Category: Animation

REVIEW: Frozen [2013]

Jared Mobarak

“Conceal it. Don’t feel it.” Over half a century in the making, Disney’s adaptation of Hans Christian Andersen’s The Snow Queen has finally made it to the big screen. It was 1943 when Walt Disney and Samuel Goldwyn decided to co-create a live-action/animation hybridized biography of the Danish author—an idea that stalled due to their inability to bring the aforementioned fairy tale and The Little Mermaid to life. While Disney of course figured out the latter in 1989, the former continuously proved troublesome as it failed to come together in…

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REVIEW: Get a Horse! [2013]

Jared Mobarak

“Give me back my phone!” I guess it might be time for me to revisit some of the old Mickey Mouse cartoons from yesteryear, but I’m not so sure I want to. Especially if Lauren MacMullan‘s animated homage created in part for the iconic character’s 85th anniversary Get a Horse! is truly on point as far as its subject matter goes. Don’t get me wrong, though, the short does build into a rip-roaring, slapstick escapade that uses its gimmick to full potential without wearing itself out. It’s just the first…

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REVIEW: Toy Story of Terror [2013]

Jared Mobarak

“And if something does happen to the potato—I don’t want to miss it!” While Disney/Pixar has dove into children’s television with Cars-centric offerings and a Buzz Lightyear spin-off, it’s surprising it’s taken this long to craft a primetime special. With what used to be a flawless feature film enterprise bolstered by award-winning shorts, perhaps they believed themselves above the small screen until now. But as Pixar evolves from luxury brand to simply one more animation arm of Disney proper, good press and high ratings aren’t something to ignore out of…

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TIFF13 REVIEW: Asphalt Watches [2014]

Jared Mobarak

“Hey! Don’t forget your Boston Piiiiiiiiiizzzzzzaaassssss.” I’m not one to condone illicit drug use, but you might want to take something if it’s available before sitting down to watch Asphalt Watches since its animated road trip plays out as though its creators were doing the same while producing it. Based on writers/directors Shayne Ehman and Seth Scriver‘s eight-day hitchhiking journey across Canada, everything you see really did happen. Rather than simply recount their adventure, however, they’ve decided to give each other cartoon avatars with which to engage the nightmarish menagerie…

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TIFF13 REVIEW: 2013 Short Cuts Canada Programmes

Jared Mobarak

Programme 1 A far cry from the documentary short Joda—a visual letter to Jafar Panahi—that was included in the TIFF Short Cuts Canada Programme last year, graphic designer turned filmmaker Theodore Ushev’s Gloria Victoria is all about the visceral and aural capabilities of film without something as unnecessary as words. Full of sumptuous textured layers formed by sketch drawings, Russian Constructivist elements, what I believe were faces from Pablo Picasso’s Guernica, and more, the rising crescendo of Shostakovich’s “Invasion” from Symphony No. 7 helps spur on an emotive war in…

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REVIEW: Planes [2013]

Jared Mobarak

“I fly for truth” What should be an auspicious occasion for DisneyToons Studios earning its first theatrical release since 2005’s Pooh’s Heffalump Movie, the Cars spin-off Planes sadly does little to affirm the decision. Actually, the fact Disney supposedly decided to upgrade its status because of how impressive early scenes looked only makes things appear more like a cash grab to milk the universe for extra box office dollars. A second read-through of Jeffrey M. Howard‘s script—he of home video Tinker Bell fame—shouldn’t have been necessary as it’s pun-heavy dialogue…

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REVIEW: Despicable Me 2 [2013]

Jared Mobarak

“Do not do your business on the petunias” When we last saw super villain Gru (Steve Carell) in Despicable Me he had just returned the moon to its rightful place in the sky, retired from evil, and become a father to the three sweetest little girls ever: Margo (Miranda Cosgrove), Edith (Dana Gaier), and Agnes (Elsie Kate Fisher). He had turned over a new leaf after youthful innocence thawed his heart a la how Cindy Lou helped the Grinch grow his in the classic Dr. Seuss tale. It’s the kind…

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REVIEW: Monsters University [2013]

Jared Mobarak

“Technically I caught the pig” I entered the theatre with low expectations and a willingness to be surprised, curious towards Monsters University’s trailers lacking plot description besides a generalized notion of witnessing Mike Wazowski (Billy Crystal) and Jimmy “Sulley” Sullivan (John Goodman) becoming best friends. What would first-time Pixar feature-film director Dan Scanlon and co-writers Robert L. Baird and Daniel Gerson have up their sleeves? How would they fill the inevitable gaping hole of not bringing back the adorable Boo from Monsters, Inc. due to their newest installment’s status as…

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REVIEW: The Blue Umbrella [2013]

Jared Mobarak

The biggest impediment to Pixar’s short film The Blue Umbrella is how close its release is to that of sister studio Disney’s Paperman last year. Its story set in an evening downpour depicts the love at first site of the titular colored parasol and his red counterpart bobbing over a city sidewalk. With an unspoken attraction and embarrassed stolen glances, their would be union’s demise is simply due to their owners traveling in different directions. But much like the paper airplanes of John Kars’ 2012 film, destiny wins out with…

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REVIEW: Monsters, Inc. [2001]

Jared Mobarak

“Kitty!” If there is one film type where a laundry list of screenwriters can actually help the finished product, it’s the animated feature. Sparked by the simple idea of “Let’s make a movie about monsters”, Pete Doctor’s directorial debut evolved immensely from its brainstorming lunch origins in 1994. What would ultimately become Pixar Studios’ second most inspired fantasy world piggybacked on the shoulders of a child’s imagination—the first being Toy Story’s brilliant concept of toys living full lives when humans weren’t looking—Monsters, Inc. took us inside the dark, scary closets…

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REVIEW: Epic [2013]

Jared Mobarak

“Moist is what we do” Children’s author—and Academy Award winning animated short film director—William Joyce continues to make his rounds throughout the industry’s ever-expanding studio ranks with an adaptation of his book The Leaf Men and The Brave Good Bugs with Blue Sky. Having already seen his work turned into feature length films with Pixar (Meet the Robinsons) and DreamWorks (Rise of the Guardians), it’s no surprise he would reteam with Ice Age director Chris Wedge in a larger creative capacity than was had as production designer on Robots. While…

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