REVIEW: This Giant Papier-Mâché Boulder Is Actually Really Heavy [2017]

Water is life. Sometimes the only way to get a story off the ground is shooting it whether the finances are there or not. And if that project is a science-fiction film—a genre with historical precedent in low budget effects and shoddy production value—you can even spin your lack of money as an intentional aesthetic choice. This is the position in which Christian Nicolson found himself, one he willingly embraced rather than rejected with a fight that could have prevented his vision from ever coming to fruition. He and Andrew…

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