REVIEW: Transit [2018]

I won’t be writing anymore school essays. It took until the end of Christian Petzold‘s Transit and my reading the press notes to realize Georg’s (Franz Rogowski) story unfolded in the present day. I felt off-balance from the start as far as what the historical context for these events were because he was a German man in France fleeing an impending fascist force, hopeful of escaping somewhere outside of its reach. Was he Jewish? It’s never said. Is this the lead-up to World War II? Aesthetics, architecture, and cellphones prove…

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