REVIEW: Bohemian Rhapsody [2018]

“Good thoughts. Good words. Good deeds.” There’s the story of Freddie Mercury and the story of his band Queen. One deals with complicated topics spanning fractured identity, the excess of fame, and AIDS while the other is apparently straightforward with little conflict besides creative squabbles that get ironed out before the argument is even finished. […]

REVIEW: Colette [2018]

“It might ruffle some feathers back home” What Wash Westmoreland (who co-wrote with his late husband Richard Glatzer and Rebecca Lenkiewicz) has done with Colette is craft an origin story for the famous, Nobel Prize-nominated French novelist Sidonie-Gabrielle Colette. It begins in Saint-Sauveur-en-Puisaye with her as the teenage daughter of poor country folk unable to […]

REVIEW: Becoming Jane [2007]

“Are there no other women in Hampshire?” I had never seen Julian Jarrold‘s Becoming Jane before today and yet my constantly being hit with a sense of familiarity while watching made me question that truth. The reason stems from the fact that screenwriters Kevin Hood and Sarah Williams crafted their tale of young Jane Austen […]

REVIEW: Blaze [2018]

“Never stand in the way of true love” You have to respect the way Ethan Hawke approached his latest film Blaze and its central character Blaze Foley. He’d never heard the artist’s name or music until being stopped in his tracks upon listening to John Prine cover “Clay Pigeons.” That sparked an interest for research […]

REVIEW: Lizzie [2018]

“I never wanted anything from you” The level of intrigue surrounding Andrew and Abby Borden’s murders in 1892 is crazy because it’s only increased since. We’re talking the O.J. Simpson trial of the 19th century: a well-to-do family mutilated in their home with a hatchet, their youngest daughter Lizzie the prime suspect. She wasn’t the […]

TIFF18 REVIEW: First Man [2018]

“It’s kinda neat” The non-controversy surrounding Damien Chazelle‘s First Man shouldn’t surprise anyone who knows how political parties have appropriated art into their agendas since the dawn of time. Of course they’d glom onto the decision to ignore the lunar flag planting as some “un-American” thing rather than read the script, watch the movie, or […]

TIFF18 REVIEW: Can You Ever Forgive Me? [2018]

“Do you think they all know?” Do you have a Lee Israel work on your shelf? What should be a matter of owning one of her books or not since she was a notable author of biographies who hit the New York Times Best Sellers list, things get much more complicated when you look closer […]

REVIEW: McQueen [2018]

“If you want to know me, just look at my work” I can understand the ubiquity of a name like Alexander McQueen because I remember knowing it when he tragically committed suicide back in 2010. Recognition only took one mention despite it being all over the news—even if I wasn’t wholly sure who he was […]

REVIEW: BlacKkKlansman [2018]

“Did you just use your real name?” The fact that Spike Lee‘s BlacKkKlansman is based on a true story is absolutely crazy. A black rookie cop in Colorado calls the Ku Klux Klan, wins them over with racist rhetoric, and talks his precinct chief into approving an investigation wherein a white officer would pretend to […]

REVIEW: Won’t You Be My Neighbor? [2018]

“Look for the helpers” I remember watching “Mister Rogers’ Neighborhood” as a kid, but couldn’t have told you anything about it besides the fact that Fred Rogers would trade his jacket for a cardigan and eventually let us travel to his Neighborhood of Make-Believe. To me it was the aesthetic that grabbed hold—the trolley trip […]

REVIEW: Grace Jones: Bloodlight and Bami [2017]

“I have to do some emotional blackmail” There’s a moment early on in Sophie Fiennes‘ documentary Grace Jones: Bloodlight and Bami wherein the titular artist films a new music video-style performance of her 1977 hit disco-era cover of Édith Piaf‘s “La Vie en Rose.” She goes to the studio blind to what the imagery will […]