REVIEW: Sorry to Bother You [2018]

“More like apples and the Holocaust” If you’re still unsure about whether capitalism brought the United States to its current position with extreme political divisiveness and the fallacy of what’s left of the “American Dream,” rapper-turned-writer/director Boots Riley is here to break it down via a debut as satirically sound as it is insanely, absurdly […]

REVIEW: Three Identical Strangers [2018]

“I don’t know if this will turn out great or terrible” Just imagine you’re walking onto your college campus for the first time as a freshman and everyone passing by says hello. Okay. Maybe you’ve landed at a happy-go-lucky school of friendly co-eds ready to welcome all newcomers to the tribe. But then some say, […]

REVIEW: Leave No Trace [2018]

“We can still think our own thoughts” It’s easy to depict PTSD-suffering war veterans as unstable, dangerous, and beyond help from inevitable tragedy. This depiction has sadly become the Hollywood norm to conjure volatile dramatics devoid of the empathy those struggling to combat their demons deserve. If anyone could supply the necessary humanity to portray […]

REVIEW: Skyscraper [2018]

“Got any duct tape?” In an age of remakes, reboots, and rehashes, it’s suddenly become refreshing to see homage—especially the self-aware kind. If you’ve seen the alternate posters for Rawson Marshall Thurber‘s Skyscraper that crib off the designs of Die Hard and The Towering Inferno, you understand how the filmmakers have embraced comparison due to […]

REVIEW: Eating Animals [2018]

“No one fired a pistol to mark the start of the race to the bottom” Author Jonathan Safran Foer (of Everything is Illuminated and Extremely Loud & Incredibly Close fame) wrote his third book—a memoir entitled Eating Animals—as an answer to the question he asked himself upon the birth of his newborn son: Should he […]

FANTASIA18 REVIEW: La nuit a dévoré le monde [The Night Eats the World] [2018]

“I’m the one who’s not normal” Who would survive a zombie apocalypse? The extroverts who’re always part of a crowd, oblivious to the dire circumstances of their surroundings and therefore unable to escape the clutches of an oncoming horde mere inches away before recognition? No. Nor should they. When you think about the type of […]

REVIEW: Siberia [2018]

“So sorry for the bird” The question is asked with a wry grin, but Katya (Ana Ularu) isn’t wrong to joke that the mysterious, handsome American who walked into her small Siberian town’s café is a spy. Any other film besides Matthew Ross‘ Siberia would have made Lucas Hill (Keanu Reeves) exactly that—especially now with […]

REVIEW: Ant-Man and the Wasp [2018]

“Like Baba Yaga …” While a lot of fans were instantly and irrationally mad upon learning Avengers: Infinity War wouldn’t include Hawkeye or Ant-Man, I rejoiced knowing that Ant-Man and the Wasp‘s release date fell between both it and its as yet untitled Avengers follow-up. This meant that Scott Lang’s (Paul Rudd) latest adventure to […]

REVIEW: Undir trénu [Under the Tree] [2017]

“See how they react” If humans weren’t always the pettiest creatures on Earth, we’ve definitely earned the title this past century. Just think about how often you find yourself asking the question, “Let’s see what they’ll do about this?” I don’t mean hypothetically either. I’m talking about truly contemplating your next smugly biting (until an […]

REVIEW: The First Purge [2018]

“Pray Not Purge” There’s a brief loss of picture halfway through The First Purge‘s end credits that reveals a full-blown commercial for the upcoming ten-part television “event” based on its own franchise. It’s a bad look, especially for those already wondering if James DeMonaco cashed-in after writing and directing the first three installments of his […]

REVIEW: Who’s Watching Oliver [2018]

“I may not be pretty, but I have what you need” To think about a romantic serial killer thriller is to conjure thoughts of Natural Born Killers and its duo of equally despicable characters. It’s easy to believe two psychopaths can fall in love because they share a predilection for violence no one else would. […]