FANTASIA17 REVIEW: 악녀 [Ak-Nyeo] [The Villainess] [2017]

“You came alone?” Writer/director Byung-gil Jung sure knows how to open an action flick. Think Oldboy‘s hallway scene from the first-person perspective of Hardcore Henry spilling over through a non-descript doorway into a wide-open setting for a one-on-twenty bloodbath a la Kill Bill‘s House of Blue Leaves sequence. Only when the orchestrator of this carnage […]

FANTASIA17 REVIEW: Savage Dog [2017]

“The human is the hardest animal to kill” When a film opens with Scott Adkins rising from the mud with a scream in Indochina circa 1959, you begin cultivating expectations. You forgive the ham-fisted voiceover narration and the quick slow motion cuts disorienting place and time. You forgive the lack of context as to why […]

INTERVIEW: Matt Tyrnauer, director of Citizen Jane: Battle for the City

Debuting at the Toronto International Film Festival in 2016, Matt Tyrnauer‘s Citizen Jane: Battle for the City has received rave reviews across the country as it opened in limited release April 21st, 2017. Centering on Jane Jacobs—a journalist, author, and activist—the film showcases the problems inherent to how urban planners in the mid-twentieth century worked. […]

INTERVIEW: Aaron Moorhead, director/cinematographer & Justin Benson director/writer of The Endless

As someone who loved Aaron Moorhead and Justin Benson‘s Spring to the point of seeking out everything else they had done before that point, hearing about a new work debuting at Tribeca got me excited to see what they would deliver. My assumption was that it was the Aleister Crowley picture they spoke about when […]

TFF17 REVIEW: Tilt [2018]

“Can we get away with anything we want?” If only we could go back to the days when mid-life crises happened at fifty-years old and at best meant buying an expensive car (at worst asking for divorce to marry younger). Now this existential breakdown occurs much earlier—let’s say thirty-years old. This is what happens when […]

TFF17 REVIEW: The Endless [2018]

“Please, be quiet” To resolve is to settle, finding the determination to do something rather than simply wait for something to happen to you. A resolution isn’t therefore a firm ending. On the contrary, it serves to provide beginnings. That decision has the potential to set you onto a path towards freedom either from the […]

BERLINALE17 REVIEW: Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau [Those Who Make Revolution Halfway Only Dig Their Own Graves] [2017]

“People do not yet see they are miserable. We will show them!” There’s universality to Mathieu Denis and Simon Lavoie‘s Ceux qui font les révolutions à moitié n’ont fait que se creuser un tombeau [Those Who Make Revolution Halfway Only Dig Their Own Graves] even if it is very much a Québécois film. Marking their […]

SUNDANCE17 REVIEW: Machines [2017]

“Poverty is harassment, Sir” The most pointed question asked by Rahul Jain‘s documentary Machines comes from the camera. By showing us the gigantic textile spools, looms, and washers with only their rhythmic clanks, booms, and bangs opposite the Indian workers applying dyes, mixing chemicals, and ensuring there are no jams to the same sounds, we […]

SUNDANCE17 REVIEW: Winnie [2017]

“The self no longer mattered. The country came first.” It’s difficult to truly capture a controversial subject in film. For a figure such as Winnie Madikizela Mandela, it may be impossible unless you ensure her perspective is included. This is a woman labeled terrorist by many countries, a wife who “tarnished” her heroic husband’s legacy. […]

SUNDANCE17 REVIEW: Axolotl Overkill [2017]

“Can you drown in the gene pool?” Playwright, author, screenwriter, and director Helene Hegemann has said (through her publisher) that, “There’s no such thing as originality anyway, just authenticity.” The words were spoken after her debut novel Axolotl Roadkill earned critical praise, a spot as a finalist for a major book award, and multiple, potentially […]

Posterized Propaganda January 2017: The Top 10 Movie Posters of 2016

“Don’t Judge a Book by Its Cover” is a proverb whose simple existence proves the fact impressionable souls will do so without fail. This monthly column (with a special year-end retrospective today) focuses on the film industry’s willingness to capitalize on this truth, releasing one-sheets to serve as not representations of what audiences are to […]