TIFF17 REVIEW: On Chesil Beach [2018]

“I wasn’t my family. I was me.” It’s 1962. Florence Ponting (Saoirse Ronan) and Edward Mayhew (Billy Howle) have just been married. She’s from a wealthy family and he a provincial one; her desire to be active in world affairs beyond her status’ ambivalence and his hope to be accepted as an intellectual with the […]

TIFF17 REVIEW: Le sens de la fête [C’est la vie!] [2017]

“Can you repeat the options?” I went into Olivier Nakache and Eric Toledano‘s latest film Le sens de la fête [C’est la vie!] knowing nothing about it. My assumption from their two previous works Intouchables and Samba was that it would prove a charmingly funny dramedy tinged with relevant politics and racial complexity. Boy was […]

TIFF17 REVIEW: Papillon [2018]

“I have trouble seeing hope in hopelessness” It’s amazing how some tweaking can turn a decent film showing its age into a worthwhile project that earns its upgrade four decades later. To watch Franklin J. Schaffner‘s original Papillon adaptation is to see an arduous series of harrowing ordeals strung together for no reason other than […]

TIFF17 REVIEW: L’insulte [The Insult] [2017]

“Because that’s what they are. Just stupid words.” Despite the fact that Ziad Doueiri‘s (a crew member on some of Quentin Tarantino‘s early works) latest film L’insulte [The Insult] is set in Lebanon, the ensuing drama can’t help but feel familiar to what’s currently happening in America. As our president says bad things are happening […]

TIFF17 REVIEW: Borg/McEnroe [2017]

“Who am I? The gentleman or the rebel?” Juan Martin del Potro just ruined the match-up everyone wanted to see at the 2017 US Open—a semi-final pitting Rafa Nadal against Roger Federer. Despite both being in their thirties, their rivalry has never stopped. What’s intriguing, however, is how amiable it has always been (or seemed […]

TIFF17 REVIEW: Svanurinn [The Swan] [2017]

“You were so good when you were little” What once was a traditional rite of passage for Icelandic children has now become punishment. Whereas her mother probably visited her Aunt Ólöf’s (Katla M. Þorgeirsdóttir) farmland to learn responsibility and work ethic away from the allure of her ocean-side city, young Sól (Gríma Valsdóttir) makes the […]

TIFF17 REVIEW: Menoana e Mehlano ea Marseilles [Five Fingers for Marseilles] [2017]

“The land is all the scripture we need” Director Michael Matthews and writer Sean Drummond were drawn to the landscapes of South Africa’s Eastern Cape while traveling their homeland, especially the echoes of classic cinematic western environments. Learning about how its current towns arose—from the ashes of Apartheid-era cities mimicking European capitals by name—only cemented […]

TIFF17 REVIEW: Gutland [2018]

“Well, it’s not impossible to learn” When a German drifter walks into the quaint Luxembourg village of Schandelsmillen with a scruffy beard, bag full of money, and stoically gruff attitude, we wonder what secrets his past holds. Jens Fauser (Frederick Lau) arrives with a single question: “Do you need help with the harvest?” That specific […]

TIFF17 REVIEW: Kissing Candice [2018]

“I never know whether I’m awake or asleep” With a first scene as stylish as that from Kissing Candice, the words “music video chic” come to mind before you can even discover writer/director Aoife McArdle is a James Vincent McMorrow regular who also released a short in collaboration with U2’s 2014 release Songs of Innocence. […]

TIFF17 REVIEW: Skyggenes Dal [Valley of Shadows] [2017]

“What we don’t understand scares us” Six year-old Aslak (Adam Ekeli) lives a quiet life with his single mother Astrid (Kathrine Fagerland) in a rural town adjacent to farmland and a mountaintop forest. He’s too young to understand all that’s happening around him—especially considering he’s generally told to keep away from the adults when they’re […]

TIFF17 REVIEW: The Crescent [2018]

“Yeah, sweetie. Daddy got lost.” It starts by enveloping us in marbleizing paint—overlapping colors raked to warp dots into abstract patterns—and the loud aural pulses of a musical soundscape as heavy and permanent as those oils are fluidly malleable. We assume it’s merely a sensory aesthetic Seth A. Smith constructs to provide the tone for […]