REVIEW: The Virgin Suicides [2000]

“Obviously, Doctor, you’ve never been a 13-year-old girl” With all the accolades bestowed upon writer/director Sofia Coppola these past two decades, only an idiot would question her worth by saying she’s little more than her Hollywood royalty name. Those who said it back in 1999 as her debut feature The Virgin Suicides made the festival […]

REVIEW: How Do You Type a Broken Heart [2018]

“You have to fight” Addiction is a tough topic to do justice with in a short film. I don’t mean that as a commentary on duration, but honesty. The last thing you want to do is have a piece meant to conjure introspection and drama feel like a PSA commissioned by the same companies that […]

REVIEW: Entanglement [2018]

“Should I have brought you flowers too?” **POTENTIAL SPOILERS** There’s a great moment in Jeremiah Kipp‘s short film Entanglement wherein Frank (Lukas Hassel) explains to the second party of a random sexual encounter assumedly organized online (Robin Rose Singer‘s Jenny) how he used to “see” his ex-girlfriend everywhere after they broke up. Screenwriter Joseph Fiorillo […]

FANTASIA18 REVIEW: ルームロンダリング [Rûmu rondaringu] [Room Laundering] [2018]

“Don’t cry. Smile.” According to Kenji Katagiri‘s debut feature Rûmu rondaringu [Room Laundering]—and I have no reason to disbelieve him—Japan has a law stating that landlords must divulge whether a previous tenant died or suffered a violent crime within any newly vacated property to all prospective replacements. But while this rule makes sense considering people […]

FANTASIA18 REVIEW: Lifechanger [2018]

“I’m not ready to die” To take Justin McConnell‘s horror film Lifechanger at face value is a mistake. You won’t understand this truth right away, though, because it starts out being exactly what you thought. Emily Roberts (Elitsa Bako) awakens covered in blood next to an emaciated corpse as a man’s (Bill Oberst Jr.) voiceover […]

REVIEW: Sorry to Bother You [2018]

“More like apples and the Holocaust” If you’re still unsure about whether capitalism brought the United States to its current position with extreme political divisiveness and the fallacy of what’s left of the “American Dream,” rapper-turned-writer/director Boots Riley is here to break it down via a debut as satirically sound as it is insanely, absurdly […]

FANTASIA18 REVIEW: Blue My Mind [2018]

“I’m wasting my youth on trains” Adolescence is a metamorphosis from youth to adulthood—a time defined by its constant state of flux physically, emotionally, and psychologically. Puberty is the backbone to this period because of the changes it inflicts. It alters our hormones and appearance while also providing a moment with which to be reborn. […]

REVIEW: Three Identical Strangers [2018]

“I don’t know if this will turn out great or terrible” Just imagine you’re walking onto your college campus for the first time as a freshman and everyone passing by says hello. Okay. Maybe you’ve landed at a happy-go-lucky school of friendly co-eds ready to welcome all newcomers to the tribe. But then some say, […]

REVIEW: Leave No Trace [2018]

“We can still think our own thoughts” It’s easy to depict PTSD-suffering war veterans as unstable, dangerous, and beyond help from inevitable tragedy. This depiction has sadly become the Hollywood norm to conjure volatile dramatics devoid of the empathy those struggling to combat their demons deserve. If anyone could supply the necessary humanity to portray […]

REVIEW: Skyscraper [2018]

“Got any duct tape?” In an age of remakes, reboots, and rehashes, it’s suddenly become refreshing to see homage—especially the self-aware kind. If you’ve seen the alternate posters for Rawson Marshall Thurber‘s Skyscraper that crib off the designs of Die Hard and The Towering Inferno, you understand how the filmmakers have embraced comparison due to […]

INTERVIEW: Xavier Legrand, writer/director of Custody

It’s always a treat to see a director whose work you’ve enjoyed in short form make the leap to features—especially when the latter debuts at a venue as auspicious as the Toronto International Film Festival. This is exactly what happened with Xavier Legrand last year. Less than half a decade after earning his first Oscar […]