Category: Essays

The healing power of stories … Babel’s Edwidge Danticat

Jared Mobarak

With the recent earthquake in Japan calling to mind last year’s disaster in Haiti, Just Buffalo Literary Center’s newest Babel visitor couldn’t have been more appropriate. Moved to America at the age of twelve, the Haitian-born Edwidge Danticat found herself at the forefront of media coverage last year—a sort of expert on her Caribbean nation during those tough times. She did her best to steer outlets towards more fitting sources—historians, culturists, etc—but welcomed the duty to speak and put a face on her people. One of the youngest authors to…

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The 83rd Oscars recap through tweets …

Jared Mobarak

@jaredmobarak • Oscar time … congrats to The King’s Speech … why bother with the show when everyone thinks they know the winner? The 83rd Annual Academy Awards ceremony was quite possibly its worst incarnation the past decade. And things finally seemed to be going the right way. Hugh Jackman was fun; Steve Martin and Alec Baldwin were lukewarm, but the show was fun; and Neil Patrick Harris is Neil Patrick Harris. NPH can do no wrong. Much in that vein, I thought the pairing of James Franco and Anne…

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Picking Winners at the 83rd Annual Academy Awards

Jared Mobarak

Spree contributing writer William Altreuter, graphic designer Jared Mobarak, and I are going to share our thoughts on this week’s Oscar nominations. Let’s kick things off with a category whose victor—Colin “Mr. Darcy” Firth—seems to have already been agreed upon. — Christopher Schobert Best Actor:Javier Bardem: BiutifulJeff Bridges: True GritJesse Eisenberg: The Social NetworkColin Firth: The King’s SpeechJames Franco: 127 Hours William Altreuter: If the Academy had wanted to make a statement Jim Carrey‘s amazing turn in I Love You Phillip Morris would have found its way onto this list. Wouldn’t that…

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Telling your story brings you home … Babel’s Maxine Hong Kingston

Jared Mobarak

With Ed Cardoni back to open the festivities of the second installment of Just Buffalo Literary Center’s fourth Babel season, one could catch a quick glimpse of Maxine Hong Kingston trying to get on stage. During his tales of art funds and legislature votes and veto prevention, Kingston walked through the door before being asked to return backstage until after Michael Kelleher’s introduction of the series’ first American-born author. It was a sign of her enthusiasm and joy in talking to her fans and speaking about her work—each novel a…

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The Most Anticipated Films of 2011

Jared Mobarak

While Jon Favreau may say that 2011 looks to have a bloodbath summer on its hands with blockbusters galore taking 3D screens from each other, I’ll say right now that those aren’t the movies most intriguing me. Next year sees a return for Jack Sparrow, Lightning McQueen, Holmes and Watson, the Witwickys, Ethan Hunt, and, of course, everyone’s favorite Ghostface. Superheroes are king once more with Avengers, Mutants, and a delayed and beleaguered Black Beauty coming as well as our once beloved comedian Adam Sandler not only starring in a…

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Writing is a process of endless learning … Babel’s V.S. Naipaul

Jared Mobarak

The fourth season of Just Buffalo Literary Center’s Babel Series begun with a glaring omission—there was no Ed Cardoni at the podium on behalf of Hallwalls, replaced instead by the corporate spiel of ‘local global’ from HSBC’s Charlie Mendola, introduced by Just Buffalo’s Laurie Dean Torrell. I can’t blame the guy, though, since his company is footing a substantial portion of the funding now that the John R. Oshei Foundation‘s start-up capital has ended; the change just warranted mention, although it was good to see Cardoni still in attendance, collecting…

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TIFF10 RECAP: The Festival In Photos, Tweets & Reviews

Jared Mobarak

Another year done at the Toronto International Film Festival. It was a pretty uneventful trip into the city—besides a rogue Customs official’s 5 minute power trip before we reached the border—that saw a smooth two hour drive both to and from, a far cry from the parking lot car jams of a few short weeks earlier to hand in film picks for the advance lottery. 2010 saw its fair share of rain, the umbrella while waiting in line for Andrew Lau‘s screening of Jing mo fung wan: Chen Zhen [Legend…

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TIFF10: Day Four Recap

Jared Mobarak

Day Four at TIFF had a rough start if only because we had been out until 3am the previous night. Thankfully—although we really wanted to see it—Snabba Cash [Easy Money] had sold out because if we somehow got our hands on tickets, we would have headed to the theatre at 8am with probably three hours of sleep. Instead, we met up with our Syracuse journalism friends at Tim Horton’s around 11am and headed down to the Ryerson for Robert Redford‘s The Conspirator. We would have put money down that the…

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TIFF10: Day Three Recap

Jared Mobarak

Day Three at TIFF was by far our craziest of the year—seeing five films back-to-back from 11AM to 2:30AM. The late start allowed for a bit of sleeping in for preparation, as well as a semi-lengthy breakfast at Timmy Ho’s, both of which probably kept us from falling asleep during the marathon sittings. And while the last two of the night finally saw a bit of humor infused into the otherwise heavy schedule of dramas that do take something out of you, the morning opened with what could have been…

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TIFF10: Day Two Recap

Jared Mobarak

Day Two at TIFF may have started with two junket screenings, meaning there was no chance of seeing any filmmakers/actors, but it also began with what could be my number one film of the year—Never Let Me Go. Amidst the small contingent of press glomming down free danishes and coffee courtesy of Fox Searchlight was a work of art that will devastate even the most cynical of souls. It’s tough to go into detail of the plot, though, without ruining the nuance of the parallel universe world, one where disease…

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TIFF10: Day One Recap

Jared Mobarak

Day One at TIFF has been completed. It started with a bang … as in a rogue Customs agent yelling for us to stop at a cone wall before the actual stop followed by a seemingly exciting wrestling to the ground of two criminals at Dundas Square. We couldn’t stop to see the action completely because we had movies to see. Our first screening was cinema maestro Jean-Luc Godard‘s newest work Film socialisme [Film Socialism]. A complete head-scratcher consisting of unsubtitled French for 100 minutes, overlapping a random sequence of…

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