FANTASIA17 REVIEW: Replace [2017]

“I thought this was just a painkiller” There’s a captivating science fiction horror concept at the back of director Norbert Keil and co-writer Richard Stanley‘s Replace with the question: how far would you be willing to go for your youth? Do you crave longevity? Vanity? Rebirth? What would you sacrifice for it? Memory? Sanity? Life […]

FANTASIA17 REVIEW: 악녀 [Ak-Nyeo] [The Villainess] [2017]

“You came alone?” Writer/director Byung-gil Jung sure knows how to open an action flick. Think Oldboy‘s hallway scene from the first-person perspective of Hardcore Henry spilling over through a non-descript doorway into a wide-open setting for a one-on-twenty bloodbath a la Kill Bill‘s House of Blue Leaves sequence. Only when the orchestrator of this carnage […]

FANTASIA16 REVIEW: テラフォーマーズ [Tera Fōmāzu] [Terra Formars] [2016]

“Johj!” It’s the tail end of the twenty-first century and Earth has nearly overstayed its welcome with dwindling resources and over-population. Scientists believe they can release the CO2 pockets underneath Mars’ surface and move the Red Planet from -50 degrees Celsius into a human-friendly temperature and atmosphere. So mankind sends rockets of moss and cockroaches […]

FANTASIA16 REVIEW: The Eyes of My Mother [2016]

“Why would I kill you? You’re my only friend.” This is isolation, suffering. It’s also normal. We on the outside see Nicolas Pesce‘s debut feature The Eyes of My Mother as the former, young Francisca (Olivia Bond) swimming in a pool of abject dread as death proves a natural evolution for all living things. For […]

FANTASIA16 REVIEW: Shelley [2016]

“But it’s not just about the money” Everything starts so innocently that you’d be hard-pressed to realize Ali Abbasi‘s Shelley is a horror film besides the score’s dread-inducing soundscape rising to a deafening level of static. Sure the setting’s weird with Louise (Ellen Dorrit Petersen) and Kasper (Peter Christoffersen) living in the Danish woods without […]

FANTASIA16 REVIEW: I Am Not a Serial Killer [2016]

“Nightmares are nothing, man. Those pictures gave me a therapist.” Often lumped into the Young Adult category to the chagrin of author Dan Wells, I’m not sure I know many parents who would like to have their fourteen-year old child heading to theaters with friends for the cinematic adaptation of his debut I Am Not […]

FANTASIA16 REVIEW: Realive [2017]

“He sacrificed a remarkable woman for an inadequate dream” It’s been humanity’s dream since the dawn of time to find the fountain of youth: immortality. To live forever is the ultimate success for humanity’s optimistic idealism. We witness the pain and suffering death creates, constantly trying to distance ourselves from it by forgetting how our […]

FANTASIA16 REVIEW: Tank 432 [2016]

“Suck it in, remember your training, and get on with it” Director Ben Wheatley is showing his eye for talent by putting his name behind a guy who’s worked closely with him since 2011’s Kill List. A filmmaker in his own right, camera operator Nick Gillespie has stayed by Wheatley’s side on every subsequent project […]

FANTASIA16 REVIEW: Let Me Make You a Martyr [2016]

“You can’t fight fate” There’s a lot more to Corey Asraf and John Swab‘s debut feature Let Me Make You a Martyr than meets the eye. It looks like your run-of-the-mill revenge thriller with its prodigal son (Niko Nicotera‘s Drew Glass) returning home after an extended stay away to right the wrongs of the past. […]

FANTASIA16 REVIEW: Man Underground [2016]

“There’s not a lot of money in being a true patriot these days” Aliens are here. That’s the message Willem Koda (George Basil) would have us believe—the 360 viewers clicking on his YouTube channel’s posts. He’s an ex-geologist who rode a government contract until the unexplainable left him with nothing but emotional and psychological scarring, […]

FANTASIA16 REVIEW: Little Sister [2016]

“It took God six days to create the universe. You should be able to get your act together in five.” Saying Zach Clark‘s Little Sister being called a comedy does a disservice to the film seems like a slight on the genre. I know. But I don’t mean it that way. What this label does—even […]