REVIEW: Who’s Watching Oliver [2018]

“I may not be pretty, but I have what you need” To think about a romantic serial killer thriller is to conjure thoughts of Natural Born Killers and its duo of equally despicable characters. It’s easy to believe two psychopaths can fall in love because they share a predilection for violence no one else would. […]

REVIEW: Sicario: Day of the Soldado [2018]

“Not ‘they’” There’s a reason for Emily Blunt‘s character Kate in Sicario. She’s the last vestige of law and order on the frontlines of a war that relinquished both long ago. Her FBI Agent believed in what she was doing and felt she could make a difference in the field to combat the drugs, bodies, […]

REVIEW: Hearts Beat Loud [2018]

“Whoopie pies and Spotify” It’s often at extreme times of upheaval that we find ourselves taking stock of our life, ambitions, and loves. While working hard to be successful enough to support our families, we have a tendency of leaving our dreams by the wayside and/or compartmentalizing our identities to serve the unavoidable pressures of […]

REVIEW: Jurassic World: Fallen Kingdom [2018]

“They’re alive. Like me.” Anyone who read/watched Jurassic Park in the 1990s should have known the product of John Hammond’s hubris: a marriage between mankind’s extinction and evolution into something more. This is what the themes of control and the lack thereof portend. To play God is to risk losing everything we have built in […]

REVIEW: Jurassic Park III [2001]

“No force on Earth or Heaven could get me on that island” It’s almost ironic to discover David Koepp—screenwriter of the franchise’s previous two installments—was the one to think up the “simpler” story concept that Peter Buchman (with revisions by Alexander Payne and Jim Taylor) ultimately built upon for Jurassic Park III. The man responsible […]

REVIEW: The Lost World: Jurassic Park [1997]

“So you went from capitalist to naturalist in just four years. That’s something.” It’s one thing for a movie to spawn a sequel for no other reason than money—especially at the Hollywood level where the capitalistic gains of producers usurp the artistic worth of its creators. But it’s another to ask the artist who spawned […]

REVIEW: Won’t You Be My Neighbor? [2018]

“Look for the helpers” I remember watching “Mister Rogers’ Neighborhood” as a kid, but couldn’t have told you anything about it besides the fact that Fred Rogers would trade his jacket for a cardigan and eventually let us travel to his Neighborhood of Make-Believe. To me it was the aesthetic that grabbed hold—the trolley trip […]

REVIEW: Irma Vep [1996]

“Have you sex with girls?” If you’re going to poke fun at the film industry, you might as well go for broke. Take Olivier Assayas‘ Irma Vep for example. Hot off the success of his acclaimed Cold Water, he was recruited for a project about foreigners in Paris with Claire Denis and Atom Egoyan. When […]

REVIEW: The Killing [1956]

“Just a bad joke without a punch line” After test screenings left audiences confused and frustrated, writer/director Stanley Kubrick and producing partner James B. Harris decided to return to the edit bay and turn The Killing‘s overlapping, repetitious structure into a more linear A-to-B narrative. You can’t blame the former for wanting to do everything […]

REVIEW: Never Steady, Never Still [2018]

“I’m full of memories. I’m full of hope. I’m full of regrets.” With a riveting central performance by Shirley Henderson as a woman dealing with advanced Parkinson’s, you wouldn’t be blamed for thinking Kathleen Hepburn‘s Never Steady, Never Still (adapted from her short of the same name) was simply about the tragedy of the disease. […]

Top 100 Albums of 2017

Honorable Mention: #100: Talking by Elderbrook #99: Carnival III:The Fall and Rise of a Refugee by Wyclef Jean #98: Somewhere in Between by VÉRITÉ #97: The World We Built by The Wild Reeds #96: Lines by Charlie Cunningham #95: Ti Amo by Phoenix #94: Confidently Lost by Sabrina Claudio #93: Last Place by Grandaddy #92: […]