REVIEW: Brave [2012]

“Mend the bond torn by pride” Following two of Pixar Animation Studios’ most successfully original films, WALL-E and Up, came a pair of sequels that honestly left me a bit wanting. While most would agree with me on Cars 2—although I still liked it for what it was—I’m sure many think I’m crazy for being a bit disappointed in Toy Story 3. By far the funniest of the series, you cannot deny that the emotional resonance so intrinsically connected to the studio was lacking until a tacked on finale that…

Read More

REVIEW: Alien3 [1992]

“We’re on the honor system” After James Cameron reinvigorated the Alien franchise to huge success with his action-packed sequel Aliens, Twentieth Century Fox’s desire to keep going shouldn’t have surprised. Looking to retain the level of craftsmanship and professionalism of the first two installments, they tried bringing original director Ridley Scott back to helm an ambitious two part continuation from producers David Giler and Walter Hill—eventual cowriters with Larry Ferguson also—to no avail. So with sci-fi writer William Gibson hired to script them way back in 1987, Alien3‘s lengthy gestation…

Read More

REVIEW: Aliens [1986]

“Game over, man. Game over!” Leave it to über action champion James Cameron to turn a darkly serious sci-fi thriller into a brutally fun romp successful enough to spawn two more sequels and a separate spin-off series that has kept H.R. Giger‘s grotesque xenomorph relevant today. Fresh off the success of Terminator 2, Cameron joined original Alien producers David Giler and Walter Hill to flesh out a new concept that would take the saga into another genre and wider audience appeal. Proving a strong female lead could carry a film…

Read More

REVIEW: Snow White and the Huntsman [2012]

“Have I not given you all?” What happens when a fairy tale depicting an innocent princess saved by a litany of characters on her way to the crown turns into an epic battle with heroine in full armor storming the castle herself? Well, we discover just how flimsy a character the titular Snow White actually is. A prisoner for years while an evil queen brought darkness upon her kingdom, the young girl’s escape into the hallucinogenic Dark Forest proves nothing but a sense of survival. She has no skills at…

Read More

REVIEW: Men in Black 3 [2012]

“He didn’t say please” While strange for a Men in Black film to open with something other than a crashing spaceship, I’ll admit to being ecstatic for the alternative. Having the sexy Nicole Scherzinger lead us into the maximum-security prison housing one of the universe’s most notorious criminals definitely didn’t hurt either. What I really enjoyed about the pre-credit sequence to Men in Black 3, however, was that our introduction to Bogladite destroyer Boris the Animal (Jemaine Clement) seemed to get the series back on track as far as giving…

Read More

REVIEW: Men in Black II [2002]

“I see you neuralyzed another partner” There’s nothing like a lost memory trope to allow lazy screenwriters the opportunity to explain their film within the construct of its plot. Despite an inventive, tongue-in-cheek reenactment program hosted by Peter Graves about mysterious conspiracy stories ushering us back into the Men in Black universe, Robert Gordon and Barry Fanaro‘s subversion of their expository prologue is wasted. No one enjoys disembodied voices and scrolling text to describe backstory in a Kindergarten teacher’s tone of superiority, so why not poke some fun at the…

Read More

REVIEW: Men in Black [1997]

“May I ask why you felt little Tiffany had to die?” Fresh off the success of Get Shorty two years prior, director Barry Sonnenfeld‘s still young but effective career found it’s biggest hit in the rollicking science fiction comedy Men in Black. Unfortunately for him, the film also proved to be his last cinematic work worthy of note after a solid Hollywood journey beginning behind the lens for Rob Reiner, Penny Marshall, and the Coen Brothers. Broader in his comic sensibilities than that more subversive duo, his handling of Ed…

Read More

REVIEW: Battleship [2012]

“It’s the North Koreans—I’m tellin’ ya” Screenwriters Erich and Jon Hoeber actually made paying Hasbro a boatload of cash for their seemingly unnecessary board game property a relevant story point in their big budget, science fiction actioner Battleship. The fact they had to conjure up a humanoid alien race with reptilian characteristics and cloaking technology to keep gigantic flying nautical vessels off radar is beside the point. The American public loves extra-terrestrial invasions, thinks Andy Roddick’s wife Brooklyn Decker is hot, and can’t help getting revved up when their armed…

Read More

REVIEW: Grosse Pointe Blank [1997]

“Well thank you for profiting from my childhood” Despite having most likely seen John Cusack in previous films, I do believe black comedy Grosse Pointe Blank was the first to put him firmly on my radar as an actor to follow. While the last few years haven’t necessarily been a great showcase of his talent, his late-90s run was quite a streak of hits that seemed to stem from this gem. Credited as a producer and co-writer, the film possesses a very keen comedic sensibility with a great sarcastic wit…

Read More

REVIEW: The Avengers [2012]

“In the end you’ll always kneel” It’s hard to believe the new Marvel cinematic canon began just four years ago—if anything just for the simple fact these actors have been contractually obligated to continuously work in the world for its duration. The new The Incredible Hulk released with much less poetic atmosphere and more action-based aesthetic akin to the universe the studio now wished to portray than Ang Lee‘s foray from 2003 and a comic tone was cemented in arguably the series’ best entry, Iron Man. Subsequently followed by Thor,…

Read More

REVIEW: Serbuan maut [The Raid] [2012]

“And please, enjoy yourself” Like a musical’s plot finding itself mere rubber cement desperately trying to hold the song and dance numbers together—I know this is a broad generalization of a genre I do in fact enjoy—the story in Serbuan maut [The Raid] never attempts to overshadow the amazing stunt choreography let loose. I refuse to acknowledge the newly plastered on subtitle ‘Redemption’ since it is unnecessary superfluity and doesn’t even describe what occurs. Only one character can be redeemed—to say who would ruin its not-so-cleverly deceiving twist—and he refuses…

Read More