REVIEW: Unsane [2018]

“Your life slips away from you, you know?” The tagline to Steven Soderbergh‘s Unsane reads as follows: “Is she or isn’t she?” Its context stems from Sawyer Valentini (Claire Foy) being presented as an unreliable narrator. She’s picked up her life and moved it from Boston to Pennsylvania to escape the troubles of her past—namely […]

REVIEW: Medicine for Melancholy [2009]

“It’s funny cause it’s not funny” We meet Micah (Wyatt Cenac) and Joanne (Tracey Heggins) without any context beyond the obvious fact that they slept together the night before. They’ve awakened in someone else’s bed, eventually taking turns in the bathroom to brush their teeth with their fingers. She seems embarrassed, covering up and staying […]

REVIEW: Guy and Madeline on a Park Bench [2010]

“Tell me what you think” I must have missed something. How does Damien Chazelle‘s debut feature Guy and Madeline on a Park Bench warrant any praise besides its context within La La Land‘s history? I say this as a Chazelle fan too. I think Whiplash was one of the best works of the decade and […]

REVIEW: Love, Simon [2018]

“You’re still you” There have been crazier premises for coming-of-age romantic comedies than having the lead fall in love via email with someone they’re afraid they’ll never meet. Unrequited love is nothing new to the genre and neither is an escalating series of mishaps and intentionally misleading manipulation on behalf of the lead towards his […]

REVIEW: Strong Island [2017]

“This house is made of bones” The 1992 murder of William Ford wasn’t a story when it happened. Outsiders might not even have known it occurred since the grand jury decided not to indict the man who admitted to firing the rifle that put a bullet in his chest. Anyone walking by would hear how […]

REVIEW: I Kill Giants [2018]

“We’re stronger than we think” While the main creative force behind I Kill Giants is unquestionably screenwriter Joe Kelly (whose limited comic series of the same name alongside artist J.M. Ken Niimura is the basis for his script), director Anders Walter‘s Oscar-winning short Helium shows he’s hardly a stranger to its subject matter. These two […]

REVIEW: Gringo [2018]

“Why’s everyone talking about gorillas all of a sudden?” You wouldn’t be wrong to view the trailer for Gringo and think, “I’ve seen this before.” You wouldn’t be wrong to assume it gave away the entire plot either—mild-mannered American is used by his ruthless bosses to perform a dangerous job they refuse to attempt and […]

REVIEW: The Party [2017]

“Another announcement. Good God.” I admire what Sally Potter is trying to do with her black comedy The Party as experiment. She’s placed a group of friends with different political, economic, and romantic views into a single room, hanging a secret(s) over their heads with the potential to destroy their individual and communal identities. They’re […]

The 90th Oscars recap through tweets …

If you thought this year’s Oscars were going to do something crazy or exciting, you haven’t been paying attention. Between the envelope-gate incident of 2017 and the fact that this was a “multiple of ten” anniversary, the 90th Annual Academy Awards was going to do everything it could to right the ship and ensure nothing […]

REVIEW: La montaña sagrada [The Holy Mountain] [1973]

“You are excrement. You can change yourself into gold.” To wish an art film took itself more seriously seems counterproductive considering most art films have their head so far up their backside that it would be impossible for them to do so. I love Matthew Barney‘s Cremaster series because it is so excessively pretentious and […]