes‘ documentary Grace Jones: Bloodlight and Bami wherein the titular artist films a new music video-style performance of her 1977 hit disco-era cover of Édith Piaf‘s “La Vie en Rose.” She goes to the studio blind to what the imagery will […]

REVIEW: RBG [2018]

“There’s a china doll in the bullpen” If you asked me which branch of government’s members I know least, the answer would be easy: judicial. The reason is even easier: I don’t vote for them. It’s an interesting truth because they’re the ones given lifetime appointments and therefore the ones who will potentially impact our […]

REVIEW: Filmworker [2018]

“I want to work for that man” When studios gave Leon Vitali a hard time about requests made on behalf of Stanley Kubrick, the director would tell him to stand firm and be exacting. Vitali relays a story within Tony Zierra‘s documentary Filmworker of Kubrick faxing these places his demands with Leon’s signature so they […]

REVIEW: Le Redoutable [Godard Mon Amour] [2017]

“I was lucky enough to admire my lover” We’re introduced to Emile (Marc Fraize) halfway through Michel Hazanavicius‘ Le Redoubtable [Godard Mon Amour]. He’s a local Frenchman with a car and the means to procure enough gas to drive an argumentative Jean-Luc Godard (Louis Garrel), his wife Anne Wiazemsky (Stacy Martin), and their friends (Micha […]