TIFF18 REVIEW: Retrospekt [2018]

“Every Wednesday and … coffee” I can’t think of a better term to describe Esther Rots‘ Retrospekt than her own: “sensory cinema.” We get a feeling for what this means during the opening scene as Dan Geesin‘s score and Bas Kuijlenburg’s boomingly operatic baritone drowns out the action onscreen with English lyrics telling a story […]

TIFF18 REVIEW: Hjertelandet [Heartbound] [2018]

“I can sell my body if it helps my family” A film ten years in the making, anthropologist Sine Plambech and her director husband Janus Metz‘s open a door with Hjertelandet [Heartbound] onto an intriguing humanist story dealing with the complexities of life, love, and survival that spans almost nine thousand kilometers from Thailand to […]

TIFF18 REVIEW: The Third Wife [2018]

“One day you’ll like it for real” It’s 19th century Vietnam and fourteen-year old May (Nguyen Phuong Tra My) has just been married to a wealthy landowner named Hung (Long Le Vu). She wears a genuine smile on her face, this next chapter in life as hopeful as it is scary. She has two other […]

TIFF18 REVIEW: Las niñas bien [The Good Girls] [2018]

“So happy. We’re so happy.” Sofía Hernandez (Ilse Salas) has everything: three children she can ignore, servants and maids to take care of her every whim, and a husband (Flavio Medina‘s Fernando) who inherited his wealth from his father and still has yet to really work for it thanks to Uncle Javier (Diego Jáuregui) managing […]

TIFF18 REVIEW: Posledice [Consequences] [2018]

“I am what I am” Andrej (Matej Zemljic) is an eighteen-year old abuser. He’s stopped going to school, started getting into fights, disrespects his parents, and most recently hit a teen after she berated him for his not wanting sex. It’s an escalating series of incidents that no one is willing to deal with anymore, […]

TIFF18 REVIEW: Saf [2018]

“Everybody lies” America isn’t the only country with a portion of its population rejecting refugee clemency (although it’s the most high profile due to international stature, economic wealth, and so-called Christian charity). It’s also not the only one blinded to its hate when confronting the matter. Because that’s what it is to look down on […]

TIFF18 REVIEW: Il vizio della speranza [The Vice of Hope] [2018]

“Remember, misery isn’t the only thing that exists” Less than an hour from Naples, Italy is Castel Volturno, a place marred by newspaper headlines like “Forsaken Village” and “Sex, Drugs, and the Mafia.” It shouldn’t surprise then that director Edoardo De Angelis would use it as the setting for his latest film Il vizio della […]

TIFF18 REVIEW: First Man [2018]

“It’s kinda neat” The non-controversy surrounding Damien Chazelle‘s First Man shouldn’t surprise anyone who knows how political parties have appropriated art into their agendas since the dawn of time. Of course they’d glom onto the decision to ignore the lunar flag planting as some “un-American” thing rather than read the script, watch the movie, or […]

TIFF18 REVIEW: Rojo [2018]

“They say bodies appear in the desert” The film opens as people leave a house with objects in-hand, the assumption being that they were bought in an estate sale or pilfered before one could begin. A man (Diego Cremonesi) looks in the front door as clueless as we are to what’s happening before a jump […]

TIFF18 REVIEW: Can You Ever Forgive Me? [2018]

“Do you think they all know?” Do you have a Lee Israel work on your shelf? What should be a matter of owning one of her books or not since she was a notable author of biographies who hit the New York Times Best Sellers list, things get much more complicated when you look closer […]

TIFF18 REVIEW: Float Like a Butterfly [2018]

“Keep your head up” A lot can change in five to ten years and even more can unfortunately remain the same. When we first meet the Joyce family little Frances’ age has yet to hit double digits, her younger brother Patrick still clinging to their mom’s side. Their band of traveling Irish sing their folk […]