REVIEW: Buñuel en el laberinto de las tortugas [Buñuel in the Labyrinth of the Turtles] [2019]

I think I’ve been lost since I got here. Before surrealist legend Luis Buñuel found himself directing multiple films a year during the 1950s on the way to creating French classics like Belle de Jour and The Discreet Charm of the Bourgeoisie in the 60s and 70s respectively, he became a persona non grata when it came to European benefactors thanks to his feature debut L’Age d’Or labeling him a heretic and almost getting his producer excommunicated by the Pope. With Salvador Dali at his side, the Un Chien Andalou…

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REVIEW: Riot Girls [2019]

You feel me, bro? Following her success helming a segment in the well-received, woman-directed horror anthology XX, former Rue Morgue editor Jovanka Vuckovic delivers her feature film debut with the high concept, post-apocalyptic teen actioner Riot Girls. Obviously borrowing from the underground feminist punk movement Riot grrrl for its title (with an appropriate aesthetic and love for Joan Jett), screenwriter Katherine Collins‘ tale of rival gangs also takes many cues from “The Walking Dead” by applying that 90s-era subculture to its social commentary separating humans into two categories: those who…

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REVIEW: Un couteau dans le coeur [Knife+Heart] [2018]

She’s playing with real life. Anne Parèze (Vanessa Paradis) has ruined her love. What she’s done to push Loïs (Kate Moran) away is unknown, but her desperation ensures we know she was dumped and not the dumper. Whatever happened hasn’t soured their relationship completely, however. Loïs still cares enough about Anne as a person and especially as an artist to remain editor on her cheaply produced gay porn films utilizing the same loyal troupe of actors—her eye forever lingering on Anne’s smile whenever it’s caught on-camera before François (Bertrand Mandico)…

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REVIEW: Fast & Furious Presents: Hobbs & Shaw [2019]

How long have you worked here? After eight movies and an increasing cast of characters latching on without letting go, the Fast & Furious franchise found itself overcrowded. While not a problem on a supporting level, an ego trip logjam at the top almost always gets broken up. Luckily for Vin Diesel and Dwayne Johnson, Universal understands they can’t just boot one in favor of the other. Whether or not the pair’s rumored feud was a publicity stunt or legitimate clash of personalities, they had already become too important to…

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REVIEW: Les îles [Islands] [2018]

Tell me you want me. Winner of the Queer Palm at Cannes 2017 for short film, Yann Gonzalez‘s Les îles [Islands] delivers eroticism in many forms. From one scene of intimacy to the next, he lets his camera follow characters into the throes of sex before pulling out to show how one’s pleasures are another’s performance. A man (Alphonse Maîtrepierre) and woman (Mathilde Mennetrier) in bed are ruled by lust and ultimately revealed to be a horror trope of innocence lost for a monster (Romain Merle) to interrupt. His skin-less…

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FANTASIA19 REVIEW: 8 [2019]

I am the wanderer and you are mine forever. It’s a chicken and egg conundrum. Does a demon named Utuli roam the earth in search of souls to consume, feeding on the weakness of those who’ve endured lost to serve as its host? Or does it create turmoil and tragedy precisely to enlist those willing to give themselves over to its quest for satiation—causing the pain it feeds on rather than opportunistically finding the pain we create for ourselves? No matter which choice proves to be correct, we are left…

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