TIFF18 REVIEW: Hölmö nuori sydän [Stupid Young Heart] [2018]

“Nobody knows” It was fun to laugh back in January when Donald Trump spoke to the media about how he wanted fewer immigrants from “shithole” countries and more from the likes of Norway. We laughed because it was obvious what the difference between the two was for him—my ignorance towards Scandinavian politics stopping at the […]

TIFF18 REVIEW: The Truth About Killer Robots [2018]

“We will not consider the question of the robot’s guilt” The title to Maxim Pozdorovkin‘s documentary The Truth About Killer Robots is intentionally sensationalized for the same reasons a real newspaper article about the death by machine of a Volkswagen factory worker would be accompanied by a photograph of a terminator. James Cameron put a […]

TIFF18 REVIEW: Das schönste Paar [The Most Beautiful Couple] [2018]

“Stay cool. Okay?” It starts with a rape. I won’t lie: I sighed thinking Sven Taddicken‘s Das schönste Paar [The Most Beautiful Couple] was going to end up another drama about coping and retribution like most others wherein Liv (Luise Heyer) struggles as Malte (Maximilian Brückner) protects. So it was a welcome surprise when we’re […]

TIFF18 REVIEW: Cascos Indomables [Helmet Heads] [2018]

“There’s a spot on your face” If Broken Lizard were Central American and deadpan, they might make something akin to Ernesto Villalobos‘ Cascos Indomables [Helmet Heads]. Think an extremely droll Super Troopers meets Office Space starring a sextet of bike messengers desperately trying to break the monotony of their stagnant lives while also staying afloat […]

TIFF18 REVIEW: The Dig [2018]

“He’s on my land” After fifteen years in jail for murder, Ronan Callahan (Moe Dunford) returns home to find his victim’s father caught in a loop. Every day spent behind bars was a day Sean McKenna (Lorcan Cranitch) languished in the bog behind the Callahans’ property, digging holes along a carefully marked grid in search […]

TIFF18 REVIEW: Lof mér að falla [Let Me Fall] [2018]

“Then you’ll get the kick” Films about addiction can be tough to endure depending on how authentically harrowing the experience is drawn. They can only end in one of two ways: death or sobriety. The former can be literal or figurative depending on how deep the drug of choice has its claws fastened and the […]

TIFF18 REVIEW: Les salopes ou le sucre naturel de la peau [Les Salopes or the Naturally Wanton Pleasure of Skin] [2018]

“In the end there are only human experiments” Can skin tell the difference between love and desire? It’s an intriguing question Marie-Claire (Brigitte Poupart) can’t help but want to answer as a dermatology professor and lover of sex if only to supply a reprieve from the usual carcinoma studies her doctorate students tediously gravitate towards. […]

TIFF18 REVIEW: Blindsone [Blind Spot] [2018]

“Remember to breathe” The boldness of Tuva Novotny to choose to make her directorial debut a one-shot film of harrowing emotion cannot be understated. Her Blindsone [Blind Spot] takes us through the wringer as tragedy befalls a small, (seemingly) happy family without warning. These characters are distraught, confused, and falling to pieces as ambulances race […]

TIFF18 REVIEW: Endzeit [Endzeit – Ever After] [2018]

“Go out and bury what haunts you” What if humanity’s apocalypse wasn’t the world’s end? We’ve become so used to treating ourselves as rulers of this planet despite knowing so little about it and the surrounding universe while also doing our best to destroy everything we touch. So what are we truly besides another in […]

TIFF18 REVIEW: Kingsway [2018]

“I’ve been on speaker?” Love and suicide. Those are the words director Bruce Sweeney says inspired him to write Kingsway and are very much at the forefront of his dramedy about the dysfunctional Horvat family. And both are treated with humor despite never in a way that belittles their respective import. It’s not about laughing […]

TIFF18 REVIEW: Un ange [Angel] [2018]

“I’d rather consider myself a gazelle” Two lost souls struggling to reconcile their image meet in Senegal by chance. One’s a prostitute—although she rejects the label and the registration card that’s as much a means to procure wealthy clients as a permanent brand upon her skin. The other is a world famous cyclist just recovered […]