REVIEW: Killer of Sheep [1978]

“Now that ain’t me … and damn sure won’t be” It’s not everyday that a masters thesis film is declared a national treasure by the Library of Congress and placed on the National Film Registry, but films like Charles Burnett‘s Killer of Sheep don’t come along everyday either. Shot on weekends over a year in […]

REVIEW: Dunkirk [2017]

“He may never be himself again” War is often depicted as a quantifiable number of those who survived and those who did not. Many films choose this route, picking a battle to show the firefight’s chaos and cost. We remember the Battle of Gettysburg and D-Day as turning points, insane offensives that wrought heavy casualties […]

FANTASIA17 REVIEW: Replace [2017]

“I thought this was just a painkiller” There’s a captivating science fiction horror concept at the back of director Norbert Keil and co-writer Richard Stanley‘s Replace with the question: how far would you be willing to go for your youth? Do you crave longevity? Vanity? Rebirth? What would you sacrifice for it? Memory? Sanity? Life […]

FANTASIA17 REVIEW: 악녀 [Ak-Nyeo] [The Villainess] [2017]

“You came alone?” Writer/director Byung-gil Jung sure knows how to open an action flick. Think Oldboy‘s hallway scene from the first-person perspective of Hardcore Henry spilling over through a non-descript doorway into a wide-open setting for a one-on-twenty bloodbath a la Kill Bill‘s House of Blue Leaves sequence. Only when the orchestrator of this carnage […]

REVIEW: War for the Planet of the Apes [2017]

“We are the beginning and the end” I’ve never seen the original Planet of the Apes films, but the little I know has always presented the titular apes as antagonists. You don’t cast Charlton Heston as your lead circa 1968 unless you want him to be the central figure with which to align. He’s a […]

REVIEW: The Big Sick [2017]

“Always with the comedy” A lot of romantic comedies release each year—a lot. And they’re generally all the same with characters built from stereotypes rather than a writer’s personal experience. The ones that stick out are therefore those that arrive from the heart with something true to say. They’re the few possessing the honesty to […]

REVIEW: Spider-Man: Homecoming [2017]

“Guy in the chair” Here’s an unpopular opinion for you: I enjoyed The Amazing Spider-Man 2. Yes, the one with a blue Jamie Foxx. The only reason I bring it up is to say even I was dreading the proposed villain team-up spin-off and inevitable trilogy capper seemingly arriving at a place wherein Peter Parker’s […]

REVIEW: Baby Driver [2017]

“They call. I go.” I’ll admit that writer/director Edgar Wright‘s departure from Ant-Man was met with mixed feelings on my part. On one hand I was disappointed that we’d never see what he could have done with the material—something I had anticipated for many years. On the other, however, was the realization that I’d rather […]

REVIEW: The Beguiled [2017]

“I didn’t want you to be misled” There’s a lot to like about Don Siegel‘s 1971 adaptation of Thomas Cullinan‘s A Painted Devil. Unfortunately, there’s just as much left wanting. It built towards a tense finale of malicious intent, the kind that’s able to turn what was a simple wartime drama into a metaphorical representation […]

REVIEW: American Promise [2013]

“I hope times have changed” Before Boyhood began its eleven-year gestation as a fictionalized document of a real life coming-of-age journey in America, multiple documentary projects were born in the same vein. The Up Series started in 1964, Doug Block‘s The Kids Grow Up used home video from as far back as the 90s to […]

REVIEW: The Beguiled [1971]

“Old enough for kisses” If you’ve ever wondered what would happen inside a Confederate girls seminary (boarding school) unwittingly thrust into the position of harboring a wounded Union soldier during the Civil War, Don Siegel‘s The Beguiled seeks to provide some dark answers. Based on Thomas Cullinan‘s novel A Painted Devil and adapted by Albert […]