BIFF19 REVIEW: Rendezvous in Chicago [2019]

“The whole point of this game is to look” There’s a reason the first word in Michael Glover Smith‘s triptych Rendezvous in Chicago isn’t pluralized despite consisting of three distinct stories. It stems from the fact that Smith sought to close out his cinematic trilogy about on-screen relationships and communications within (Cool Apocalypse and Mercury […]